Sony Cyber-shot DSC-R1 vs Sony Cyber-shot DSC-RX100 VII
Better figure, where one is clearly better
| SonyCyber-shot DSC-R1 | SonyCyber-shot DSC-RX100 VII | |
|---|---|---|
| Overview | ||
| Released | November 2005 | August 2019 |
| Image and sensor | ||
| Camera type | Bridge | Compact |
| Sensor format | APS-C | 1.0-type |
| Sensor type | CMOS | Exmor RS stacked CMOS |
| Sensor dimensions | 21.5 × 14.4 mm | 13.2 × 8.8 mm |
| Effective resolution | 10.3 MP | 20.1 MP |
| Largest image | 3888 × 2592 | 5472 × 3648 |
| RAW recording | Yes | Yes |
| Standard ISO range | 160–3200 | 100–12800 |
| Sensor detail | Progressive-scan CMOS, 21.5 × 14.4 mm; maker 10.3 million effective and 10.8 million total photosites. The native 3888 × 2592 image contains approximately 10.08 million pixels. APS-C-sized description follows Cameralabs and digitalkamera.de, with actual maker dimensions retained | 1.0-type optical format; physical dimensions 13.2 × 8.8 mm |
| Image formats | JPEG Fine or Standard and SR2 RAW; RAW records a JPEG companion, with no TIFF option | JPEG and RAW (Sony ARW 2.3); XAVC S and AVCHD movies |
| ISO detail | – | Standard still range ISO 100–12800; extended ISO 64/80 and multi-frame ISO 25600 are separate settings |
| Image processor | – | BIONZ X |
| Lens and shooting | ||
| Built-in lens | 24–120 mm equivalent | 24–200 mm equivalent |
| Maximum aperture | f/2.8–4.8 | f/2.8–4.5 |
| Optical zoom | 5× | 8× |
| Stabilisation | – | Optical lens stabilisation |
| Maximum continuous burst | – | 20 fps |
| Lens detail | Carl Zeiss Vario-Sonnar T*; actual 14.3–71.5 mm, equivalent 24–120 mm; f/2.8–4.8 maximum aperture; 12 elements in ten groups, four aspherical elements; seven-blade aperture; 67 mm filter thread; mechanical zoom and electronic manual-focus rings | ZEISS Vario-Sonnar T*; actual focal length 9–72 mm; 15 elements in 12 groups including eight aspheric elements; no built-in ND filter |
| Autofocus | Five-area automatic selection, centre or flexible spot contrast autofocus; AF illuminator rather than Hologram AF; single, monitor and continuous focus. Normal focus from 0.5 m; macro approximately 0.35 m wide or 0.4 m telephoto from sensor plane, as clarified by maker archive | 357 phase-detection and 425 contrast-detection points; Real-time Tracking; human and animal Eye AF for stills, human Eye AF for movies |
| Shutter | Automatic 1/8–1/2000 second, program 1–1/2000, aperture priority 8–1/2000 and shutter priority/manual 30–1/2000; TIME exposure up to 180 seconds | Electronic shutter up to 1/32000 second; mechanical shutter up to 1/2000 second; minimum durations and Bulb availability depend on exposure mode |
| Burst detail | Maker archive specifies approximately 3 fps for a maximum of three full-resolution JPEG frames; no RAW burst. This brief buffer-limited rate is detail only, rather than maximum sustained continuous capture | Continuous Hi reaches 20 fps with electronic shutter and AF/AE tracking under the maker's conditions. Single Burst captures only seven frames at 30, 60 or 90 fps with focus and exposure fixed at the first frame; it is not continuous 90 fps shooting. |
| Stabilisation detail | – | Optical correction for stills; movie Intelligent Active mode combines optical and electronic correction |
| Flash | Pop-up flash, Advanced Accessory Shoe and ACC connector; maker range 0.5–8.5 m wide and 0.4–5 m telephoto; ±2 EV flash adjustment and first/rear-curtain slow sync | Built-in manually raised flash |
| Exposure controls | Automatic, program, aperture priority, shutter priority and manual modes; ±2 EV in 1/3 EV steps; Standard, Vivid and Adobe RGB colour; three-level sharpening, saturation and contrast; live histogram, RGB playback histograms, zebra highlight warning and grid | Program, aperture priority, shutter priority, manual exposure and memory recall; assignable lens ring and Fn menu |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 2″ | 3″ |
| Screen dots | 134,000 | 921,600 |
| Touchscreen | – | Yes |
| Tilting screen | Yes | Yes |
| Display detail | Top-mounted free-angle 2.0-inch TFT LCD with 134,000 dots and 100% coverage; 235,000-dot 0.44-inch electronic viewfinder with eye-sensor switching; body does not swivel | Screen tilts approximately 180° upwards and 90° downwards; 921,600 dots count subpixels rather than that many image pixels |
| Viewfinder detail | – | Retractable 0.39-type OLED, 2,359,296 dots, 100% coverage and approximately 0.59× equivalent magnification |
| Connections and design | ||
| Wi-Fi | – | Yes |
| Bluetooth | – | Yes |
| Battery life (maker's claim) | 500 photographs | 260 photographs |
| Body weight | 926 g | 275 g (better) |
| Release detail | Sony Japan original 13 September 2005 announcement specifies 18 November 2005 sale; documented Japanese first-sale date. UK support ISO 100 minimum conflicts with original maker and archive ISO 160, corroborated by both reviews | August 2019 month precision; Sony Hong Kong's 7 August release says available but also gives 8–13 August pre-orders. Sony Japan specifies 30 August retail availability. |
| Recording media | Separate Memory Stick/Memory Stick PRO and CompactFlash Type I/II/Microdrive slots; Duo formats require adapter; FAT16/FAT32; cards selected by switch, without simultaneous recording | SD, SDHC, SDXC and Memory Stick variants; XAVC S 100 Mbit/s requires a UHS-I U3 or faster SDHC/SDXC card |
| Ports | Hi-Speed USB 2.0 Mini-B, video output, ACC connector, DC input and Advanced Accessory Shoe; PictBridge printing | Multi/Micro USB with USB 2.0, Micro HDMI and 3.5 mm stereo microphone input |
| Wireless connections | – | Wi-Fi 802.11b/g/n at 2.4 GHz, Bluetooth 4.1 and NFC |
| Battery life detail | NP-FM50 InfoLithium; approximately 500 shots/250 minutes with Memory Stick or 460 shots/230 minutes with Microdrive, maker CIPA conditions: Fine quality, LCD on, alternate full zoom, flash every other shot, power cycling every ten shots and photograph every 30 seconds | NP-BX1; CIPA claim approximately 260 photographs with the monitor or 240 with the viewfinder; 310 with automatic monitor-off set to two seconds |
| Charging | In-camera charging with supplied AC-L15-series adapter, confirmed by maker archive; UK support accessory line incorrectly lists NP-FR1/AC-LS5, contradicting its own NP-FM50 field and original maker sources | USB charging and USB power supply supported during shooting and playback |
| Dimensions | Approximately 139.4 × 97.7 × 156 mm (width × height × depth), at wide zoom and excluding protrusions | Approximately 101.6 × 58.1 × 42.8 mm (width × height × depth) |
| Weight detail | Sony Japan original launch and archive specify approximately 926 g camera only; archive loaded figure 1047 g includes NP-FM50, Memory Stick, shoulder strap and lens hood. UK support lists 929 g camera-only; main follows consistent original maker 926 g figure, with no inferred regional hardware difference | Approximately 275 g body only; 302 g including battery and SD card |
| In the box | NP-FM50 battery, AC adapter and power cable, video and USB cables, shoulder strap, lens cap, lens hood and two software CDs | NP-BX1 battery, AC adaptor, Micro USB cable, wrist strap, strap adaptor and instructions |
| Video | ||
| Highest video resolution | – | 3840 × 2160 at 30 fps |
| Video detail | No video recording, confirmed by maker archive; live view does not imply movie recording | XAVC S 4K at 30/24 fps in NTSC mode or 25 fps in PAL mode, up to 100 Mbit/s; S-Log2, S-Log3 and HLG profiles. Full HD up to 120 fps NTSC or 100 fps PAL. HFR modes use lower-resolution sensor readout and upscale to Full HD. At the default temperature setting, continuous 4K recording is approximately five minutes (Sony launch release). |
| Audio | – | Built-in stereo microphone and mono speaker; 3.5 mm stereo microphone input |
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