Sony Cyber-shot DSC-S70 vs Sony Cyber-shot DSC-WX500
Better figure, where one is clearly better
| SonyCyber-shot DSC-S70 | SonyCyber-shot DSC-WX500 | |
|---|---|---|
| Overview | ||
| Released | 2000 | 2015 |
| Image and sensor | ||
| Camera type | Compact | Compact |
| Sensor format | 1/1.8-type | 1/2.3-type |
| Sensor type | Super HAD CCD | Exmor R CMOS |
| Effective resolution | 3.24 MP | 18.2 MP |
| Largest image | 2048 × 1536 | 4896 × 3672 |
| RAW recording | No | No |
| Standard ISO range | – | 80–3200 |
| Sensor detail | Sony Japan gives 3.34 million total and 3.24 million effective photosites, with primary-colour filter and interlaced CCD scan. Optical 1/1.8-type format is not a physical sensor measurement; DPReview’s conflicting 3.14 MP effective table not preferred over maker | 1/2.3-type back-illuminated Exmor R CMOS; approximately 18.2 million effective and 21.1 million total photosites. Optical format is not physical dimensions |
| Image formats | JPEG, uncompressed TIFF and black-and-white GIF Text mode, not RAW. Maximum 2048×1536 or 2048×1360 3:2; additional lower sizes. Voice annotation records mono MPEG-1 audio with stills | JPEG with Fine or Standard compression; maximum 4896 × 3672 in 4:3, 4896 × 3264 in 3:2, 4896 × 2752 in 16:9 or 3664 × 3664 in 1:1. Sweep Panorama standard, wide or 360-degree up to 11520 × 1080 |
| ISO detail | – | Single-exposure settings ISO 80–3200, Auto ISO 80–3200. Multi Frame NR extends to ISO 6400/12800 through processed overlaid burst exposures |
| Image processor | 12-bit A/D conversion with Sony Super Resolution Converter processing in exact maker launch sheet | BIONZ X |
| Lens and shooting | ||
| Built-in lens | 34–102 mm equivalent | 24–720 mm equivalent |
| Maximum aperture | f/2–2.5 | f/3.5–6.4 |
| Optical zoom | 3× | 30× |
| Stabilisation | – | Optical lens stabilisation |
| Lens detail | Carl Zeiss Vario-Sonnar physical 7–21 mm F2.0–2.5, equivalent to 34–102 mm. Threefold optical zoom with additional electronic enlargement up to 6× combined; not 6× optical. VAD-S70 adaptor ring supports optional conversion lens and filters | ZEISS Vario-Sonnar T* thirty-times optical zoom, eleven elements in ten groups including five aspherical elements; five-blade iris, actual 4.1–123 mm. Equivalent 24–720 mm in 4:3, 25–750 mm in 3:2, 26.5–795 mm in 16:9 or 27.5–825 mm in 1:1. Movie 16:9 Standard 26.5–795 mm, Active 28–1180 mm, Intelligent Active 31–1210 mm; 4:3 Standard 32.5–975 mm, Active 34.5–1450 mm, Intelligent Active 38–1480 mm |
| Autofocus | Autofocus from 25 cm to infinity. Macro from 4 cm at wide angle or 20 cm at telephoto in exact manual. Approximate focus presets 0.5, 1, 3, 7 m and infinity; not continuously variable manual focus | Contrast-detection AF-S; AF-C only in Advanced Sports and movie modes. Nine-point Wide, centre, Flexible Spot S/M/L and Expand Flexible Spot, with Lock-on AF; approximately 5 cm minimum focus wide or 250 cm telephoto |
| Shutter | Sony Japan gives Auto 1/30–1/1000 second and shutter priority 8–1/1000 second; mode limitations retained | Intelligent Auto 4–1/2000 second; Program Auto 1–1/2000 second; aperture priority 8–1/2000 second; shutter priority and manual 30–1/2000 second |
| Burst detail | – | Maximum approximately 10 fps at full resolution for ten frames; this is a brief buffered burst rather than sustained continuous shooting. Some modes prevent burst shooting, and flash reduces its speed |
| Stabilisation detail | – | Optical SteadyShot for photographs. Intelligent Active movie mode combines optical and electronic compensation, including rotation correction; Sony’s five-axis launch claim applies to movies and includes electronic correction |
| Flash | Built-in Auto, red-eye reduction, forced and off, with adjustable output; recommended 0.3–2.5 m. Dedicated external flash connector for optional HVL-F1000; not a conventional hot shoe | Built-in manually raised pop-up flash, Auto, forced, slow-sync, rear-sync or off; ISO Auto range approximately 0.3–5.4 m wide or 2.5–3 m telephoto |
| Exposure controls | Auto exposure with ±2 EV compensation. Aperture priority across nine steps F2.0–F8.0 and shutter priority, with Panfocus, Twilight, Twilight Plus, Landscape and Spot Metering modes. No full simultaneous manual aperture/shutter exposure | Intelligent Auto, Superior Auto, Program Auto, aperture priority, shutter priority, manual, Memory Recall 1/2/3, scenes, panorama and automatic/scene movie modes. ±3 EV in 1/3 EV steps; wide-angle F3.5–F8 in aperture priority or manual. Thirteen still-image Picture Effects |
| Video | ||
| Highest video resolution | 320 × 240 | 1920 × 1080 at 60 fps |
| Video detail | MPEG-1 mono audio movies at 320×240 in HQ or standard quality, up to 15 seconds per clip. Lower 160×112 mode allows up to 60 seconds. Exact manual states zoom is unavailable during movie recording. Frame rate not established in exact maker/manual evidence | Maximum 1920 × 1080 progressive at 60p NTSC or 50p PAL. XAVC S up to 50 Mbps; AVCHD up to 28 Mbps and MP4 up to 28 Mbps. Japan also lists 1080p30/p24 XAVC S, interlaced AVCHD and 720p30 MP4; regional frame rates differ and PAL/NTSC can be switched. XAVC S requires a Class 10 or faster SDXC card. Approximately 29-minute clip limit; MP4 28M reaches its 4 GB limit in approximately 20 minutes. Optical zoom works during recording; 4K output is still photographs only |
| Audio | – | Built-in stereo microphone and mono speaker; XAVC S LPCM two-channel, AVCHD Dolby Digital two-channel or MP4 AAC-LC two-channel audio |
| Screen and viewfinder | ||
| Viewfinder | Optical | None |
| Screen size | 2″ | 3″ |
| Screen dots | 123,200 | 921,600 |
| Touchscreen | No | No |
| Tilting screen | No | Yes |
| Display detail | Fixed 2-inch TFT rear screen, 123,200 dots (560×220), plus top information display. Screen dots are not image pixels. S50/S30 rotating screens are not S70 hardware | 3.0-type Xtra Fine TFT LCD with 921600 dots, manual five-step brightness; tilts upward approximately 180 degrees for self-portraits. No touchscreen or viewfinder |
| Viewfinder detail | Optical viewfinder with dioptre adjustment. Manual advises rear screen for close-up composition because finder coverage differs | – |
| Connections and design | ||
| Wi-Fi | – | Yes |
| Battery life (maker's claim) | – | 400 photographs |
| Body weight | 310 g | 209 g (better) |
| Release detail | Sony Japan announced on 2 February 2000 and planned 25 March 2000 sale. Contemporary DPReview full production review explicitly reports retailer stock in June 2000; actual first-sale month unconfirmed, so released uses supported year. No assumed predecessor | Released in 2015. Sony’s 7 May Hong Kong announcement scheduled mid-June launch after a pre-order period; the prospective date does not establish the actual first on-sale day or month |
| Recording media | Original Memory Stick, with 8 MB supplied. Maker estimates approximately five maximum-size JPEGs on supplied card; card capacity and recording format affect storage | SD, SDHC and SDXC with UHS-I support, microSD/microSDHC/microSDXC with adapters, Memory Stick Duo/PRO Duo/PRO-HG Duo and Memory Stick Micro with an adapter |
| Ports | Dedicated USB connector, mono A/V output with NTSC/PAL selection, DC input and external flash minijack. USB connection does not establish USB 2.0 Hi-Speed or USB charging | Multi/micro-USB terminal with USB 2.0 Hi-Speed; micro-HDMI output |
| Wireless connections | – | Wi-Fi IEEE 802.11b/g/n at 2.4 GHz and NFC Forum Type 3 Tag for one-touch pairing; smartphone transfer/remote control, TV viewing and computer transfer with compatible software. PlayMemories Camera Apps support and Eye-Fi; no GPS |
| Battery life detail | Supplied NP-FM50 InfoLITHIUM lithium-ion pack. Manual gives approximately 1600 shots / 120 minutes with LCD on or 2000 / 150 with LCD off: VGA 640×480 NORMAL, one shot about every four seconds, fully charged at 25°C with Memory Stick replacements as needed. These are continuous low-resolution tests, not CIPA or normal-use figures. Playback 4400 / 220 minutes is separate; 160×112 movie runtime 130 minutes LCD on or 150 off | Supplied NP-BX1; approximately 400 photographs or 200 minutes under CIPA conditions, approximately 75 minutes actual movie use or 110 minutes continuous movie use, distinct from per-clip limits |
| Charging | Charges NP-FM50 in camera from supplied AC-L10 power adaptor while camera is off. Approximately 150 minutes full charge or 90 minutes normal charge from fully discharged battery; not USB charging | In-camera USB charging and external USB power with supplied AC adapter and battery fitted |
| Dimensions | Sony Japan launch: 117×70.7×64.4 mm width×height×depth excluding maximum protrusions. English manual rounds to 117×71×64 mm | 101.6 × 58.1 × 35.5 mm (width × height × depth), CIPA compliant |
| Weight detail | Approximately 310 g body only in maker launch sheet. Japan loaded claim approximately 420 g includes NP-FM50, Memory Stick, shoulder strap and lens cap; English manual gives approximately 423 g with the same listed accessories. Loaded weights not substituted for body | Approximately 209 g body-only; approximately 236 g including NP-BX1 and Memory Stick Duo |
| Colours | – | Black, white or red; regional choices differ |
| In the box | NP-FM50 battery, AC-L10 adaptor and mains lead, 8 MB Memory Stick, USB and A/V cables, shoulder strap, lens cap and tether, software CD and instructions in English manual; regional bundle details vary | NP-BX1, AC-UB10C/UB10D, micro-USB cable, wrist strap and instructions; regional contents differ |
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