Olympus OM-D E-M10 Mark IV vs OM SYSTEM OM-5 Mark II
Better figure, where one is clearly better
| OlympusOM-D E-M10 Mark IV | OM SYSTEMOM-5 Mark II | |
|---|---|---|
| Overview | ||
| Released | August 2020 | July 2025 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Four Thirds | Four Thirds |
| Sensor type | Live MOS | Live MOS |
| Sensor dimensions | 17.3 × 13 mm | 17.4 × 13 mm |
| Effective resolution | 20.3 MP | 20.4 MP |
| Largest image | 5184 × 3888 | 5184 × 3888 |
| RAW recording | Yes | Yes |
| Standard ISO range | 200–25600 | 200–25600 |
| Sensor detail | Approximately 21.8 total megapixels; UK image area 17.3×13 mm, while Japan specifies 17.4×13 mm | Maker Japan specifies approximately 20.37 effective and 21.77 total megapixels, rounded to 20.4 and 21.8 in UK table. Japan gives 17.4×13 mm image area; UK gives 17.3×13 mm |
| Image formats | JPEG, 12-bit losslessly compressed ORF RAW and simultaneous RAW+JPEG; 5184×3888 maximum ordinary still size | JPEG and 12-bit losslessly compressed ORF RAW; ordinary output 5184×3888. Tripod composite RAW 10368×7776 needs OM Workspace for 80 MP development; handheld composite 50 MP, rather than an 80 MP single-shot sensor |
| ISO detail | Manual ISO 200–25600, with expanded LOW approximately ISO 100; Auto normally LOW–6400. Amateur Photographer describes a narrower standard range, unlike the maker's manual sensitivity table | Manual ISO 200–25600, expanded LOW approximately 64 and 100; default Auto upper limit 6400 (maker Japan) |
| Image processor | TruePic VIII | TruePic IX |
| Lens and shooting | ||
| Lens mount | Micro Four Thirds | Micro Four Thirds |
| Stabilisation | Sensor shift | Lens and sensor shift |
| Maximum continuous burst | 15 fps | 30 fps |
| Autofocus | 121-point contrast detection; single, nine-point group or all-area selection; face and near-eye detection, tracking, manual focus and focus peaking | Hybrid sensor phase/contrast, 121 cross-type phase positions; face/eye recognition and Starry Sky AF, without animal/vehicle subject recognition (both reviews) |
| Shutter | Mechanical 1/4000–60 seconds; electronic 1/16000–60 seconds; electronic first curtain 1/320–60 seconds, switching to mechanical first curtain at faster speeds; Bulb, Live Time and Live Composite | Mechanical 1/8000–60 seconds; electronic 1/32000–60 seconds; Bulb and Live Composite modes |
| Burst detail | Electronic high approximately 15 fps with focus fixed at the first frame; electronic low 6.3 fps with continuous autofocus, reported by Amateur Photographer. Mechanical high 8.7 fps and low 5 fps. Maker electronic-high buffer 42 RAW or 49 large-fine JPEG with specified Toshiba UHS-II card | Electronic 30 fps fixes focus/exposure at first frame; approximately 10 fps electronic tracking and 6 fps mechanical. Maker Japan example 30 fps buffer 19 RAW/21 JPEG with specified KIOXIA card and 12–40mm F2.8 PRO II; UK examples differ |
| Stabilisation detail | Five-axis sensor shift, rated up to 4.5 CIPA stops with M.Zuiko Digital ED 14–42mm F3.5–5.6 EZ at 42 mm, yaw/pitch; movie stabilisation can add electronic correction with a field-of-view crop | Five-axis sensor shift; maker CIPA 2024 up to 6.5 centre/5.5 corner stops with 12–45mm F4 PRO at 45mm. Sync IS up to 7.5/6.5 with 12–100mm F4 IS PRO at 100mm and half-press IS off |
| Flash | Built-in flash, guide number 7.2 at ISO 200; hot shoe; mechanical flash synchronisation up to 1/250 second | – |
| Exposure controls | P/A/S/M, Auto, scene and Advanced Photo modes; live long-exposure previews, multiple exposure and eight-frame focus bracketing in AP mode | PASM and computational-photography CP button; Live ND2–16, focus stacking, HDR and multiple exposures; mode, ISO, shutter, flash and compatible-lens restrictions apply |
| Video | ||
| Highest video resolution | 3840 × 2160 at 30 fps | 4096 × 2160 at 24 fps |
| Video detail | MOV H.264; 4K 30/25/24p approximately 102 Mbps, Full HD up to 60p and 720p high-speed recording at 120 fps; maximum clip approximately 29 minutes | Internal C4K 4096×2160 at 24p; UHD 3840×2160 at 30/25/24p; H.264 MOV, 8-bit recording (Amateur Photographer). FHD high-speed 120 fps is separate; OM-Log400 and OM-Cinema1/2 profiles |
| Audio | Built-in stereo microphone, 16-bit 48 kHz linear PCM, recording-level and wind-noise controls; no microphone or headphone socket, confirmed by both reviews | Internal stereo microphones, external 3.5 mm microphone input; 48 kHz/16-bit or 96 kHz/24-bit recording |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3″ | 3″ |
| Screen dots | 1,037,000 | 1,037,000 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | Tilts approximately 80° up and 180° down; forward-facing selfie mode beneath the body | Fully articulated touchscreen; UK table 1.037 million dots, Japan rounds to 1.04 million |
| Viewfinder detail | Approximately 2.36 million dots, 100% coverage and maximum 1.23× magnification with 50 mm lens at infinity, −1 dioptre | OLED approximately 2.36 million dots, approximately 100% coverage; maximum 1.37× with 50mm lens at infinity at −1 dioptre depends on finder style |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 360 photographs | 310 photographs |
| Body weight | 335 g (better) | 370 g |
| Release detail | Maker European announcement states mid-August 2020 availability; Japan first sale 18 September and North American shipping 25 September. Month precision retained for the earlier European release | Maker US release confirms early July 2025 retail; Japan 18 July local date. Earliest worldwide day unconfirmed, so month precision retained |
| Recording media | One SD slot; SDHC and SDXC with UHS-I/UHS-II support | One SD/SDHC/SDXC slot, UHS-I and UHS-II |
| Ports | USB 2.0 Micro-B, micro-HDMI Type D and hot shoe; no wired remote-release socket | USB 2.0 Hi-Speed Type-C without USB PD, micro-HDMI Type D, 3.5 mm microphone and 2.5 mm remote socket (maker Japan). UK USB 3 heading does not establish USB 3 transfer speed |
| Wireless connections | Wi-Fi IEEE 802.11b/g/n and Bluetooth 4.2 Low Energy; smartphone transfer, remote shooting and smartphone GPS tagging through OI.Share | Wi-Fi b/g/n and Bluetooth Low Energy 5.2 (maker Japan); UK Bluetooth 4.2 table conflicts. Smartphone location tagging, rather than built-in GPS |
| Battery life detail | BLS-50 rechargeable battery; approximately 360 CIPA photographs with stabilisation on; video 80 minutes under standard JEITA conditions or 140 minutes with repeated maximum-length clips under maker conditions | BLS-50; 310 standard or 640 low-power CIPA shots with specified KIOXIA card. Approximately 60 minutes CIPA video or 100 minutes with other operations disabled; recording limited by card, battery and conditions |
| Charging | In-camera USB charging with camera switched off; F-5AC USB adapter supplied in Japan; external BCS-5 charger optional | In-camera USB charging with power off; USB power supply supported, but no USB Power Delivery. Charger not supplied |
| Dimensions | 121.7×84.6×49 mm, excluding protrusions | Approximately 125.3×85.2×52 mm excluding protrusions (maker Japan and US launch); UK table gives conflicting 49.7 mm depth |
| Weight detail | Approximately 335 g body only; 383 g with supplied battery and memory card, without eyecup | Maker Japan 370 g body only or 418 g with battery/card and without eyecup; UK body-only table gives conflicting 366 g. Photographed kit lens excluded |
| Materials | Engineering-plastic body; no weather sealing, reported by Photography Blog | IP53 with specified IP53 lens, IPX1 with IPX1 lens; weather qualification excludes charging and HDMI. Operation −10 to 40°C; not an immersion rating |
| Colours | Black or silver | Black, silver and sand beige; kit availability varies by region |
| In the box | Body, BLS-50 battery, USB cable, shoulder strap, USB adapter and documentation; regional plug variants apply | – |
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