Sony Alpha 7C II vs Sony Alpha 99 II
Better figure, where one is clearly better
| SonyAlpha 7C II | SonyAlpha 99 II | |
|---|---|---|
| Overview | ||
| Released | September 2023 | November 2016 |
| Image and sensor | ||
| Camera type | Mirrorless | Translucent mirror |
| Sensor format | Full frame | Full frame |
| Sensor type | Back-illuminated Exmor R CMOS | Back-illuminated Exmor R CMOS |
| Sensor dimensions | 35.9 × 23.9 mm | 35.9 × 24 mm |
| Effective resolution | 33 MP | 42.4 MP |
| Largest image | 7008 × 4672 | 7952 × 5304 |
| RAW recording | Yes | Yes |
| Standard ISO range | 100–51200 | 100–25600 |
| Sensor detail | Approximately 34.1 million total pixels; optical low-pass filter; maker maximum movie effective resolution 27.6 MP | 43.6 million total photosites; back-illuminated full-frame sensor without an optical low-pass filter; translucent mirror directs light to the dedicated AF sensor |
| Image formats | JPEG, HEIF and RAW (Sony ARW 5.0); 14-bit RAW output; compressed, lossless-compressed and uncompressed RAW options; XAVC S, XAVC S-I and XAVC HS movies | JPEG Extra Fine/Fine/Standard, compressed or uncompressed 14-bit RAW (Sony ARW 2.3) and RAW+JPEG; 3:2 or 16:9 stills; APS-C capture up to 5168 × 3448; Sweep Panorama |
| ISO detail | Standard still-image and movie ISO 100–51200; still-image extension ISO 50–204800; movie extension reaches ISO 102400. Photography Blog lists a lower extended maximum; Sony’s explicit specification is used. | Standard still and movie ISO 100–25600; expanded still ISO 50–102400; Auto ISO 100–6400 with adjustable bounds |
| Image processor | BIONZ XR and dedicated AI processing unit | BIONZ X with front-end LSI |
| Lens and shooting | ||
| Lens mount | Sony E-mount | Sony A-mount |
| Stabilisation | Sensor shift | Sensor shift |
| Maximum continuous burst | 10 fps | 12 fps |
| Lens detail | Interchangeable E-mount; body-only and FE 28–60 mm f/4–5.6 kit offered; the photo shows both body colours with this optional kit lens | Sony, Minolta and Konica Minolta A-mount AF lenses; hybrid AF availability depends on lens compatibility |
| Autofocus | Fast Hybrid AF; up to 759 phase-detection points for stills or 627 for movies; EV -4 to 20 at ISO 100 with an f/2 lens; current maker subjects include automatic selection, humans, animals, birds, insects, cars, trains and aircraft | 79 dedicated phase-detection points including 15 cross sensors and a central F2.8 sensor, combined with 399 on-sensor phase-detection points (323 selectable) for 79 hybrid cross points. Central dedicated point sensitivity EV −4–18 at ISO 100 with F2.8 lens. AF-S/AF-A/AF-C, direct manual focus, Eye AF, Lock-on AF and AF micro-adjustment; on-sensor system unavailable for movies |
| Shutter | Electronic first-curtain mechanical shutter up to 1/4000 second; silent electronic shutter up to 1/8000 second; 30-second exposures and Bulb; flash sync 1/160 second full-frame or 1/200 second APS-C with Sony flash | 1/8000–30 seconds and Bulb; flash sync 1/250 second; selectable electronic first curtain; maker shutter durability claim more than 300,000 operations with electronic first curtain active |
| Burst detail | Up to 10 fps Hi+; maker buffer approximately 44 compressed RAW, 27 lossless-compressed RAW or 18 uncompressed RAW images; over 1,000 Fine JPEGs. Amateur Photographer notes 10 fps requires compressed RAW and gives 8 fps live-view continuous or 6 fps with lossless-compressed RAW. | Up to 12 fps Hi+ at full resolution with AF/AE tracking; up to 8 fps Hi with continuous live view, 6 fps Mid or 4 fps Lo. In Hi+, focus locks on the first frame at F9 or smaller apertures with hybrid AF, or at F4 or smaller without hybrid AF. Maker Hi+ buffer: 60 Extra Fine/63 Fine/64 Standard JPEG, 54 compressed RAW or RAW+JPEG, 25 uncompressed RAW or 24 uncompressed RAW+JPEG. Anti-flicker shooting can reduce speed; rates depend on lens, card and conditions |
| Stabilisation detail | Five-axis sensor shift; maker claim 7 stops under CIPA pitch/yaw testing with the FE 50 mm f/1.2 GM lens and long-exposure noise reduction off; current maker movie modes include Dynamic Active and Active electronic correction | Five-axis sensor-shift SteadyShot INSIDE for stills and movies; maker CIPA claim 4.5 stops for pitch/yaw with SAL135F18Z and long-exposure noise reduction off |
| Flash | No built-in flash; Multi Interface Shoe supports compatible external flash | No built-in flash; ADI or pre-flash TTL with compatible external flash; Multi Interface Shoe and flash sync terminal |
| Exposure controls | 1200-zone evaluative metering; exposure compensation ±5 EV | PASM, automatic, panorama and three memory-recall settings; 1200-zone metering including highlight-weighted and whole-screen average modes; ±5 EV compensation; D-Range Optimizer, Auto HDR and anti-flicker shooting |
| Video | ||
| Highest video resolution | 3840 × 2160 at 60 fps | 3840 × 2160 at 30 fps |
| Video detail | Internal 3840 × 2160 up to 60p NTSC or 50p PAL, with 10-bit 4:2:2 options; 60p/50p requires Super 35 crop. Full-frame 30p is oversampled from approximately 7K; Full HD up to 120p NTSC or 100p PAL. XAVC S-I 4K reaches 600 Mbps at 60p. S-Log3, S-Cinetone, user LUT display and AI Auto Framing; HDMI output supports 10-bit 4:2:2, without RAW video output. | XAVC S 4K 3840 × 2160 at 30p/25p or 24p depending on region, at 100 or 60 Mbps. Super 35mm mode provides full pixel readout without binning. Full HD XAVC S up to 120p/100p at 100 or 60 Mbps. S&Q capture 1–120 fps with no sound. S-Log2/S-Log3, time code, gamma display assist, zebra and clean HDMI output. Maker continuous recording limit approximately 29 minutes; 100 Mbps requires UHS-I U3 SDHC/SDXC |
| Audio | Built-in stereo microphone; 3.5 mm microphone and headphone sockets; digital-audio Multi Interface Shoe; compatible accessories support four-channel 24-bit LPCM | Built-in stereo microphone, adjustable recording level, 3.5 mm microphone input and headphone output; mono playback speaker |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3″ | 3″ |
| Screen dots | 1,036,800 | 1,228,800 |
| Touchscreen | Yes | No |
| Tilting screen | Yes | Yes |
| Display detail | Side-opening vari-angle touchscreen; opens approximately 176° and rotates approximately 270°; touch menu operation | Three-way WhiteMagic LCD: approximately 134° upward/180° downward tilt and 180° clockwise/90° anticlockwise rotation; top status display; no touch input |
| Viewfinder detail | 0.39-type XGA OLED; 2,359,296 dots; approximately 0.70× magnification with a 50 mm lens at infinity; 60 or 120 fps refresh | 0.5-type XGA OLED Tru-Finder with 2,359,296 dots, 100% coverage and approximately 0.78× magnification; ZEISS T* and outer fluorine coatings |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 560 photographs | 390 photographs |
| Body weight | 429 g (better) | 770 g |
| Release detail | Sony Australia specifies retail availability from September 2023. Photography Blog reports the original Alpha 7C remained in the range alongside the II. Current maker specifications include later-supported subject recognition and movie-stabilisation features. | Sony Canada specifies North American shipment in November 2016 |
| Recording media | One SD slot supporting UHS-I and UHS-II; no CFexpress support | Two SD/SDHC/SDXC UHS-I slots, one also accepting Memory Stick PRO Duo/PRO-HG Duo; simultaneous recording, RAW/JPEG separation and copying available |
| Ports | USB-C (USB 3.2 at 5 Gbps), Micro HDMI Type D, 3.5 mm microphone and headphone sockets and digital-audio Multi Interface Shoe | Multi/Micro USB terminal, micro HDMI Type D, 3.5 mm microphone and headphone sockets, flash sync terminal, DC input, wired remote connection and Multi Interface Shoe |
| Wireless connections | Wi-Fi 802.11a/b/g/n/ac at 2.4 and 5 GHz; Bluetooth 4.2; no NFC; Creators’ App remote operation and image transfer | IEEE 802.11b/g/n Wi-Fi at 2.4 GHz, NFC and Bluetooth 4.1; location data can be acquired from a compatible paired phone; no built-in GPS |
| Battery life detail | NP-FZ100; current Sony CIPA claim approximately 560 photographs with LCD or 530 with viewfinder; actual movie claim approximately 105 minutes with LCD or 100 with viewfinder. Both launch-period reviews give lower 540/510-shot figures. | NP-FM500H; maker CIPA claim approximately 390 photographs with viewfinder or 490 with LCD |
| Charging | USB-C in-camera charging and power supply with USB Power Delivery; maker specifies an 18 W or higher USB PD source and 3 A cable | Supplied BC-VM10A external battery charger |
| Dimensions | Approximately 124.0 × 71.1 × 63.4 mm; depth from grip to monitor 58.6 mm | Approximately 142.6 × 104.2 × 76.1 mm (width × height × depth), excluding protrusions |
| Weight detail | Approximately 429 g body only; 514 g with battery and memory card; both exclude lens. Photography Blog gives 525 g labelled body only and Amateur Photographer gives 524 g; maker’s explicit figures are used. | Approximately 770 g body only or 849 g including battery and Memory Stick PRO Duo |
| Materials | Maker specifies recycled materials including SORPLAS in the body, depending on production timing | Magnesium-alloy body with dust- and moisture-resistant measures; complete resistance is not guaranteed |
| Colours | Silver/black or black | Black |
| In the box | – | NP-FM500H battery, BC-VM10A charger, shoulder strap, Micro USB cable, body cap, eyepiece cup and shoe cap; lens depends on kit |
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