Canon EOS R50 vs Sony Alpha 6700
Better figure, where one is clearly better
| CanonEOS R50 | SonyAlpha 6700 | |
|---|---|---|
| Overview | ||
| Released | March 2023 | July 2023 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | APS-C | APS-C |
| Sensor type | CMOS | Back-illuminated Exmor R CMOS |
| Sensor dimensions | 22.3 × 14.9 mm | 23.3 × 15.5 mm |
| Effective resolution | 24.2 MP | 26 MP |
| Largest image | 6000 × 4000 | 6192 × 4128 |
| RAW recording | Yes | Yes |
| Standard ISO range | 100–32000 | 100–32000 |
| Sensor detail | Approximately 24.2 million effective and 25.5 million total pixels; APS-C CMOS, 22.3 × 14.9 mm; fixed low-pass filter, no automatic sensor-cleaning system | Approximately 27.0 million total pixels; maximum effective still resolution 26.0 MP, movie resolution 19.9 MP; no optical low-pass filter |
| Image formats | JPEG, 10-bit HEIF, RAW and C-RAW in CR3 format; normal RAW conversion 14-bit, reduced to 12-bit with electronic shutter or high-speed continuous+ first-curtain electronic shutter | JPEG, HEIF 4:2:0/4:2:2, RAW, RAW+JPEG and RAW+HEIF; ARW 4.0; 14-bit RAW support |
| ISO detail | Standard still-photo ISO 100–32000, expandable to ISO 51200; manual movie ISO 100–12800, expandable to ISO 25600 | ISO 50 and 102400 are expanded; Auto ISO limits configurable |
| Image processor | DIGIC X | BIONZ XR with dedicated AI processing unit |
| Lens and shooting | ||
| Lens mount | Canon RF | Sony E-mount |
| Stabilisation | Optical lens stabilisation | Sensor shift |
| Maximum continuous burst | 15 fps | 11 fps |
| Lens detail | RF/RF-S and adapted EF/EF-S lenses, excluding EF-M; approximately 1.6× focal-length equivalence; RF 5.2mm dual fisheye operation not guaranteed | – |
| Autofocus | Dual Pixel CMOS AF II with people, animals and vehicles subject detection; automatic subject-type selection; maker −4 EV still-photo claim with f/1.2 non-DS lens, centre point, One-Shot AF, ISO 100 at 23°C | Maximum 759 phase-detection points for stills or 495 for movies; human, animal, bird, insect, car, train and aircraft recognition in stills and movies; sensitivity EV −3 to 20 at ISO 100 with F2 lens |
| Shutter | Electronic first curtain, 30–1/4000 second plus Bulb, or fully electronic shutter up to 1/8000 second; no fully mechanical shutter mode | Mechanical 30 seconds to 1/4000 second plus Bulb; electronic 30 seconds to 1/8000 second; electronic first curtain; external flash sync 1/160 second |
| Burst detail | Up to 15 fps electronic or 12 fps electronic first curtain with One-Shot or Servo AF; maker 32 GB UHS-I card, One-Shot AF, ISO 100 and Standard Picture Style test gives 28 JPEG/7 RAW frames at 15 fps or 42 JPEG/7 RAW at 12 fps; settings and card affect maximum burst | Maximum 11 fps Hi+; Sony lists over 1000 Fine or Standard JPEGs, 143 Extra Fine JPEGs, 59 RAW, 44 RAW+JPEG, 23 lossless-compressed RAW or 18 lossless RAW+JPEG images, subject to card/settings |
| Stabilisation detail | No in-body sensor-shift stabilisation; compatible lens optical IS and cropped Movie Digital IS supported | Five-axis sensor shift; five-stop CIPA pitch/yaw claim with FE 50mm F1.2 GM and long-exposure noise reduction off. Active movie stabilisation narrows the angle of view. |
| Flash | Built-in manually raised flash, guide number 6 m at ISO 100; flash sync 1/250 second with first-curtain electronic shutter; 21-pin multi-function shoe lacks legacy five-pin contacts, so older compatible Speedlites require AD-E1 adapter | No built-in flash; external flash supported through Multi Interface Shoe |
| Video | ||
| Highest video resolution | 3840 × 2160 at 29.97 fps | 3840 × 2160 at 120 fps |
| Video detail | Internal full-width 6K-oversampled UHD 3840×2160 at 29.97/25/23.98 fps; Full HD up to 59.94 fps or 119.88 fps high-frame-rate recording without sound. H.264 8-bit or HDR PQ H.265 10-bit 4:2:2, no Canon Log; normal clip limit 1 hour, high-frame-rate limit 15 minutes; temperature can reduce recording time | Internal 4K up to 120p NTSC/100p PAL, including 10-bit 4:2:2 XAVC S/HS; XAVC S-I 4K up to 60p/50p. Sony qualifies approximately 38% narrower angle of view for 4K120p. S-Log3, S-Cinetone and AI Auto Framing; HDMI 4:2:2 10-bit output, no RAW output. |
| Audio | Built-in stereo microphone and 3.5 mm stereo microphone input; no headphone socket | Stereo microphone; 3.5 mm microphone/headphone sockets; Multi Interface Shoe digital audio with compatible accessories |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 2.95″ | 3″ |
| Screen dots | 1,620,000 | 1,036,800 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | Vari-angle touch TFT LCD with approximately 1.62 million dots; UK maker specifies 2.95 inches, commonly marketed as 3 inches | Fully articulating screen; opening approximately 176°, rotation approximately 270°; touch menu, focus, tracking, shutter and exposure operation |
| Viewfinder detail | 0.39-inch OLED EVF with approximately 2.36 million dots and 100% coverage; 0.95× magnification with 50 mm lens at infinity, −1 dioptre and 3:2 aspect ratio; maximum refresh 120 fps, lower during AF or continuous shooting | 0.39-type OLED, 2,359,296 dots; approximately 0.70× 35 mm-equivalent magnification; NTSC 60/120 fps or PAL 50/100 fps display modes |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 310 photographs | 570 photographs |
| Body weight | 328 g (better) | 409 g |
| Release detail | Canon Camera Museum records March 2023 marketing; no exact first-sale day inferred | Sony Hong Kong confirms sale from 21 July 2023; European release was stated as the end of July. The earlier maker-confirmed Hong Kong date is used. |
| Recording media | One SD/SDHC/SDXC UHS-I slot in the battery compartment | One SD slot supporting UHS-I/II |
| Ports | USB-C Hi-Speed USB 2.0 with compatible charging and camera power supply; micro HDMI Type D and 3.5 mm microphone input; no built-in wired remote-release socket | USB Type-C, SuperSpeed USB 5 Gbps (USB 3.2), Micro HDMI Type D, microphone/headphone sockets and Multi Interface Shoe |
| Wireless connections | Wi-Fi 802.11b/g/n at 2.4 GHz and Bluetooth Low Energy 4.2; Camera Connect smartphone control and transfer | 2.4/5 GHz Wi-Fi IEEE 802.11a/b/g/n/ac and Bluetooth 4.2; no NFC |
| Battery life detail | LP-E17; approximately 310 EVF or 440 screen shots at 23°C under CIPA power-saving conditions using flash for half the exposures; guide separately lists AE power-saving 320 EVF/450 screen and smooth-display 230 EVF/370 screen | NP-FZ100; CIPA approximately 570 photographs with LCD or 550 with viewfinder |
| Charging | Supplied LC-E17E external charger; compatible PD-E1 USB charging and camera power supply, or AC-E6N with DR-E18 coupler | USB Type-C charging and power supply with USB Power Delivery; USB cable and AC adapter not included |
| Dimensions | Approximately 116.3 × 85.5 × 68.8 mm (width × height × depth) | 122.0 × 69.0 × 75.1 mm; depth from grip to monitor 63.6 mm |
| Weight detail | Black body 328 g or 375 g with battery/card; white body 329 g or 376 g with battery/card; excludes body/shoe covers and photographed kit lens | Approximately 409 g body only; 493 g with battery and memory card |
| In the box | – | NP-FZ100 battery, shoulder strap, body cap, accessory shoe cap and eyepiece cup; kit lens where selected |
| Materials | Primarily aluminium alloy and high-strength engineering plastic; maker specifies no water/dust resistance | – |
More comparisons
- Canon EOS R50 vs Canon EOS R8 Mark II
- Sony Alpha 6700 vs Sony Alpha 7R VI
- Canon EOS R50 vs Canon EOS R6 V
- Sony Alpha 6700 vs Sony Alpha 7 V
- Fujifilm X-T30 III vs Sony Alpha 6700
- Canon EOS R50 vs Canon EOS R6 Mark III
- Fujifilm X-E5 vs Sony Alpha 6700
- Canon EOS R50 vs Canon EOS R50 V
- Sony Alpha 1 II vs Sony Alpha 6700
- Canon EOS R50 vs Nikon Z50II
- Canon EOS R50 vs Fujifilm X-M5
- Nikon Z50II vs Sony Alpha 6700
- Canon EOS R1 vs Canon EOS R50
- Canon EOS R5 Mark II vs Canon EOS R50
- Panasonic LUMIX GH7 vs Sony Alpha 6700
- Sony Alpha 6700 vs Sony ZV-E10 II

