Nikon D810A vs OM SYSTEM OM-3 ASTRO
Better figure, where one is clearly better
| NikonD810A | OM SYSTEMOM-3 ASTRO | |
|---|---|---|
| Overview | ||
| Released | May 2015 | February 2026 |
| Image and sensor | ||
| Camera type | DSLR | Mirrorless |
| Sensor format | Full frame | Four Thirds |
| Sensor type | CMOS | Stacked BSI Live MOS |
| Sensor dimensions | 35.9 × 24 mm | 17.3 × 13 mm |
| Effective resolution | 36.3 MP | 20.4 MP |
| Largest image | 7360 × 4912 | 5184 × 3888 |
| RAW recording | Yes | Yes |
| Standard ISO range | 200–12800 | – |
| Sensor detail | FX CMOS with 36.3 million effective pixels USA/global or 36.35 million Japan, 37.09 million total; no optical low-pass filter. Modified IR-cut filter transmits four times more H-alpha light than D810. Nikon warns of red casts under near-infrared-rich lighting or with reflective subjects and does not recommend general photography. Image Sensor Cleaning and Image Dust Off; FX 7360 × 4912, 1.2× crop 6144 × 4080, DX 4800 × 3200 and 5:4 crop 6144 × 4912 | Approximately 20.37 effective megapixels (maker Japan), rounded to 20.4 in UK table; 22.9 total megapixels. Modified infrared-cut filter transmits approximately 100% at Hα 656 nm and SII 672 nm (maker Japan illustration, not a guaranteed spectral curve) |
| Image formats | 12-bit or 14-bit NEF RAW, uncompressed, lossless-compressed or compressed; Small RAW fixed at 12-bit uncompressed. TIFF RGB, JPEG Fine/Normal/Basic with size-priority or optimal-quality compression, simultaneous RAW/JPEG; Flat and adjustable/custom Picture Controls | Ordinary JPEG and 12-bit RAW at 5184×3888; composite output up to 50 MP handheld or 80 MP tripod, with 12/14-bit high-resolution RAW. Composite resolution is not native sensor resolution |
| ISO detail | Standard ISO 200–12800 in one-third, half or whole stops; Lo expansion to ISO 100 equivalent and Hi expansion to ISO 51200 equivalent; automatic sensitivity control | Maker UK manual and Auto range extends from LOW approximately ISO 80 to 102400, Auto upper default 25600; maker Japan lists standard maximum 25600 |
| Image processor | EXPEED 4 | TruePic X |
| Lens and shooting | ||
| Lens mount | Nikon F mount | Micro Four Thirds |
| Stabilisation | Optical lens stabilisation | Lens and sensor shift |
| Maximum continuous burst | 5 fps | 120 fps |
| Lens detail | F mount with body AF coupling and contacts; G/E/D, other AF and AI-P lenses with restrictions; non-CPU AI lenses usable in A/M/M* with registered lens data, DX lenses use DX crop. Non-AI, IX and F3AF lenses excluded; USA G/H notation conflicts with Japan A/M/M* | – |
| Autofocus | Advanced Multi-CAM3500FX phase detection with 51 points, 15 cross-type and 11 f/8-compatible points; -2 to +19 EV at ISO 100 equivalent, 20°C. AF-S/AF-C, fine-tuning, single-point, dynamic nine/21/51, 3D tracking, group-area and auto-area. Live view uses contrast AF-S/AF-F and face/wide/normal/tracking areas; current USA detection-range -1 EV entry conflicts with its own -2 EV sensitivity entry and Japan, while AF-A listings conflict with Japan modes | 1053 cross-type phase detection positions and 1053 contrast positions; Starry Sky AF plus human, bird, animal and vehicle recognition |
| Shutter | Electronically controlled vertical-travel focal-plane shutter, 1/8000 to 30 seconds, Bulb and Time; electronic front curtain in mirror-up mode. M* adds 4/5/8/10/15/20/30/60/120/180/240/300/600/900-second presets. X-sync 1/250 second, up to 1/320 with reduced flash range | Mechanical 1/8000–60 seconds; electronic 1/32000–60 seconds; Bulb up to 30 minutes and Live Composite |
| Burst detail | Approximately 5 fps full FX or 5:4 and 6 fps DX or 1.2× crop on EN-EL15. DX reaches 7 fps with MB-D12 using batteries other than EN-EL15, or qualifying AC power; 1.2× remains 6 fps. Quiet continuous approximately 3 fps. M* continuous shooting at exposures of 4 seconds or longer removes the 100-shot limit, subject to battery/card capacity | Mechanical approximately 6 fps; electronic approximately 20 fps, SH1 up to 120 fps with focus/exposure fixed at first frame, SH2 up to 50 fps with compatible lenses. Maker examples at 120 fps 88 RAW/90 JPEG, at 50 fps 102 RAW/125 JPEG, with specified KIOXIA card and 12–40mm F2.8 PRO II |
| Stabilisation detail | VR depends on attached lens; no sensor-shift stabilisation | Five-axis sensor shift rated up to 6.5 central/5.5 corner stops with 12–45mm F4 PRO at 45mm; Sync IS up to 7.5 central/6.5 corner with 12–100mm F4 IS PRO at 100mm and half-press stabilisation off |
| Flash | Built-in i-TTL pop-up flash, guide number approximately 12 m at ISO 100, 20°C; commander mode, hot shoe, PC sync terminal and compatible Auto FP Speedlights | – |
| Exposure controls | P/S/A/M and long-exposure M*; 91000-pixel RGB matrix, centre-weighted, spot and highlight-weighted metering; ±5 EV compensation and exposure/flash/white-balance bracketing; HDR, interval timer and virtual horizon. Japan centre-weighted default 12 mm and spot range 2–20 EV differ from USA 8 mm and 0–20 EV | C1/C2 astrophotography presets, C3 handheld night scenes; 12-shot astrophotography stacking and star-motion alignment. Generic high-resolution table also describes an eight-shot mode. Live ND up to ND64, Live GND, HDR, focus stacking and Live Composite |
| Video | ||
| Highest video resolution | 1920 × 1080 at 60 fps | 4096 × 2160 at 60 fps |
| Video detail | FX- or DX-based 1920 × 1080 at 60p/50p/30p/25p/24p and 1280 × 720 at 60p/50p; MOV H.264/MPEG-4 AVC with linear PCM. Full HD 60p/50p limit 10 minutes high quality or 20 normal; other modes 20 minutes high or 29 min 59 s normal. Time-lapse movies; current USA general 20-minute limit omits mode/quality differences | Internal C4K 4096×2160 or UHD 3840×2160 up to 60p; H.264 or HEVC/H.265 MOV. H.264 table specifies 8-bit 4:2:0; OM-Log400, HLG and OM-Cinema1/2 profiles. Separate FHD high-speed up to 240 fps; HDMI 12-bit RAW is external output, not internal recording |
| Audio | Built-in stereo microphone; external 3.5 mm stereo input and headphone output, adjustable microphone sensitivity | Stereo microphones; 3.5 mm external microphone and headphone sockets; 48 kHz/16-bit or 96 kHz/24-bit PCM |
| Screen and viewfinder | ||
| Viewfinder | Optical | Electronic |
| Screen size | 3.2″ | 3″ |
| Screen dots | 1,229,000 | 1,620,000 |
| Touchscreen | No | Yes |
| Tilting screen | No | Yes |
| Display detail | Fixed 3.2-inch TFT, approximately 1229000 dots, 170° viewing angle and approximately 100% coverage; brightness adjustment and top status LCD. Exposure preview simulates 30 seconds for longer exposures, with up to 23× live-view enlargement; viewfinder virtual horizon illuminated red | Fully articulated 3-inch approximately 1.62-million-dot touchscreen |
| Viewfinder detail | Pentaprism; approximately 100% FX coverage, 97% DX/1.2× and 100% vertical/97% horizontal 5:4. Approximately 0.7× magnification with 50mm f/1.4 at infinity, 17 mm eyepoint, grid and depth-of-field preview | OLED approximately 2.36 million dots, approximately 100% coverage; maximum 1.37× magnification with 50mm lens at infinity at −1 dioptre, depending on finder style |
| Connections and design | ||
| Wi-Fi | – | Yes |
| Bluetooth | – | Yes |
| Battery life (maker's claim) | 1200 photographs | 590 photographs |
| Body weight | 880 g | 413 g (better) |
| Release detail | May 2015 release month; Nikon Japan records actual sale on 28 May, with global announcement dated 10 February. The regional day does not establish earliest worldwide sale | Japan on sale 27 February 2026, made to order; month precision retained because the exact first sale in other regions is unconfirmed |
| Recording media | One Type I CompactFlash slot with UDMA and one SD/SDHC/SDXC slot with UHS-I; overflow, backup, RAW/JPEG split and copying between cards | One SD/SDHC/SDXC slot; UHS-I and UHS-II |
| Ports | USB 3.0 Micro-B, mini HDMI Type C, 3.5 mm microphone and headphone sockets, PC sync and 10-pin remote/GPS terminal; wired LAN requires optional UT-1 | USB 3 Type-C, micro-HDMI Type D, 3.5 mm microphone/headphone sockets, hot shoe and flash sync socket; no wired remote-release input (Amateur Photographer) |
| Wireless connections | No built-in Wi-Fi or GPS; optional WT-5 with UT-1, GP-1/GP-1A GPS, WR-R10 with WR-A10 or WR-1. Japan marks WR-1 unsupported in M* mode | Bluetooth Low Energy 5.2 and Wi-Fi; location tagging from smartphone GPS; RM-WR2 Bluetooth remote, RM-WR1 unsupported |
| Battery life detail | EN-EL15, approximately 1200 CIPA shots. Original global announcement separately claims up to 3860 without built-in flash or immediate playback, and up to 10660 using body EN-EL15 plus grip EN-EL18a under those conditions; these are distinct from CIPA. Optional MB-D12 takes EN-EL15, EN-EL18/EN-EL18a with BL-5 or eight AA cells | BLX-1; approximately 590 standard or 1040 Quick Sleep shots with specified KIOXIA card; approximately 120 minutes CIPA video or 190 minutes with zoom and other operations disabled |
| Charging | External MH-25a charger; optional EH-5b AC adapter with EP-5B connector | In-camera USB charging and USB PD bus power; can operate while charging, subject to supply capability |
| Dimensions | Approximately 146 × 123 × 81.5 mm | Approximately 139.3×88.9×45.8 mm excluding protrusions |
| Weight detail | Approximately 880 g body only; 980 g with battery and SD card, excluding body cap | Approximately 413 g body only or 496 g with battery and card; maker Japan loaded figure excludes eyecup |
| Materials | Dust- and water-resistant sealing; magnesium-alloy body documented on Nikon USA refurbished product overview | IP53 or IPX1 depending on attached lens; operating temperature −10 to 40°C. Not an immersion rating |
| Colours | Black | Silver and black body with red ASTRO badge |
| In the box | EN-EL15, MH-25a, UC-E22 USB cable, AN-DC16 strap, BF-1B body cap, DK-17 eyepiece, USB/HDMI cable clips and BM-12 monitor cover (Japan package) | – |
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