Sony Alpha 77 II vs Sony Alpha SLT-A58
Better figure, where one is clearly better
| SonyAlpha 77 II | SonyAlpha SLT-A58 | |
|---|---|---|
| Overview | ||
| Released | May 2014 | April 2013 |
| Image and sensor | ||
| Camera type | Translucent mirror | Translucent mirror |
| Sensor format | APS-C | APS-C |
| Sensor type | Exmor CMOS | Exmor APS HD CMOS |
| Sensor dimensions | 23.5 × 15.6 mm | 23.2 × 15.4 mm |
| Effective resolution | 24.3 MP | 20.1 MP |
| Largest image | 6000 × 4000 | 5456 × 3632 |
| RAW recording | Yes | Yes |
| Standard ISO range | 100–25600 | 100–16000 |
| Sensor detail | 24.7 million total photosites; fixed translucent mirror provides the dedicated phase-detection AF sensor with light during live view and movie recording | 20.4 million total photosites; fixed translucent mirror feeds the dedicated phase-detection AF module while the main sensor supplies live view |
| Image formats | JPEG Extra Fine/Fine/Standard, RAW (Sony ARW 2.3) and RAW+JPEG; 3:2 or 16:9 stills; Sweep Panorama | JPEG, RAW (Sony ARW 2.3) and RAW+JPEG; 3:2 or 16:9 stills; no 3D panorama |
| ISO detail | Standard still ISO 100–25600, expanded ISO 50/64/80; multi-frame noise reduction up to ISO 51200; movie ISO 100–12800 | Auto ISO 100–3200; standard ISO 100–16000; multi-frame noise reduction extends to ISO 25600; movies ISO 100–3200 |
| Image processor | BIONZ X | BIONZ |
| Lens and shooting | ||
| Lens mount | Sony A-mount | Sony A-mount |
| Stabilisation | Sensor shift | Sensor shift |
| Maximum continuous burst | 12 fps | 5 fps |
| Lens detail | Sony, Minolta and Konica Minolta A-mount AF lenses; kit lens is separate from body specifications | Sony, Minolta and Konica Minolta A-mount AF lenses; kit lenses are separate from body specifications |
| Autofocus | 79 dedicated phase-detection points including 15 cross sensors and a central F2.8 sensor; EV −2–18 at ISO 100. AF-S, AF-A, AF-C, direct manual focus, Eye AF, Lock-on AF, expanded flexible spot, AF Range Control and AF micro-adjustment; usable AF points depend on lens and shooting mode | 15 phase-detection points including three cross sensors; AF-S, AF-A, AF-C and manual focus; EV −1–18 at ISO 100 with an F2.8 lens; Lock-on AF, zone/local selection and flash assist |
| Shutter | 1/8000–30 seconds and Bulb; flash sync 1/250 second; selectable electronic first curtain; maker shutter durability claim 150,000 activations | 1/4000–30 seconds and Bulb; flash sync 1/160 second; electronic first curtain selectable |
| Burst detail | Up to 12 fps at full resolution in Continuous Advance Priority AE with continuous autofocus. PhotographyBlog reports exposure locked at the start and aperture automatically set to F3.5 or the lens maximum if slower. Ordinary Hi/Lo reach 8/3 fps with more exposure control. Maker 12 fps buffer: 53 Extra Fine, 60 Fine or 64 Standard JPEG, 26 RAW or 25 RAW+JPEG; ordinary Hi: 56/75/93 JPEG, 28 RAW or 26 RAW+JPEG. Rates depend on card and conditions | Full-resolution continuous shooting up to 5 fps Hi or 2.5 fps Lo; Tele-zoom Continuous Advance Priority AE reaches 8 fps with central crop to approximately 5 MP JPEG (PhotographyBlog and Expert Reviews). Maker ordinary Hi buffer: seven Fine or eight Standard JPEG, six RAW or five RAW+JPEG; cropped mode 16 Fine or 19 Standard JPEG. Performance depends on card and shooting conditions |
| Stabilisation detail | SteadyShot INSIDE sensor shift for stills; electronic stabilisation for movies | SteadyShot INSIDE sensor shift for stills; electronic stabilisation for movies |
| Flash | Built-in flash, guide number 12 metres at ISO 100 with 16 mm coverage; Multi Interface Shoe | Automatic pop-up flash, guide number 10 metres at ISO 100; ADI/pre-flash TTL; Multi Interface Shoe; compatible external flash required for wireless and high-speed sync |
| Exposure controls | PASM, automatic, scene, panorama and three memory-recall settings; 1200-zone metering; ±5 EV compensation in 1/3 or 1/2 steps; D-Range Optimizer and Auto HDR | PASM, Intelligent Auto, Superior Auto, scene, panorama and Picture Effect modes; 1200-zone metering; ±3 EV still or ±2 EV movie compensation in 1/3 steps; D-Range Optimizer, Auto HDR and Auto Object Framing |
| Video | ||
| Highest video resolution | 1920 × 1080 at 60 fps | 1920 × 1080 at 30 fps |
| Video detail | AVCHD 2.0 Full HD at 60p/50p (28 Mbps), 60i/50i or 24p/25p (24 or 17 Mbps), depending on region. MP4 up to 1440 × 1080 at 30/25 fps. Clean HDMI output, zebra display, adjustable recording level and AF tracking sensitivity; maker continuous limit approximately 29 minutes or 2 GB | Japan/NTSC configuration: Full HD AVCHD 2.0 at 60 interlaced fields per second with 30 fps sensor output, or 24p, at approximately 24 or 17 Mbps. PAL models use 50i or 25p. No 50p/60p Full HD. MP4 up to 1440 × 1080 at 30 fps; main rate is sensor output, not interlaced field rate. Maker continuous limit approximately 29 minutes or 2 GB. Manual movie exposure and autofocus cannot operate together (Expert Reviews) |
| Audio | Built-in stereo microphone and mono playback speaker; 3.5 mm microphone input | Built-in stereo microphone and mono playback speaker; 3.5 mm external microphone input |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3″ | 2.7″ |
| Screen dots | 1,228,800 | 460,800 |
| Touchscreen | No | No |
| Tilting screen | Yes | Yes |
| Display detail | WhiteMagic LCD with three-way mechanism: 150° upward/180° downward tilt and 180° clockwise/90° anticlockwise rotation; top status display; dots include the additional white subpixels | Maker Japanese table specifies approximately 135° upward/55° downward tilt; PhotographyBlog and Expert Reviews describe 90°/45°. Dots count colour subpixels; focus peaking and magnification |
| Viewfinder detail | 0.5-type OLED Tru-Finder with 2,359,296 dots, 100% coverage and approximately 1.09× magnification with a 50 mm lens, equivalent to 0.71× on full frame | 0.39-type OLED Tru-Finder with 1,440,000 dots, 100% coverage and approximately 0.88× magnification with a 50 mm lens |
| Connections and design | ||
| Wi-Fi | Yes | No |
| Battery life (maker's claim) | 410 photographs | 690 photographs |
| Body weight | 647 g | 492 g (better) |
| Release detail | Sony Hong Kong specifies retail availability from the end of May 2014; Sony USA specifies June 2014 | Sony Asia Pacific and Hong Kong specify April 2013 retail availability |
| Recording media | Single slot for SD/SDHC/SDXC including UHS-I, Memory Stick PRO Duo, PRO-HG Duo or XC-HG Duo | Single slot accepting SD/SDHC/SDXC, Memory Stick PRO Duo, PRO-HG Duo and XC-HG Duo |
| Ports | Multi/Micro USB terminal, micro HDMI Type D, 3.5 mm microphone input, flash sync terminal, DC input, wired remote terminal and Multi Interface Shoe; no headphone output | USB 2.0 Multi/Micro USB terminal supporting PC remote, micro HDMI Type D, 3.5 mm microphone and DC input; Multi Interface Shoe; no headphone output |
| Wireless connections | IEEE 802.11b/g/n Wi-Fi at 2.4 GHz and NFC for one-touch sharing/remote control; no GPS | – |
| Battery life detail | NP-FM500H; maker CIPA claim approximately 410 photographs with viewfinder or 480 with LCD | NP-FM500H; maker CIPA claim approximately 690 photographs with viewfinder or 700 with LCD |
| Charging | Supplied BC-VM10A external battery charger | Supplied BC-VM10A external charger; no in-body charging |
| Dimensions | Approximately 142.6 × 104.2 × 80.9 mm (width × height × depth) | Approximately 128.6 × 95.5 × 77.7 mm (width × height × depth), excluding protrusions |
| Weight detail | Approximately 647 g body only or 726 g with battery and Memory Stick PRO Duo | Approximately 492 g body only, 573 g including battery and Memory Stick PRO Duo |
| Materials | Magnesium-alloy body with dust- and moisture-resistant seals; resistance is not waterproofing | – |
| Colours | Black | Black |
| In the box | NP-FM500H battery, BC-VM10A charger, shoulder strap, Micro USB cable, body cap, eyepiece cup and shoe cap; lens depends on kit | NP-FM500H battery, BC-VM10A charger, shoulder strap, Micro USB cable, body cap and eyepiece cup; lenses depend on kit |
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