Nikon D50 vs Sony Cyber-shot DSC-R1
Better figure, where one is clearly better
| NikonD50 | SonyCyber-shot DSC-R1 | |
|---|---|---|
| Overview | ||
| Released | 2005 | November 2005 |
| Image and sensor | ||
| Camera type | DSLR | Bridge |
| Sensor format | APS-C | APS-C |
| Sensor type | CCD | CMOS |
| Sensor dimensions | 23.7 × 15.6 mm | 21.5 × 14.4 mm |
| Effective resolution | 6.1 MP | 10.3 MP |
| Largest image | 3008 × 2000 | 3888 × 2592 |
| RAW recording | Yes | Yes |
| Standard ISO range | 200–1600 | 160–3200 |
| Sensor detail | Nikon DX CCD with 6.1 million effective and 6.24 million total pixels; approximately 1.5× lens focal-length equivalent; Image Dust Off reference data for optional Nikon Capture correction | Progressive-scan CMOS, 21.5 × 14.4 mm; maker 10.3 million effective and 10.8 million total photosites. The native 3888 × 2592 image contains approximately 10.08 million pixels. APS-C-sized description follows Cameralabs and digitalkamera.de, with actual maker dimensions retained |
| Image formats | Compressed 12-bit NEF RAW, JPEG and simultaneous RAW plus Basic JPEG; maximum 3008 × 2000 pixels; Image Optimisation settings | JPEG Fine or Standard and SR2 RAW; RAW records a JPEG companion, with no TIFF option |
| ISO detail | ISO 200–1600 in whole stops | – |
| Lens and shooting | ||
| Built-in lens | – | 24–120 mm equivalent |
| Maximum aperture | – | f/2.8–4.8 |
| Optical zoom | – | 5× |
| Lens mount | Nikon F mount | – |
| Stabilisation | Optical lens stabilisation | – |
| Maximum continuous burst | 2.5 fps | – |
| Lens detail | Body autofocus motor supports compatible AF NIKKOR lenses, including type G and D; AF-S lenses also supported. Other AF NIKKOR lenses lose 3D matrix metering; non-CPU lenses require manual exposure without metering; IX and F3AF lenses unsupported; E-type lenses incompatible according to current Nikon USA specification | Carl Zeiss Vario-Sonnar T*; actual 14.3–71.5 mm, equivalent 24–120 mm; f/2.8–4.8 maximum aperture; 12 elements in ten groups, four aspherical elements; seven-blade aperture; 67 mm filter thread; mechanical zoom and electronic manual-focus rings |
| Autofocus | Multi-CAM 900 phase-detection module; five selectable focus areas; -1 to +19 EV at ISO 100 equivalent, 20°C; AF-S/AF-C/AF-A and manual focus, single-area, dynamic-area and closest-subject-priority modes; AF-assist illuminator. Current US page lists Face-Priority AF, absent from the original manual specification; no face-detection capability inferred | Five-area automatic selection, centre or flexible spot contrast autofocus; AF illuminator rather than Hologram AF; single, monitor and continuous focus. Normal focus from 0.5 m; macro approximately 0.35 m wide or 0.4 m telephoto from sensor plane, as clarified by maker archive |
| Shutter | Combined mechanical and CCD electronic shutter; 1/4000 to 30 seconds in half or one-third stops, Bulb and remote long exposures; flash synchronisation up to 1/500 second | Automatic 1/8–1/2000 second, program 1–1/2000, aperture priority 8–1/2000 and shutter priority/manual 30–1/2000; TIME exposure up to 180 seconds |
| Burst detail | Approximately 2.5 fps; US launch specifies up to 137 Normal Large JPEG frames on SanDisk UltraII 256 MB SD card. Original manual buffer table separately lists four RAW or nine Fine Large JPEG frames with long-exposure noise reduction off; card-dependent sustained shooting differs from buffer capacity | Maker archive specifies approximately 3 fps for a maximum of three full-resolution JPEG frames; no RAW burst. This brief buffer-limited rate is detail only, rather than maximum sustained continuous capture |
| Stabilisation detail | Optical VR depends on the attached lens; no sensor-shift stabilisation. Pictured original AF-S DX 18–55 mm ED kit lens has no VR | – |
| Flash | Built-in pop-up i-TTL flash; original manual guide number approximately 15 m at ISO 200 (17 manual) or 11 m at ISO 100 (12 manual); accessory shoe | Pop-up flash, Advanced Accessory Shoe and ACC connector; maker range 0.5–8.5 m wide and 0.4–5 m telephoto; ±2 EV flash adjustment and first/rear-curtain slow sync |
| Exposure controls | P/S/A/M, Auto and six scene modes; 420-segment RGB matrix, centre-weighted and spot metering; ±5 EV compensation in half or one-third stops; exposure/flash and white-balance bracketing | Automatic, program, aperture priority, shutter priority and manual modes; ±2 EV in 1/3 EV steps; Standard, Vivid and Adobe RGB colour; three-level sharpening, saturation and contrast; live histogram, RGB playback histograms, zebra highlight warning and grid |
| Screen and viewfinder | ||
| Viewfinder | Optical | Electronic |
| Screen size | 2″ | 2″ |
| Screen dots | 130,000 | 134,000 |
| Touchscreen | No | – |
| Tilting screen | No | Yes |
| Display detail | Fixed 2-inch low-temperature-polysilicon TFT with 130000 dots; top status LCD; contextual help and playback magnification; dots count subpixels | Top-mounted free-angle 2.0-inch TFT LCD with 134,000 dots and 100% coverage; 235,000-dot 0.44-inch electronic viewfinder with eye-sensor switching; body does not swivel |
| Viewfinder detail | Pentamirror; approximately 95% coverage and 0.75× magnification; original manual specifies 18 mm eyepoint, conflicting with 8 mm on current US page | – |
| Connections and design | ||
| Battery life (maker's claim) | 400 photographs | 500 photographs |
| Body weight | 540 g (better) | 926 g |
| Release detail | Nikon USA original announcement dated 20 April 2005 states June US availability as a prospective schedule; actual first-sale month is unconfirmed, so year precision is retained | Sony Japan original 13 September 2005 announcement specifies 18 November 2005 sale; documented Japanese first-sale date. UK support ISO 100 minimum conflicts with original maker and archive ISO 160, corroborated by both reviews |
| Recording media | One Secure Digital card slot; no SDHC compatibility inferred | Separate Memory Stick/Memory Stick PRO and CompactFlash Type I/II/Microdrive slots; Duo formats require adapter; FAT16/FAT32; cards selected by switch, without simultaneous recording |
| Ports | USB 2.0 Hi-Speed, NTSC/PAL video output and DC input; optional ML-L3 infrared remote | Hi-Speed USB 2.0 Mini-B, video output, ACC connector, DC input and Advanced Accessory Shoe; PictBridge printing |
| Battery life detail | EN-EL3 lithium-ion battery; main 400 shots is original manual single-frame test with 18–55 mm ED lens, Normal Large JPEG and flash every other exposure, not labelled CIPA. Separate 2000-shot continuous test uses Basic Medium JPEG and limited monitor use; the launch announcement promotes that continuous figure | NP-FM50 InfoLithium; approximately 500 shots/250 minutes with Memory Stick or 460 shots/230 minutes with Microdrive, maker CIPA conditions: Fine quality, LCD on, alternate full zoom, flash every other shot, power cycling every ten shots and photograph every 30 seconds |
| Charging | External MH-18a quick charger; optional EH-5 mains adapter | In-camera charging with supplied AC-L15-series adapter, confirmed by maker archive; UK support accessory line incorrectly lists NP-FR1/AC-LS5, contradicting its own NP-FM50 field and original maker sources |
| Dimensions | Approximately 133 × 102 × 76 mm | Approximately 139.4 × 97.7 × 156 mm (width × height × depth), at wide zoom and excluding protrusions |
| Weight detail | Approximately 540 g excluding battery, memory card and body cap | Sony Japan original launch and archive specify approximately 926 g camera only; archive loaded figure 1047 g includes NP-FM50, Memory Stick, shoulder strap and lens hood. UK support lists 929 g camera-only; main follows consistent original maker 926 g figure, with no inferred regional hardware difference |
| In the box | – | NP-FM50 battery, AC adapter and power cable, video and USB cables, shoulder strap, lens cap, lens hood and two software CDs |
| Colours | Black or silver | – |
| Video | ||
| Video detail | No movie recording or live-view composition; NTSC/PAL output is for playback, despite the current US page labelling it Movie File Format | No video recording, confirmed by maker archive; live view does not imply movie recording |
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