Panasonic LUMIX GH7 vs Sony Alpha 6700
Better figure, where one is clearly better
| PanasonicLUMIX GH7 | SonyAlpha 6700 | |
|---|---|---|
| Overview | ||
| Released | July 2024 | July 2023 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Four Thirds | APS-C |
| Sensor type | BSI CMOS | Back-illuminated Exmor R CMOS |
| Sensor dimensions | – | 23.3 × 15.5 mm |
| Effective resolution | 25.2 MP | 26 MP |
| Largest image | 5776 × 4336 | 6192 × 4128 |
| RAW recording | Yes | Yes |
| Standard ISO range | 100–25600 | 100–32000 |
| Sensor detail | Four Thirds-type backside-illuminated CMOS, 25.2 million effective and 26.5 million total pixels; native 4:3 stills 5776×4336. High-resolution composites 11552×8672 remain separate from native resolution | Approximately 27.0 million total pixels; maximum effective still resolution 26.0 MP, movie resolution 19.9 MP; no optical low-pass filter |
| Image formats | JPEG and RAW; Fine/Standard JPEG and RAW+JPEG choices | JPEG, HEIF 4:2:0/4:2:2, RAW, RAW+JPEG and RAW+HEIF; ARW 4.0; 14-bit RAW support |
| ISO detail | Standard stills ISO 100–25600; expanded ISO 50; V-Log and other video profiles use different ranges. Maker V-Log claim 13+ stops at sensor output up to 60 fps and 12+ stops above 60 fps; no measured stills range inferred | ISO 50 and 102400 are expanded; Auto ISO limits configurable |
| Image processor | – | BIONZ XR with dedicated AI processing unit |
| Lens and shooting | ||
| Lens mount | Micro Four Thirds | Sony E-mount |
| Stabilisation | Lens and sensor shift | Sensor shift |
| Maximum continuous burst | 75 fps | 11 fps |
| Autofocus | Phase Hybrid AF using phase and contrast detection; human, animal, car, motorcycle, train and aircraft recognition; −4 to 18 EV at ISO 100, f/2 and AFS under maker conditions; no automatic subject-type selection (Amateur Photographer) | Maximum 759 phase-detection points for stills or 495 for movies; human, animal, bird, insect, car, train and aircraft recognition in stills and movies; sensitivity EV −3 to 20 at ISO 100 with F2 lens |
| Shutter | Mechanical 60–1/8000 second and Bulb to approximately 30 minutes; electronic first curtain 60–1/2000; electronic 60–1/32000 with Bulb to approximately 60 seconds | Mechanical 30 seconds to 1/4000 second plus Bulb; electronic 30 seconds to 1/8000 second; electronic first curtain; external flash sync 1/160 second |
| Burst detail | Full-resolution electronic 75 fps AFS/MF with focus fixed, 60 or 20 fps AFS/AFC/MF; pre-burst options at these speeds. Mechanical 14 fps AFS/MF or 10 fps AFC; electronic first curtain 14/9 respectively. SH buffer 190 RAW/JPEG frames; normal bursts 215 RAW with CFexpress or 200 with SD under maker conditions. Dynamic Range Boost does not operate during SH bursts | Maximum 11 fps Hi+; Sony lists over 1000 Fine or Standard JPEGs, 143 Extra Fine JPEGs, 59 RAW, 44 RAW+JPEG, 23 lossless-compressed RAW or 18 lossless RAW+JPEG images, subject to card/settings |
| Stabilisation detail | Five-axis sensor-shift B.I.S. and compatible Dual I.S.2, each maker rated 7.5 stops under CIPA yaw/pitch conditions; B.I.S. uses H-ES12060 at 60 mm, Dual I.S.2 H-FSA14140 at 140 mm. Electronic video IS is separate. Maker 7.5-stop figure retained over Digital Camera World's conflicting 6.5-stop specification | Five-axis sensor shift; five-stop CIPA pitch/yaw claim with FE 50mm F1.2 GM and long-exposure noise reduction off. Active movie stabilisation narrows the angle of view. |
| Flash | – | No built-in flash; external flash supported through Multi Interface Shoe |
| Video | ||
| Highest video resolution | 5760 × 4320 at 29.97 fps | 3840 × 2160 at 120 fps |
| Video detail | Internal 5760×4320 4:3 open-gate HEVC 4:2:0 10-bit up to 29.97p; 5728×3024 17:9 up to 59.94p; C4K up to 119.88p. Internal ProRes RAW HQ/RAW and ProRes 422 options have format/media restrictions. High-resolution/ProRes/HFR modes retain temperature limits; maker's unlimited-recording claim is C4K/60p or lower and remains battery/media dependent. HDMI 8K is still-image playback only, not recorded video. ARRI LogC3 requires separately purchased DMW-SFU3A activation | Internal 4K up to 120p NTSC/100p PAL, including 10-bit 4:2:2 XAVC S/HS; XAVC S-I 4K up to 60p/50p. Sony qualifies approximately 38% narrower angle of view for 4K120p. S-Log3, S-Cinetone and AI Auto Framing; HDMI 4:2:2 10-bit output, no RAW output. |
| Audio | Stereo microphone; MOV LPCM up to 96 kHz/24-bit, built-in microphone limited to 48 kHz; optional DMW-XLR2 enables 32-bit float, with channel/sample-rate restrictions. Digital Camera World did not test the XLR2 adapter | Stereo microphone; 3.5 mm microphone/headphone sockets; Multi Interface Shoe digital audio with compatible accessories |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3″ | 3″ |
| Screen dots | 1,840,000 | 1,036,800 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | Three-inch 3:2 capacitive touchscreen, approximately 1.84 million dots and 100% coverage; tilt/free-angle articulation. Maker three-inch figure retained over Digital Camera World's conflicting 3.2-inch description | Fully articulating screen; opening approximately 176°, rotation approximately 270°; touch menu, focus, tracking, shutter and exposure operation |
| Viewfinder detail | 0.5-inch OLED, approximately 3.68 million dots, 100% coverage; 1.6× optical magnification, equivalent to 0.8× in 35 mm terms, at maker's 50 mm/infinity/−1 dioptre/4:3 conditions | 0.39-type OLED, 2,359,296 dots; approximately 0.70× 35 mm-equivalent magnification; NTSC 60/120 fps or PAL 50/100 fps display modes |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 360 photographs | 570 photographs |
| Body weight | 721 g | 409 g (better) |
| Release detail | Maker UK specifies end of July 2024 availability, retained at month precision; Japan maker specifies 26 July 2024, qualified as that region's date | Sony Hong Kong confirms sale from 21 July 2023; European release was stated as the end of July. The earlier maker-confirmed Hong Kong date is used. |
| Recording media | One CFexpress Type B slot and one SD/SDHC/SDXC UHS-II slot, including V90; external USB SSD recording available for supported modes | One SD slot supporting UHS-I/II |
| Ports | USB-C 10 Gbps with charging/power supply, full-size HDMI Type A, 2.5 mm remote and 3.5 mm microphone/headphone sockets; flash-sync terminal doubles as TC IN/OUT through included BNC converter | USB Type-C, SuperSpeed USB 5 Gbps (USB 3.2), Micro HDMI Type D, microphone/headphone sockets and Multi Interface Shoe |
| Wireless connections | Wi-Fi 2.4 GHz 802.11b/g/n and 5 GHz 802.11a/n/ac; Bluetooth Low Energy 5.0; Japan channel ranges not assumed identical globally | 2.4/5 GHz Wi-Fi IEEE 802.11a/b/g/n/ac and Bluetooth 4.2; no NFC |
| Battery life detail | DMW-BLK22; CIPA 360 LCD/EVF shots with SD or 330 with CFexpress, using H-ES12060. Specified one-second power-save EVF mode approximately 850 with SD or 750 with CFexpress | NP-FZ100; CIPA approximately 570 photographs with LCD or 550 with viewfinder |
| Charging | In-camera USB charging and power supply; supplied DC-type battery charger in Japan package | USB Type-C charging and power supply with USB Power Delivery; USB cable and AC adapter not included |
| Dimensions | Approximately 138.4 × 100.3 × 99.6 mm, excluding protrusions | 122.0 × 69.0 × 75.1 mm; depth from grip to monitor 63.6 mm |
| Weight detail | Maker 721 g body only, 805 g with battery and one SD card; lens excluded | Approximately 409 g body only; 493 g with battery and memory card |
| Materials | Dust/splash-resistant body; maker operating range −10 to 40°C with cold-temperature battery and compatible-lens restrictions; no waterproof rating inferred | – |
| In the box | Japan maker lists eyecup, hot-shoe cover, sync-terminal cover, battery, DC-type battery charger, TC IN/OUT BNC converter cable, shoulder strap and body cap; regional contents may vary | NP-FZ100 battery, shoulder strap, body cap, accessory shoe cap and eyepiece cup; kit lens where selected |
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