Sony Cyber-shot DSC-F505 vs Sony Cyber-shot DSC-HX400V
Better figure, where one is clearly better
| SonyCyber-shot DSC-F505 | SonyCyber-shot DSC-HX400V | |
|---|---|---|
| Overview | ||
| Released | September 1999 | March 2014 |
| Image and sensor | ||
| Camera type | Bridge | Bridge |
| Sensor format | Other | 1/2.3-type |
| Sensor type | CCD | Back-illuminated Exmor R CMOS |
| Effective resolution | 2.02 MP | 20.4 MP |
| Largest image | 1600 × 1200 | 5184 × 3888 |
| RAW recording | No | No |
| Standard ISO range | – | 80–3200 |
| Sensor detail | 1/2-type interlaced CCD with primary-colour filter; Sony's launch sheet specifies 2.11 million total and 2.02 million effective photosites. The largest output is 1600 × 1200, approximately 1.92 million image pixels; these counts are distinct | 1/2.3-type progressive-scan Exmor R CMOS, approximately 21.1 million total and 20.4 million effective photosites; optical format is distinct from physical dimensions |
| Image formats | Fine or Standard JPEG; no uncompressed still-image mode (DPReview); email and voice-memo modes | JPEG still images; no RAW. Sweep Panorama produces stitched output distinct from single-frame resolution |
| ISO detail | – | Ordinary single-frame ISO 80–3200; ISO 6400 and 12800 use multi-shot noise reduction and image compositing |
| Image processor | – | BIONZ X |
| Lens and shooting | ||
| Built-in lens | 38–190 mm equivalent | 24–1200 mm equivalent |
| Maximum aperture | f/2.8–3.3 | f/2.8–6.3 |
| Optical zoom | 5× | 50× |
| Stabilisation | – | Optical lens stabilisation |
| Maximum continuous burst | – | 10 fps |
| Lens detail | Carl Zeiss Vario-Sonnar; actual 7.1–35.5 mm, 38–190 mm equivalent; f/2.8–3.3 maximum aperture, aperture-priority settings to f/8; 52 mm filter thread; 2× digital enlargement separately from 5× optical zoom | ZEISS Vario-Sonnar T*, actual 4.3–215 mm; 15 elements in 10 groups including one Super ED, two ED and three aspherical elements, seven-blade iris. Equivalent 24–1200 mm applies to full-resolution 4:3 stills; other aspect ratios and movie stabilisation modes have different crops. Clear Image Zoom and digital zoom are distinct from 50× optical zoom |
| Autofocus | High-speed scan AF and macro AF; manual focus ring; normal focus from 0.8 m or 0.5 m at wide angle, macro from 0.08 m at wide angle | Single AF, DMF and manual focus; continuous AF in Advanced Sports and movie modes. Nine-point Wide, Centre and flexible spot S/M/L with Lock-on AF. Minimum AF distance from lens front approximately 1 cm wide or 240 cm telephoto |
| Shutter | Sony specifies 1/8–1/725 second in NTSC and 1/6–1/600 second in PAL shutter-priority modes; night scene modes are separate | Mechanical shutter; manual and shutter priority 30–1/4000 second, aperture priority 8–1/2000, Program 1–1/4000 and Intelligent Auto 4–1/4000 |
| Burst detail | – | Approximately 10 fps at maximum resolution for up to ten images; flash and shooting mode affect speed |
| Stabilisation detail | – | Optical SteadyShot for stills; Intelligent Active movie mode combines optical and electronic correction including rotation, with a different field of view |
| Flash | Built-in pop-up flash; recommended distance approximately 0.3–2.5 m; high, normal and low intensity settings | Built-in flash; Multi Interface Shoe supports compatible optional flash. ISO Auto range approximately 0.5–8.5 m wide or 2.4–3.5 m telephoto |
| Exposure controls | Automatic, aperture-priority and shutter-priority exposure plus night, night-plus, landscape and panfocus programs; ±1.5 EV compensation; spot metering; Auto, Indoor, Outdoor and One-push white balance | Program, aperture priority, shutter priority, Manual and memory recall; multi-pattern, centre-weighted and spot metering, ±2 EV in 1/3 EV steps |
| Video | ||
| Highest video resolution | 320 × 240 | 1920 × 1080 at 60 fps |
| Video detail | MPEG-1 with sound; 320 × 240 presentation mode up to 15 seconds or 160 × 112 video-mail mode up to 60 seconds; selectable 5/10/15-second recording durations. Native movie frame rate unpublished in the maker launch sheet | AVCHD 2.0 Full HD 1920 × 1080 at 60p in Japan, 28 Mbps; regional versions also use 50p. 60i/50i interlaced modes count fields rather than progressive frames. MP4 up to 1440 × 1080 at 30 fps on the Japanese version, or 25 fps on the UK version. Optical zoom operates during movies; 4K output is for still photographs, not 4K movie recording; maker single-clip limit approximately 29 minutes, with MP4 12M limited to approximately 15 minutes by its 2 GB file limit |
| Audio | Built-in microphone and speaker; voice memos with still images | Built-in stereo microphone; AVCHD Dolby Digital stereo or MP4 AAC stereo; optional compatible microphones connect through the Multi Interface Shoe |
| Screen and viewfinder | ||
| Viewfinder | None | Electronic |
| Screen size | 2″ | 3″ |
| Screen dots | 122,980 | 921,600 |
| Touchscreen | – | No |
| Tilting screen | Yes | Yes |
| Display detail | Hybrid reflective/backlit TFT LCD, 122,980 dots; lens/body joint rotates up 90° or down 50°, allowing the screen and lens to face different directions; brightness and backlight controls | 3.0-type Xtra Fine TFT LCD, 921600 dots on Sony UK's specification (Sony Japan rounds to approximately 921000); tilts approximately 90° up and 60° down |
| Viewfinder detail | – | 0.2-type electronic finder with approximately 201000-dot equivalent resolution, dioptre adjustment, 100% coverage and automatic eye sensor |
| Connections and design | ||
| Wi-Fi | – | Yes |
| Battery life (maker's claim) | – | 300 photographs |
| Body weight | 435 g (better) | 633 g |
| Release detail | Sony Japan's original August 1999 launch page states 21 September 1999 availability in its pictured model/price table. Japanese kit is DSC-F505K; international camera name DSC-F505. Announcement date is not the sale date | Sony Hong Kong's 27 March 2014 release says the exact HX400V is already available. March precision retained; Sony Japan's earlier announcement sets its regional sale for 4 April 2014, not the worldwide first day |
| Recording media | Memory Stick; Japanese DSC-F505K kit includes 4 MB MSA-4A card | Memory Stick Duo, PRO Duo, PRO-HG Duo and XC-HG Duo plus SD/SDHC/SDXC; micro versions require separate adapters |
| Ports | USB, serial digital I/O and composite AV output with mono audio; NTSC/PAL output | Multi/Micro USB terminal with Hi-Speed USB 2.0, micro HDMI and Multi Interface Shoe |
| Wireless connections | – | IEEE 802.11b/g/n Wi-Fi at 2.4 GHz, NFC and GPS; maker launch includes GPS route logging. Original PlayMemories Mobile sharing/remote control and downloadable Camera Apps support are launch-era features, not a promise of current service availability |
| Battery life detail | NP-FS11 supplied, with NP-F10 supported; Sony claims approximately 60 minutes or up to 1,100 consecutive VGA photographs with flash off, rather than modern CIPA still-image testing; approximately 70 minutes of video-mail capture or 90 minutes playback | NP-BX1; maker CIPA approximately 300 photographs with LCD or 380 with EVF. Actual movie shooting approximately 50/55 minutes or continuous movie shooting approximately 85/95 minutes for LCD/EVF respectively; these are battery claims rather than single-clip limits |
| Charging | AC-VF10 adapter/charger with DK-115 connection cord included in Japanese kit | USB charging; maker specifies USB power supply only with optional AC-UD10 adapter |
| Dimensions | Approximately 107.2 × 62.2 × 135.9 mm (width × height × depth) | Approximately 129.6 × 93.2 × 114.8 mm width × height × depth from lens front to viewfinder; depth to rear monitor is 103.2 mm |
| Weight detail | Approximately 435 g camera only; 475 g including NP-FS11, wrist strap, lens cap and 4 MB Memory Stick | Approximately 633 g body only, or 660 g including NP-BX1 and Memory Stick Duo |
| Colours | – | Black |
| In the box | Japanese DSC-F505K kit includes 4 MB Memory Stick, NP-FS11 battery, AC-VF10 adapter/charger with DK-115 cord, AV cable, lens cap and wrist strap | NP-BX1 battery, AC-UB10C/UB10D adapter, micro USB cable, shoulder strap, shoe cap, lens cap and instructions; regional mains fittings vary |
More comparisons
- Sony Cyber-shot DSC-F505 vs Sony Cyber-shot DSC-RX10 V
- Sony Alpha 6700 vs Sony Cyber-shot DSC-F505
- Sony Cyber-shot DSC-F505 vs Sony Cyber-shot DSC-RX100 VII
- Sony Cyber-shot DSC-HX400V vs Sony Cyber-shot DSC-HX99
- Sony Cyber-shot DSC-F505 vs Sony Cyber-shot DSC-HX99
- Sony Cyber-shot DSC-HX350 vs Sony Cyber-shot DSC-HX400V
- Sony Cyber-shot DSC-F505 vs Sony Cyber-shot DSC-HX350
- Sony Cyber-shot DSC-HX400V vs Sony Cyber-shot DSC-HX80
- Sony Cyber-shot DSC-F505 vs Sony Cyber-shot DSC-HX80
- Sony Cyber-shot DSC-HX400V vs Sony Cyber-shot DSC-HX90V
- Sony Cyber-shot DSC-F505 vs Sony Cyber-shot DSC-HX90V
- Sony Cyber-shot DSC-HX400V vs Sony Cyber-shot DSC-WX500
- Sony Cyber-shot DSC-F505 vs Sony Cyber-shot DSC-WX500
- Sony Cyber-shot DSC-H400 vs Sony Cyber-shot DSC-HX400V
- Sony Cyber-shot DSC-H200 vs Sony Cyber-shot DSC-HX400V
- Sony Cyber-shot DSC-HX300 vs Sony Cyber-shot DSC-HX400V

