Olympus PEN-F vs Sony Alpha 6300
Better figure, where one is clearly better
| OlympusPEN-F | SonyAlpha 6300 | |
|---|---|---|
| Overview | ||
| Released | February 2016 | March 2016 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Four Thirds | APS-C |
| Sensor type | Live MOS | Exmor CMOS |
| Sensor dimensions | 17.4 × 13 mm | 23.5 × 15.6 mm |
| Effective resolution | 20.3 MP | 24.2 MP |
| Largest image | 5184 × 3888 | 6000 × 4000 |
| RAW recording | Yes | Yes |
| Standard ISO range | 200–25600 | 100–25600 |
| Sensor detail | Approximately 21.77 total megapixels; no optical low-pass filter; Supersonic Wave Filter dust reduction | Approximately 25.0 million total pixels; anti-static coating and ultrasonic dust reduction |
| Image formats | JPEG, 12-bit losslessly compressed ORF RAW and RAW+JPEG; High Res Shot combines eight shifted exposures into 8160×6120 JPEG or 10368×7776 RAW, separately from ordinary native-resolution photographs | JPEG, compressed RAW and RAW+JPEG; ARW 2.3; 14-bit RAW support under Sony's stated conditions |
| ISO detail | ISO 200–25600; expanded LOW equivalent to ISO 80 | ISO 51200 is expanded; standard still and movie range tops out at ISO 25600 |
| Image processor | TruePic VII | BIONZ X |
| Lens and shooting | ||
| Lens mount | Micro Four Thirds | Sony E-mount |
| Stabilisation | Sensor shift | Optical lens stabilisation |
| Maximum continuous burst | 20 fps | 11 fps |
| Lens detail | – | ILCE-6300L includes E PZ 16–50mm F3.5–5.6 OSS; later ILCE-6300M kit uses E 18–135mm F3.5–5.6 OSS |
| Autofocus | 81-area contrast detection; single, continuous and tracking AF, manual focus, face and near-eye priority; touchscreen AF targeting pad, magnification and four-colour focus peaking | 425 phase-detection and 169 contrast-detection points; AF-A/S/C, DMF and manual focus; Lock-on AF and Eye AF |
| Shutter | Mechanical 1/8000–60 seconds; electronic 1/16000–60 seconds; electronic first curtain 1/320–60 seconds, switching to mechanical at faster speeds; Bulb/Time up to 30 minutes and Live Composite up to three hours | 30 seconds to 1/4000 second plus Bulb; electronic first curtain and silent shooting; flash sync 1/160 second |
| Burst detail | Silent H+ electronic shooting up to 20 fps; mechanical high up to 10 fps with focus and exposure fixed at the first frame and stabilisation off; low up to 5 fps with continuous autofocus. Maker mechanical-high buffer approximately 39 RAW or 45 large-normal JPEG with specified Toshiba UHS-II card and lens | Up to 11 fps with AF tracking; up to 8 fps with live preview. Sony lists buffers of 47 Fine JPEG or 21 RAW/RAW+JPEG images. |
| Stabilisation detail | Five-axis sensor shift, rated up to 5 CIPA stops with M.Zuiko Digital ED 14–42mm F3.5–5.6 EZ at 42 mm; compatible with Sync IS lenses. Movie M-IS1 adds electronic correction and a crop; M-IS2 uses sensor shift alone | Optical correction depends on the lens; no sensor-shift stabilisation |
| Flash | No built-in flash; supplied camera-powered FL-LM3 bounce flash, guide number 9.1 at ISO 100 or 12.9 at ISO 200; mechanical synchronisation up to 1/250 second and electronic up to 1/20 second; hot shoe and wireless RC flash control | Built-in pop-up flash; guide number 6 at ISO 100 in metres; Multi Interface Shoe |
| Exposure controls | P/A/S/M, four custom mode-dial positions, HDR, exposure and focus bracketing, Live Composite and Live Time; front Creative Dial accesses monochrome profiles, colour profiles, Art Filters and Color Creator; no in-camera focus stacking | PASM, auto and scene modes, Sweep Panorama, DRO and Auto HDR |
| Video | ||
| Highest video resolution | 1920 × 1080 at 60 fps | 3840 × 2160 at 30 fps |
| Video detail | MOV H.264 Full HD 60/50/30/25/24p; 60p is 59.94 fps. ALL-I Full HD up to 30p at approximately 77 Mbps; maximum MOV clip approximately 29 minutes. 4K 5 fps is assembled time-lapse output, not ordinary 4K video; VGA high-speed capture up to 120 fps | XAVC S 4K up to 30p/24p in NTSC mode, up to 100 Mbps; Full HD up to 120p; S-Log2, S-Log3 and S-Gamut profiles. Sony specifies 6K-equivalent full-pixel readout at 24p; 30p uses a smaller readout area. |
| Audio | Built-in stereo microphone, 16-bit 48 kHz linear PCM, recording-level control and wind-noise reduction | Stereo microphone and 3.5 mm microphone input; no headphone output |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3″ | 3″ |
| Screen dots | 1,040,000 | 921,600 |
| Touchscreen | Yes | No |
| Tilting screen | Yes | Yes |
| Display detail | Vari-angle display with forward-facing selfie position; Japanese maker table rounds resolution to 1.04 million dots, while both reviews specify 1.037 million | Screen tilts approximately 90° up or 45° down; no touch input |
| Viewfinder detail | Approximately 2.36-million-dot OLED, 100% coverage; 1.08× magnification in styles 1/2 or 1.23× in style 3 with a 50 mm lens at infinity; simulated optical-viewfinder display remains electronic | 0.39-type OLED, 2,359,296 dots; approximately 0.70× 35 mm-equivalent magnification; high-frame-rate display mode |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Battery life (maker's claim) | 330 photographs | 400 photographs |
| Body weight | 373 g | 361 g (better) |
| Release detail | Maker announcement scheduled Japan sale for 26 February 2016. The Society of Photographic Science and Technology of Japan's retrospective records actual February 2016 release; month precision retained because a worldwide first-sale day is not established | Sony Japan specifies 11 March 2016 for ILCE-6300 and ILCE-6300L; this is the original Alpha 6300. |
| Recording media | One SD slot; SDHC/SDXC and UHS-I/UHS-II support | One shared SD/Memory Stick slot; SDHC/SDXC UHS-I |
| Ports | USB 2.0 Hi-Speed proprietary multi-connector for USB, AV and optional RM-UC1 remote; micro-HDMI Type D and hot shoe. Photography Blog's mini-HDMI wording differs from the maker's Type D specification | Multi/Micro USB, Micro HDMI Type D, microphone input and Multi Interface Shoe |
| Wireless connections | Wi-Fi IEEE 802.11b/g/n; smartphone remote shooting, image transfer and location tagging through Olympus Image Share | 2.4 GHz IEEE 802.11b/g/n Wi-Fi and NFC |
| Battery life detail | BLN-1 rechargeable battery; approximately 330 CIPA photographs with stabilisation on and specified Toshiba SDHC card. Movie life approximately 80 minutes under JEITA conditions or 140 minutes without zoom and other operations, repeatedly recording maximum-length clips | NP-FW50; CIPA approximately 400 photographs with LCD or 350 with viewfinder |
| Charging | Supplied BCN-1 external battery charger | In-camera USB charging and USB power supply |
| Dimensions | 124.8×72.1×37.3 mm, excluding protrusions | 120.0 × 66.9 × 59.6 mm; depth from grip to monitor 48.8 mm |
| Weight detail | Approximately 373 g body only or 427 g with supplied battery and memory card | Approximately 361 g body only (Sony Japan); 404 g with battery and memory card |
| Materials | Magnesium top and front covers, aluminium bottom cover and machined dials; synthetic leather covering. No weather sealing, reported by Photography Blog; plastic rear buttons, reported by Digital Camera World | Magnesium-alloy front, top and rear covers and internal frame; dust/moisture-resistant design is not a waterproof guarantee |
| Colours | Silver with black covering or black | – |
| In the box | Body, FL-LM3 flash, BLN-1 battery, BCN-1 charger, USB cable, shoulder strap, software and documentation | NP-FW50 battery, AC adapter, shoulder strap, body cap, accessory-shoe cap, eyepiece cup and Micro USB cable; kit lens varies |
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