Olympus PEN-F vs Sony Alpha 6500
Better figure, where one is clearly better
| OlympusPEN-F | SonyAlpha 6500 | |
|---|---|---|
| Overview | ||
| Released | February 2016 | November 2016 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Four Thirds | APS-C |
| Sensor type | Live MOS | Exmor CMOS |
| Sensor dimensions | 17.4 × 13 mm | 23.5 × 15.6 mm |
| Effective resolution | 20.3 MP | 24.2 MP |
| Largest image | 5184 × 3888 | 6000 × 4000 |
| RAW recording | Yes | Yes |
| Standard ISO range | 200–25600 | 100–25600 |
| Sensor detail | Approximately 21.77 total megapixels; no optical low-pass filter; Supersonic Wave Filter dust reduction | Approximately 25.0 million total pixels; 3:2 aspect ratio |
| Image formats | JPEG, 12-bit losslessly compressed ORF RAW and RAW+JPEG; High Res Shot combines eight shifted exposures into 8160×6120 JPEG or 10368×7776 RAW, separately from ordinary native-resolution photographs | JPEG, compressed RAW and RAW+JPEG; ARW 2.3; 14-bit RAW support |
| ISO detail | ISO 200–25600; expanded LOW equivalent to ISO 80 | ISO 51200 is expanded; Auto ISO limits configurable |
| Image processor | TruePic VII | BIONZ X with front-end LSI |
| Lens and shooting | ||
| Lens mount | Micro Four Thirds | Sony E-mount |
| Stabilisation | Sensor shift | Sensor shift |
| Maximum continuous burst | 20 fps | 11 fps |
| Autofocus | 81-area contrast detection; single, continuous and tracking AF, manual focus, face and near-eye priority; touchscreen AF targeting pad, magnification and four-colour focus peaking | 425 phase-detection and 169 contrast-detection points; Lock-on AF and Eye AF with AF-C; EV −1 to 20 at ISO 100 with F2 lens |
| Shutter | Mechanical 1/8000–60 seconds; electronic 1/16000–60 seconds; electronic first curtain 1/320–60 seconds, switching to mechanical at faster speeds; Bulb/Time up to 30 minutes and Live Composite up to three hours | 30 seconds to 1/4000 second plus Bulb; electronic first curtain and silent shooting; flash sync 1/160 second |
| Burst detail | Silent H+ electronic shooting up to 20 fps; mechanical high up to 10 fps with focus and exposure fixed at the first frame and stabilisation off; low up to 5 fps with continuous autofocus. Maker mechanical-high buffer approximately 39 RAW or 45 large-normal JPEG with specified Toshiba UHS-II card and lens | Up to 11 fps Hi+ with AF/AE tracking; 8 fps live view. Current Japanese sheet lists Hi+ buffers of 301 Standard JPEG, 269 Fine JPEG, 233 Extra Fine JPEG, 107 RAW or 100 RAW+JPEG; launch press claim of 307 Fine JPEG applies to Hi mode. |
| Stabilisation detail | Five-axis sensor shift, rated up to 5 CIPA stops with M.Zuiko Digital ED 14–42mm F3.5–5.6 EZ at 42 mm; compatible with Sync IS lenses. Movie M-IS1 adds electronic correction and a crop; M-IS2 uses sensor shift alone | Five-axis sensor shift; five-stop CIPA pitch/yaw claim with Sonnar T* FE 55mm F1.8 ZA and long-exposure noise reduction off; correction depends on lens |
| Flash | No built-in flash; supplied camera-powered FL-LM3 bounce flash, guide number 9.1 at ISO 100 or 12.9 at ISO 200; mechanical synchronisation up to 1/250 second and electronic up to 1/20 second; hot shoe and wireless RC flash control | Built-in pop-up flash; guide number 6 at ISO 100 in metres; Multi Interface Shoe |
| Exposure controls | P/A/S/M, four custom mode-dial positions, HDR, exposure and focus bracketing, Live Composite and Live Time; front Creative Dial accesses monochrome profiles, colour profiles, Art Filters and Color Creator; no in-camera focus stacking | PASM, auto and scene modes, Sweep Panorama, DRO and Auto HDR |
| Video | ||
| Highest video resolution | 1920 × 1080 at 60 fps | 3840 × 2160 at 30 fps |
| Video detail | MOV H.264 Full HD 60/50/30/25/24p; 60p is 59.94 fps. ALL-I Full HD up to 30p at approximately 77 Mbps; maximum MOV clip approximately 29 minutes. 4K 5 fps is assembled time-lapse output, not ordinary 4K video; VGA high-speed capture up to 120 fps | XAVC S 4K at up to 100 Mbps; 30p/24p NTSC or 25p PAL. Full HD up to 120p NTSC/100p PAL; S-Log2, S-Log3 and S&Q modes. |
| Audio | Built-in stereo microphone, 16-bit 48 kHz linear PCM, recording-level control and wind-noise reduction | Stereo microphone and 3.5 mm microphone input; no headphone output |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3″ | 3″ |
| Screen dots | 1,040,000 | 921,600 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | Vari-angle display with forward-facing selfie position; Japanese maker table rounds resolution to 1.04 million dots, while both reviews specify 1.037 million | Screen tilts approximately 90° up or 45° down; touch focus and touchpad |
| Viewfinder detail | Approximately 2.36-million-dot OLED, 100% coverage; 1.08× magnification in styles 1/2 or 1.23× in style 3 with a 50 mm lens at infinity; simulated optical-viewfinder display remains electronic | 0.39-type OLED, 2,359,296 dots; approximately 0.70× 35 mm-equivalent magnification |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | – | Yes |
| Battery life (maker's claim) | 330 photographs | 350 photographs |
| Body weight | 373 g (better) | 410 g |
| Release detail | Maker announcement scheduled Japan sale for 26 February 2016. The Society of Photographic Science and Technology of Japan's retrospective records actual February 2016 release; month precision retained because a worldwide first-sale day is not established | Sony's North American announcement states shipping in November 2016; month precision is retained. Hong Kong availability was December 2016. |
| Recording media | One SD slot; SDHC/SDXC and UHS-I/UHS-II support | One shared SD/Memory Stick slot; SDHC/SDXC UHS-I |
| Ports | USB 2.0 Hi-Speed proprietary multi-connector for USB, AV and optional RM-UC1 remote; micro-HDMI Type D and hot shoe. Photography Blog's mini-HDMI wording differs from the maker's Type D specification | Multi/Micro USB, Micro HDMI Type D, microphone input and Multi Interface Shoe |
| Wireless connections | Wi-Fi IEEE 802.11b/g/n; smartphone remote shooting, image transfer and location tagging through Olympus Image Share | 2.4 GHz Wi-Fi, NFC and Bluetooth smartphone location linking |
| Battery life detail | BLN-1 rechargeable battery; approximately 330 CIPA photographs with stabilisation on and specified Toshiba SDHC card. Movie life approximately 80 minutes under JEITA conditions or 140 minutes without zoom and other operations, repeatedly recording maximum-length clips | NP-FW50; CIPA approximately 350 photographs with LCD or 310 with viewfinder |
| Charging | Supplied BCN-1 external battery charger | In-camera USB charging and USB power supply |
| Dimensions | 124.8×72.1×37.3 mm, excluding protrusions | 120.0 × 66.9 × 64.4 mm; depth from grip to monitor 53.3 mm |
| Weight detail | Approximately 373 g body only or 427 g with supplied battery and memory card | Approximately 410 g body only; 453 g with battery and memory card |
| Materials | Magnesium top and front covers, aluminium bottom cover and machined dials; synthetic leather covering. No weather sealing, reported by Photography Blog; plastic rear buttons, reported by Digital Camera World | Magnesium alloy body with dust and moisture resistance; not guaranteed in all conditions |
| Colours | Silver with black covering or black | – |
| In the box | Body, FL-LM3 flash, BLN-1 battery, BCN-1 charger, USB cable, shoulder strap, software and documentation | NP-FW50 battery, AC-UUD12 adapter, shoulder strap, body cap, accessory shoe cap, eyepiece cup and Micro USB cable (Japanese specification); kit lens where selected |
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