Sony Cyber-shot DSC-HX99 vs Sony Cyber-shot DSC-WX500
Better figure, where one is clearly better
| SonyCyber-shot DSC-HX99 | SonyCyber-shot DSC-WX500 | |
|---|---|---|
| Overview | ||
| Released | October 2018 | 2015 |
| Image and sensor | ||
| Camera type | Compact | Compact |
| Sensor format | 1/2.3-type | 1/2.3-type |
| Sensor type | Back-illuminated Exmor R CMOS | Exmor R CMOS |
| Effective resolution | 18.2 MP | 18.2 MP |
| Largest image | 4896 × 3672 | 4896 × 3672 |
| RAW recording | Yes | No |
| Standard ISO range | 80–3200 | 80–3200 |
| Sensor detail | 1/2.3-type Exmor R CMOS; approximately 21.1 million total photosites. Optical format is not physical sensor dimensions | 1/2.3-type back-illuminated Exmor R CMOS; approximately 18.2 million effective and 21.1 million total photosites. Optical format is not physical dimensions |
| Image formats | Sony ARW 2.3 RAW, RAW+JPEG or JPEG Extra Fine/Fine/Standard; sRGB or Adobe RGB; 4:3, 3:2, 16:9 and square photographs plus Sweep Panorama | JPEG with Fine or Standard compression; maximum 4896 × 3672 in 4:3, 4896 × 3264 in 3:2, 4896 × 2752 in 16:9 or 3664 × 3664 in 1:1. Sweep Panorama standard, wide or 360-degree up to 11520 × 1080 |
| ISO detail | Ordinary ISO 80–3200; extended single-frame ISO 6400. Multi-shot Noise Reduction offers ISO 6400 and 12800 using combined exposures | Single-exposure settings ISO 80–3200, Auto ISO 80–3200. Multi Frame NR extends to ISO 6400/12800 through processed overlaid burst exposures |
| Image processor | BIONZ X with front-end LSI | BIONZ X |
| Lens and shooting | ||
| Built-in lens | 24–720 mm equivalent | 24–720 mm equivalent |
| Maximum aperture | f/3.5–6.4 | f/3.5–6.4 |
| Optical zoom | 28× | 30× |
| Stabilisation | Optical lens stabilisation | Optical lens stabilisation |
| Maximum continuous burst | 10 fps | – |
| Lens detail | ZEISS Vario-Sonnar T*, actual 4.25–118 mm, 11 elements in 10 groups with five aspherical elements; five-blade iris. Maker specifies 28× optical zoom, while 24–720 mm equivalent values are those displayed by the camera and recorded in Exif | ZEISS Vario-Sonnar T* thirty-times optical zoom, eleven elements in ten groups including five aspherical elements; five-blade iris, actual 4.1–123 mm. Equivalent 24–720 mm in 4:3, 25–750 mm in 3:2, 26.5–795 mm in 16:9 or 27.5–825 mm in 1:1. Movie 16:9 Standard 26.5–795 mm, Active 28–1180 mm, Intelligent Active 31–1210 mm; 4:3 Standard 32.5–975 mm, Active 34.5–1450 mm, Intelligent Active 38–1480 mm |
| Autofocus | 25-point contrast autofocus, AF-S, Direct Manual Focus and manual focus; AF-C available for movies only. Eye AF, Lock-on AF and flexible spot areas; minimum focus approximately 5 cm wide or 250 cm telephoto | Contrast-detection AF-S; AF-C only in Advanced Sports and movie modes. Nine-point Wide, centre, Flexible Spot S/M/L and Expand Flexible Spot, with Lock-on AF; approximately 5 cm minimum focus wide or 250 cm telephoto |
| Shutter | Mechanical shutter: Manual and shutter-priority 30–1/2000 second, aperture-priority 8–1/2000, Program 1–1/2000 and Intelligent Auto 1/4–1/2000 | Intelligent Auto 4–1/2000 second; Program Auto 1–1/2000 second; aperture priority 8–1/2000 second; shutter priority and manual 30–1/2000 second |
| Burst detail | Full-resolution Speed Priority Continuous up to 10 fps, or ordinary Continuous approximately 3 fps. Up to 155 frames in Speed Priority with JPEG Fine; rate falls as buffer fills. Focus, exposure and white balance lock to first frame in either mode | Maximum approximately 10 fps at full resolution for ten frames; this is a brief buffered burst rather than sustained continuous shooting. Some modes prevent burst shooting, and flash reduces its speed |
| Stabilisation detail | Optical SteadyShot for stills; Intelligent Active movies combine optical and electronic correction | Optical SteadyShot for photographs. Intelligent Active movie mode combines optical and electronic compensation, including rotation correction; Sony’s five-axis launch claim applies to movies and includes electronic correction |
| Flash | Built-in pop-up flash; ISO Auto range approximately 0.3–5.4 m wide or 2.5–3.0 m telephoto; no accessory shoe | Built-in manually raised pop-up flash, Auto, forced, slow-sync, rear-sync or off; ISO Auto range approximately 0.3–5.4 m wide or 2.5–3 m telephoto |
| Exposure controls | P/A/S/M and two Memory Recall modes; ±3 EV in 1/3 EV steps; multi-pattern, centre-weighted, spot, entire-screen average and highlight metering | Intelligent Auto, Superior Auto, Program Auto, aperture priority, shutter priority, manual, Memory Recall 1/2/3, scenes, panorama and automatic/scene movie modes. ±3 EV in 1/3 EV steps; wide-angle F3.5–F8 in aperture priority or manual. Thirteen still-image Picture Effects |
| Video | ||
| Highest video resolution | 3840 × 2160 at 30 fps | 1920 × 1080 at 60 fps |
| Video detail | XAVC S 3840 × 2160 at 30p or 24p, 60/100 Mbps; PAL uses 25p. Full-pixel readout without pixel binning. Full HD up to 120p (100p PAL); 4K and 120p/100p HD sessions limited to approximately five minutes, with possible earlier thermal shutdown. Other modes approximately 29 minutes subject to temperature. UHS-I U3 microSDHC/XC required for 100 Mbps | Maximum 1920 × 1080 progressive at 60p NTSC or 50p PAL. XAVC S up to 50 Mbps; AVCHD up to 28 Mbps and MP4 up to 28 Mbps. Japan also lists 1080p30/p24 XAVC S, interlaced AVCHD and 720p30 MP4; regional frame rates differ and PAL/NTSC can be switched. XAVC S requires a Class 10 or faster SDXC card. Approximately 29-minute clip limit; MP4 28M reaches its 4 GB limit in approximately 20 minutes. Optical zoom works during recording; 4K output is still photographs only |
| Audio | Stereo recording: XAVC S Linear PCM or AVCHD Dolby Digital | Built-in stereo microphone and mono speaker; XAVC S LPCM two-channel, AVCHD Dolby Digital two-channel or MP4 AAC-LC two-channel audio |
| Screen and viewfinder | ||
| Viewfinder | Electronic | None |
| Screen size | 3″ | 3″ |
| Screen dots | 921,600 | 921,600 |
| Touchscreen | Yes | No |
| Tilting screen | Yes | Yes |
| Display detail | 3.0-type 4:3 TFT LCD, 921600 dots; tilts up 180 degrees. Touch focus, touch shutter and touchpad focus while using viewfinder; menus are not touch controlled | 3.0-type Xtra Fine TFT LCD with 921600 dots, manual five-step brightness; tilts upward approximately 180 degrees for self-portraits. No touchscreen or viewfinder |
| Viewfinder detail | Retractable 0.2-type OLED, 638400 dots; 100% coverage (97% during 4K recording), 0.50× equivalent magnification, −4 to +3 dioptres | – |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | – |
| Battery life (maker's claim) | 370 photographs | 400 photographs |
| Body weight | 216 g | 209 g (better) |
| Release detail | Sony Switzerland states availability from late October 2018; Sony Hong Kong specifies 26 October locally. October precision retained because the international first-sale day is not established | Released in 2015. Sony’s 7 May Hong Kong announcement scheduled mid-June launch after a pre-order period; the prospective date does not establish the actual first on-sale day or month |
| Recording media | microSD, microSDHC, microSDXC and Memory Stick Micro/Mark2; no full-size SD slot | SD, SDHC and SDXC with UHS-I support, microSD/microSDHC/microSDXC with adapters, Memory Stick Duo/PRO Duo/PRO-HG Duo and Memory Stick Micro with an adapter |
| Ports | Micro HDMI and Multi/Micro USB with USB 2.0 | Multi/micro-USB terminal with USB 2.0 Hi-Speed; micro-HDMI output |
| Wireless connections | 2.4 GHz IEEE 802.11 b/g/n Wi-Fi, NFC Type 3 and Bluetooth for location information from a compatible smartphone; no built-in GPS or compass | Wi-Fi IEEE 802.11b/g/n at 2.4 GHz and NFC Forum Type 3 Tag for one-touch pairing; smartphone transfer/remote control, TV viewing and computer transfer with compatible software. PlayMemories Camera Apps support and Eye-Fi; no GPS |
| Battery life detail | NP-BX1; CIPA claim approximately 370 photographs with LCD or 300 with viewfinder. LCD claim rises to 460 with monitor auto-off set to two seconds | Supplied NP-BX1; approximately 400 photographs or 200 minutes under CIPA conditions, approximately 75 minutes actual movie use or 110 minutes continuous movie use, distinct from per-clip limits |
| Charging | In-camera USB charging and USB external power using supplied AC adapter with battery inserted | In-camera USB charging and external USB power with supplied AC adapter and battery fitted |
| Dimensions | 102 × 58.1 × 35.5 mm (width × height × depth), CIPA | 101.6 × 58.1 × 35.5 mm (width × height × depth), CIPA compliant |
| Weight detail | Approximately 216 g body only, or 242 g including NP-BX1 and memory card | Approximately 209 g body-only; approximately 236 g including NP-BX1 and Memory Stick Duo |
| Colours | Black | Black, white or red; regional choices differ |
| In the box | NP-BX1, AC-UB10C adapter, micro USB cable, wrist strap and instructions in Japan; regional mains fittings vary | NP-BX1, AC-UB10C/UB10D, micro-USB cable, wrist strap and instructions; regional contents differ |
More comparisons
- Sony Cyber-shot DSC-HX99 vs Sony Cyber-shot DSC-RX100 VII
- Sony Cyber-shot DSC-RX100 VII vs Sony Cyber-shot DSC-WX500
- Sony Cyber-shot DSC-HX90V vs Sony Cyber-shot DSC-HX99
- Sony Cyber-shot DSC-HX80 vs Sony Cyber-shot DSC-HX99
- Sony Cyber-shot DSC-HX50V vs Sony Cyber-shot DSC-HX99
- Sony Cyber-shot DSC-HX350 vs Sony Cyber-shot DSC-HX99
- Sony Cyber-shot DSC-HX400V vs Sony Cyber-shot DSC-HX99
- Sony Cyber-shot DSC-HX60V vs Sony Cyber-shot DSC-HX99
- Sony Cyber-shot DSC-H400 vs Sony Cyber-shot DSC-HX99
- Sony Cyber-shot DSC-HX99 vs Sony Cyber-shot DSC-W800
- Sony Cyber-shot DSC-HX99 vs Sony Cyber-shot DSC-W830
- Sony Cyber-shot DSC-HX99 vs Sony Cyber-shot DSC-WX350
- Sony Cyber-shot DSC-HX300 vs Sony Cyber-shot DSC-HX99
- Sony Cyber-shot DSC-H200 vs Sony Cyber-shot DSC-HX99
- Sony Cyber-shot DSC-HX99 vs Sony Cyber-shot DSC-WX200
- Sony Cyber-shot DSC-HX99 vs Sony Cyber-shot DSC-WX300

