Sony Alpha SLT-A57 vs Sony Alpha SLT-A58
Better figure, where one is clearly better
| SonyAlpha SLT-A57 | SonyAlpha SLT-A58 | |
|---|---|---|
| Overview | ||
| Released | April 2012 | April 2013 |
| Image and sensor | ||
| Camera type | Translucent mirror | Translucent mirror |
| Sensor format | APS-C | APS-C |
| Sensor type | Exmor APS HD CMOS | Exmor APS HD CMOS |
| Sensor dimensions | 23.5 × 15.6 mm | 23.2 × 15.4 mm |
| Effective resolution | 16.1 MP | 20.1 MP |
| Largest image | 4912 × 3264 | 5456 × 3632 |
| RAW recording | Yes | Yes |
| Standard ISO range | 100–16000 | 100–16000 |
| Sensor detail | 16.7 million total photosites; fixed translucent mirror feeds a dedicated phase-detection AF sensor while the main sensor supplies live view | 20.4 million total photosites; fixed translucent mirror feeds the dedicated phase-detection AF module while the main sensor supplies live view |
| Image formats | JPEG, RAW (Sony ARW 2.3), RAW+JPEG and 3D MPO panoramas; 3:2 or 16:9 stills | JPEG, RAW (Sony ARW 2.3) and RAW+JPEG; 3:2 or 16:9 stills; no 3D panorama |
| ISO detail | Auto ISO 100–3200; multi-frame noise reduction extends sensitivity to ISO 25600; movies ISO 100–3200 | Auto ISO 100–3200; standard ISO 100–16000; multi-frame noise reduction extends to ISO 25600; movies ISO 100–3200 |
| Image processor | BIONZ | BIONZ |
| Lens and shooting | ||
| Lens mount | Sony A-mount | Sony A-mount |
| Stabilisation | Sensor shift | Sensor shift |
| Maximum continuous burst | 10 fps | 5 fps |
| Lens detail | Compatible Sony, Minolta and Konica Minolta A-mount AF lenses; kit lenses are separate from body specifications | Sony, Minolta and Konica Minolta A-mount AF lenses; kit lenses are separate from body specifications |
| Autofocus | 15-point phase-detection AF with three cross sensors; EV −1–18 at ISO 100 with an F2.8 lens; AF-S, AF-A, AF-C and manual focus; zone and local selection, tracking AF and Eye-Start | 15 phase-detection points including three cross sensors; AF-S, AF-A, AF-C and manual focus; EV −1–18 at ISO 100 with an F2.8 lens; Lock-on AF, zone/local selection and flash assist |
| Shutter | 1/4000–30 seconds and Bulb; flash sync 1/160 second | 1/4000–30 seconds and Bulb; flash sync 1/160 second; electronic first curtain selectable |
| Burst detail | Up to 12 fps with full-time continuous AF in Tele-zoom Continuous Advance Priority AE: 1.4× centre crop, medium/small JPEG only. Full-resolution Continuous Advance Priority AE reaches 10 fps; ordinary drive 8 fps Hi or 3 fps Lo. Maker buffer claim at 10 fps: 23 Fine JPEG, 27 Standard JPEG, 21 RAW or 18 RAW+JPEG frames; cropped 12 fps: 23 Fine or 25 Standard JPEG frames. In the 10/12 fps AF modes aperture is controlled to f/3.5, or the maximum aperture of a slower lens; the 12 fps maximum image is approximately 8.4 MP. | Full-resolution continuous shooting up to 5 fps Hi or 2.5 fps Lo; Tele-zoom Continuous Advance Priority AE reaches 8 fps with central crop to approximately 5 MP JPEG (PhotographyBlog and Expert Reviews). Maker ordinary Hi buffer: seven Fine or eight Standard JPEG, six RAW or five RAW+JPEG; cropped mode 16 Fine or 19 Standard JPEG. Performance depends on card and shooting conditions |
| Stabilisation detail | SteadyShot INSIDE sensor shift for stills, maker claim approximately 2.5–4.5 stops; electronic stabilisation for movies | SteadyShot INSIDE sensor shift for stills; electronic stabilisation for movies |
| Flash | Automatic pop-up flash, guide number 10 in metres at ISO 100; ADI and pre-flash TTL control; compatible external flash required for wireless flash and high-speed sync | Automatic pop-up flash, guide number 10 metres at ISO 100; ADI/pre-flash TTL; Multi Interface Shoe; compatible external flash required for wireless and high-speed sync |
| Exposure controls | PASM, Intelligent Auto, Superior Auto, scene and panorama modes; 1200-zone metering; ±3 EV compensation in 1/3 steps; three-frame Auto HDR, D-Range Optimizer, Picture Effects and Auto Portrait Framing | PASM, Intelligent Auto, Superior Auto, scene, panorama and Picture Effect modes; 1200-zone metering; ±3 EV still or ±2 EV movie compensation in 1/3 steps; D-Range Optimizer, Auto HDR and Auto Object Framing |
| Video | ||
| Highest video resolution | 1920 × 1080 at 60 fps | 1920 × 1080 at 30 fps |
| Video detail | Japan/NTSC model: 1920 × 1080 AVCHD 2.0 at 60p/28 Mbps, 60i/24 or 17 Mbps, and 24p/24 or 17 Mbps. PAL models use 50p, 50i and 25p. MP4 supports 1440 × 1080 or VGA. P/A/S/M movie exposure modes require manual focus; continuous phase-detection AF is available with automatic movie exposure. | Japan/NTSC configuration: Full HD AVCHD 2.0 at 60 interlaced fields per second with 30 fps sensor output, or 24p, at approximately 24 or 17 Mbps. PAL models use 50i or 25p. No 50p/60p Full HD. MP4 up to 1440 × 1080 at 30 fps; main rate is sensor output, not interlaced field rate. Maker continuous limit approximately 29 minutes or 2 GB. Manual movie exposure and autofocus cannot operate together (Expert Reviews) |
| Audio | Built-in stereo microphone with wind-noise reduction, external stereo microphone input and mono playback speaker | Built-in stereo microphone and mono playback speaker; 3.5 mm external microphone input |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3″ | 2.7″ |
| Screen dots | 921,600 | 460,800 |
| Touchscreen | No | No |
| Tilting screen | Yes | Yes |
| Display detail | Xtra Fine LCD with 180° tilt and 270° rotation on a bottom hinge; focus peaking and magnification; dots count colour subpixels | Maker Japanese table specifies approximately 135° upward/55° downward tilt; PhotographyBlog and Expert Reviews describe 90°/45°. Dots count colour subpixels; focus peaking and magnification |
| Viewfinder detail | 0.46-type SVGA electronic finder, 100% coverage; 1,440,000 effective dots at maximum magnification (1.04× with a 50 mm lens), or 1,253,280 at standard magnification (0.97×); electronic level and grids | 0.39-type OLED Tru-Finder with 1,440,000 dots, 100% coverage and approximately 0.88× magnification with a 50 mm lens |
| Connections and design | ||
| Wi-Fi | – | No |
| Battery life (maker's claim) | 550 photographs | 690 photographs |
| Body weight | 539 g | 492 g (better) |
| Release detail | Sony UK specifies early April 2012 for European availability; Japan’s revised announcement specifies 27 April 2012. April is the earliest maker-stated retail precision found. | Sony Asia Pacific and Hong Kong specify April 2013 retail availability |
| Recording media | Single slot accepting SD, SDHC, SDXC, Memory Stick PRO Duo and PRO-HG Duo | Single slot accepting SD/SDHC/SDXC, Memory Stick PRO Duo, PRO-HG Duo and XC-HG Duo |
| Ports | USB 2.0 Hi-Speed, mini HDMI Type C, 3.5 mm stereo microphone input, wired remote and DC input; optional infrared remote; Auto-lock accessory shoe | USB 2.0 Multi/Micro USB terminal supporting PC remote, micro HDMI Type D, 3.5 mm microphone and DC input; Multi Interface Shoe; no headphone output |
| Battery life detail | NP-FM500H; CIPA maker claim approximately 550 photographs using the viewfinder or 590 using the LCD | NP-FM500H; maker CIPA claim approximately 690 photographs with viewfinder or 700 with LCD |
| Charging | Supplied BC-VM10A external charger | Supplied BC-VM10A external charger; no in-body charging |
| Dimensions | Approximately 132.1 × 97.5 × 80.7 mm (width × height × depth), excluding protrusions | Approximately 128.6 × 95.5 × 77.7 mm (width × height × depth), excluding protrusions |
| Weight detail | Approximately 539 g body only; 618 g including battery and Memory Stick PRO Duo | Approximately 492 g body only, 573 g including battery and Memory Stick PRO Duo |
| Colours | Black | Black |
| In the box | NP-FM500H battery, BC-VM10A charger, shoulder strap, eyepiece cup, USB cable and software CD; lenses depend on kit | NP-FM500H battery, BC-VM10A charger, shoulder strap, Micro USB cable, body cap and eyepiece cup; lenses depend on kit |
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