Nikon Z6III vs Panasonic LUMIX S5II
Better figure, where one is clearly better
| NikonZ6III | PanasonicLUMIX S5II | |
|---|---|---|
| Overview | ||
| Released | June 2024 | January 2023 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Full frame | Full frame |
| Sensor type | Partially stacked CMOS | CMOS |
| Sensor dimensions | 35.9 × 23.9 mm | 35.6 × 23.8 mm |
| Effective resolution | 24.5 MP | 24.2 MP |
| Largest image | 6048 × 4032 | 6000 × 4000 |
| RAW recording | Yes | Yes |
| Standard ISO range | 100–64000 | 100–51200 |
| Sensor detail | 26.79 million total pixels; sensor cleaning and image-dust-off reference data for NX Studio; pixel-shift frames require software combination and a static camera/subject | Maker Japan 24.2 million effective pixels, 35.6 × 23.8 mm CMOS; native 3:2 stills 6000×4000. High-resolution 12000×8000 composites are distinct from native output; no stacked or BSI construction inferred |
| Image formats | 14-bit NEF RAW with lossless or high-efficiency compression; JPEG and HEIF; RAW plus JPEG or HEIF | JPEG, RAW and RAW+JPEG; high-resolution composite RAW generated in-camera |
| ISO detail | Standard still-image ISO 100–64000, expandable to equivalent ISO 50–204800; HLG starts at ISO 400. Conventional movie ISO 100–51200 with format-dependent expansion. | Standard ISO 100–51200; expanded 50/102400/204800. Dual Native ISO 100/640 for standard stills, 640/4000 for V-Log and 400/2500 for HLG; each profile has its own expanded ranges |
| Image processor | EXPEED 7 | – |
| Lens and shooting | ||
| Lens mount | Nikon Z mount | L-Mount |
| Stabilisation | Sensor shift | Lens and sensor shift |
| Maximum continuous burst | 120 fps | 30 fps |
| Lens detail | NIKKOR Z lenses; NIKKOR F lenses require an adapter and retain model-dependent restrictions | – |
| Autofocus | Hybrid phase/contrast detection; 273 single-point or 299 auto-area positions in FX stills, subject detection and 3D tracking. Nikon's −10 EV sensitivity uses AF-S, ISO 100, f/1.2 and 20°C. Photography Blog's 493-point narrative is not the exact maker specification. | Phase Hybrid AF combines phase and contrast detection; 779-area system (maker UK). Current Japan table recognises people, animals, cars, motorcycles, trains and aircraft; launch reviews described only people/animals, so later recognition is not treated as a launch feature. Continuous autofocus while zooming requires compatible lens firmware |
| Shutter | Mechanical and electronic front-curtain 1/8000 to 30 seconds; electronic up to 1/16000. Bulb/Time and manual-mode extension to 900 seconds. Flash sync 1/200, or 1/60 electronic; electronic shutter does not support Auto FP. | Mechanical 60–1/8000 second, Bulb approximately 30 minutes; electronic first curtain 60–1/2000 with the same Bulb maximum; electronic 60–1/8000 with Bulb approximately 60 seconds |
| Burst detail | Extended continuous shooting up to 14 fps mechanical or 20 fps electronic. High-speed C15/C30/C60/C120 modes support JPEG pre-release capture; C60 retains full-frame resolution, C120 uses approximately 10.6-megapixel DX JPEGs. | Full-resolution electronic SH30 at 30 fps AFS/AFC/MF; SH buffer 200 RAW/RAW+JPEG/JPEG frames in the current maker table. Mechanical/electronic-first-curtain 9 fps AFS/MF or 7 fps AFC; normal electronic 9/8 fps respectively. Normal RAW/RAW+JPEG at least 200 and JPEG at least 300 frames under maker conditions. UK launch article's broad 300-frame statement is not substituted for the current SH limit |
| Stabilisation detail | Five-axis sensor shift; Nikon claims 8 stops under CIPA using NIKKOR Z 24–120mm f/4 S at the telephoto end in NORMAL mode. Focus Point VR has lens/focus-mode restrictions; electronic movie VR available. | Five-axis sensor-shift B.I.S., rated five stops with S-R2060 at 60 mm; compatible-lens Dual I.S.2 rated 6.5 stops with S-E70200 at 200 mm, CIPA yaw/pitch conditions (Panasonic Australia). Active I.S. provides additional video correction, with mode restrictions |
| Flash | No built-in flash; ISO 518 accessory shoe and compatible external i-TTL Speedlights | No built-in flash; external flash sync up to 1/250 second with reduced guide number and maker restrictions at the fastest sync setting |
| Exposure controls | Auto, P/S/A/M and user settings; ±5 EV still-image or ±3 EV movie compensation | – |
| Video | ||
| Highest video resolution | 6048 × 3402 at 59.94 fps | 5952 × 3968 at 29.97 fps |
| Video detail | N-RAW 12-bit 6048 × 3402 up to 59.94p; 4032 × 2268 RAW up to 59.94p and cropped DX 3984 × 2240 up to 119.88p. ProRes RAW HQ, ProRes 422 HQ, H.265 8/10-bit and H.264 have mode-dependent limits. Conventional 5.4K 5376 × 3024 up to 60p; UHD up to 120p with crop at the highest rate; Full HD up to 240p. N-Log, HLG, waveform, timecode and RAW proxy recording. Current maker recording-time limit 125 minutes, subject to temperature, power and media conditions. | Internal 5952×3968 3:2 open-gate 6K at 29.97p, 4:2:0 10-bit HEVC 200 Mbps; 5952×3136 17:9 at 29.97p also supported. C4K/4K up to 59.94p uses APS-C crop; lower frame rates have full-frame modes. Full HD high-speed modes have separate sensor-output/crop limits. Built-in cooling fan; maker UK specifies 0–40 °C for its unlimited-recording claim, while 6K/5.9K stops once after 30 minutes with Thermal Management STANDARD. No S5IIX internal ProRes, SSD or streaming features copied |
| Audio | Built-in stereo microphones; PCM 48 kHz/24-bit for NEV/MOV or AAC 48 kHz/16-bit for MP4; external microphone/line input and headphone monitoring | Built-in stereo microphone; maker UK 48 kHz/24-bit audio and compatible external/XLR high-resolution 96 kHz/24-bit options; microphone and headphone sockets |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3.2″ | 3″ |
| Screen dots | 2,100,000 | 1,840,000 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | Vari-angle TFT with approximately 100% coverage and 170° viewing angle; dots count subpixels | Three-inch 3:2 capacitive touchscreen, approximately 1.84 million dots in the maker Japan table; free-angle articulation. The German kit page's 1.24-million-dot icon caption conflicts with the exact Japan table and is not adopted |
| Viewfinder detail | 0.5-inch UXGA OLED, approximately 5.76 million dots, 100% coverage, 0.8× magnification and 21 mm eyepoint; maker maximum brightness 4000 cd/m² and DCI-P3 gamut | 0.5-inch 4:3 OLED, approximately 3.68 million dots, 100% coverage; approximately 0.78× magnification with 50 mm lens at infinity, −1 dioptre and 3:2 image ratio |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 410 photographs | 370 photographs |
| Body weight | 670 g | 657 g (better) |
| Release detail | Announced on 17 June 2024; Nikon US states availability in late June. Main retains June 2024 because the exact first UK retail day is unconfirmed. | Maker US confirms January 2023 availability; UK announcement uses Winter 2023, so January is supported regionally rather than an inferred exact UK retail day. Maker UK body launch price £1999; the official LUMIX Magazine identifies it as the S5 successor |
| Recording media | CFexpress Type B/XQD slot and UHS-II SD/SDHC/SDXC slot; overflow, backup and separate format recording | Two SD/SDHC/SDXC slots; both UHS-II including V90, with relay/backup/allocation modes |
| Ports | USB-C SuperSpeed USB, full-size HDMI Type A, 3.5 mm microphone/line and headphone sockets, accessory terminal for MC-DC2 remote release | USB-C SuperSpeed USB 10 Gbps, full-size HDMI Type A, 2.5 mm remote and 3.5 mm microphone/headphone sockets |
| Wireless connections | Wi-Fi IEEE 802.11a/b/g/n/ac and Bluetooth 5.0; SnapBridge and Nikon Imaging Cloud | Wi-Fi 2.4 GHz 802.11b/g/n and 5 GHz 802.11a/n/ac; Bluetooth Low Energy 5.0. Maker warns 5 GHz is unavailable in some countries |
| Battery life detail | EN-EL15c; CIPA approximately 410 monitor shots with power saving enabled or 390 without; EVF 380 with power saving or 360 without. Tested with NIKKOR Z 24–70mm f/4 S. Movie battery-life claim approximately 100 minutes. EN-EL15b/15a compatibility gives shorter endurance; optional MB-N14 accepts two batteries. | DMW-BLK22, 7.2 V 2200 mAh; current Japan table approximately 370 LCD/EVF shots with S-R2060 and Panasonic SDXC, or 1250 under the maker's one-second power-save EVF test. Older reviews' 1500 power-save figure is not substituted for the current table |
| Charging | USB charging and power delivery; optional EH-8P or EH-7P; EN-EL15c/15b rechargeable in camera. Nikon UK states no charger included. | In-camera charging approximately 220 minutes with bundled Japan AC adapter or 170 minutes with DMW-BTC15 adapter; optional DMW-BTC15 charger approximately 175 minutes |
| Dimensions | Approximately 138.5 × 101.5 × 74 mm | Approximately 134.3 × 102.3 × 90.1 mm, excluding protrusions |
| Weight detail | Approximately 670 g body only or 760 g with battery/card, excluding body cap and shoe cover | Maker German exact-body kit page confirms 657 g body only; maker Japan 740 g with battery and one SD card. Photography Blog's 740 g body-only wording is not adopted |
| Materials | Magnesium alloy and Sereebo material; dust/moisture-resistant construction, maker operating range −10°C to 40°C | Magnesium-alloy die-cast front and rear frames; dust/splash-resistant construction, not waterproof |
| In the box | EN-EL15c, AN-DC26 strap, UC-E25 USB cable, HDMI/USB cable clip, BS-1 shoe cover, DK-29 eyepiece and BF-N1 body cap | Maker Japan lists body cap, hot-shoe cover, battery-grip connector cover, shoulder strap, battery, USB AC adapter and USB A–C cable; regional contents may vary |
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