OM SYSTEM OM-1 Mark II vs OM SYSTEM OM-5 Mark II
Better figure, where one is clearly better
| OM SYSTEMOM-1 Mark II | OM SYSTEMOM-5 Mark II | |
|---|---|---|
| Overview | ||
| Released | February 2024 | July 2025 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Four Thirds | Four Thirds |
| Sensor type | Stacked BSI Live MOS | Live MOS |
| Sensor dimensions | 17.3 × 13 mm | 17.4 × 13 mm |
| Effective resolution | 20.4 MP | 20.4 MP |
| Largest image | 5184 × 3888 | 5184 × 3888 |
| RAW recording | Yes | Yes |
| Standard ISO range | 80–102400 | 200–25600 |
| Sensor detail | UK rounds resolution to 20.4 effective and 22.9 total megapixels; stacked BSI Live MOS. Ordinary single-shot output 5184×3888, separate from composite high-resolution modes | Maker Japan specifies approximately 20.37 effective and 21.77 total megapixels, rounded to 20.4 and 21.8 in UK table. Japan gives 17.4×13 mm image area; UK gives 17.3×13 mm |
| Image formats | JPEG and ORF RAW; tripod 80 MP and handheld 50 MP high-resolution composites offer 12-bit or 14-bit RAW, with movement restrictions | JPEG and 12-bit losslessly compressed ORF RAW; ordinary output 5184×3888. Tripod composite RAW 10368×7776 needs OM Workspace for 80 MP development; handheld composite 50 MP, rather than an 80 MP single-shot sensor |
| ISO detail | Headline range includes expanded LOW approximately ISO 80. Maker Japan specifies LOW 80/100 and ISO 200–102400; default Auto upper limit 25600. Amateur Photographer describes 200–25600 as native and higher settings as expanded | Manual ISO 200–25600, expanded LOW approximately 64 and 100; default Auto upper limit 6400 (maker Japan) |
| Image processor | TruePic X | TruePic IX |
| Lens and shooting | ||
| Lens mount | Micro Four Thirds | Micro Four Thirds |
| Stabilisation | Lens and sensor shift | Lens and sensor shift |
| Maximum continuous burst | 120 fps | 30 fps |
| Autofocus | Hybrid phase/contrast, 1053 cross-type phase positions; human, bird, dog/cat, vehicle, aircraft and train recognition. UK sensitivity −8 EV with f/1.2 lens at approximately ISO 100; Japan −5.5 EV with f/2.8 uses different conditions | Hybrid sensor phase/contrast, 121 cross-type phase positions; face/eye recognition and Starry Sky AF, without animal/vehicle subject recognition (both reviews) |
| Shutter | Mechanical 1/8000–60 seconds, electronic 1/32000–60 seconds; manufacturer mechanical durability rating 400000 actuations | Mechanical 1/8000–60 seconds; electronic 1/32000–60 seconds; Bulb and Live Composite modes |
| Burst detail | Electronic SH1 120 fps fixes focus/exposure; SH2 up to 50 fps tracking requires compatible lenses. Mechanical 10 fps. Maker Japan example buffer 213 RAW/219 JPEG at 120 fps and 256/309 at 50 fps, with specified KIOXIA card and 12–40mm F2.8 PRO; UK older small-buffer rows conflict with its own 213-frame headline | Electronic 30 fps fixes focus/exposure at first frame; approximately 10 fps electronic tracking and 6 fps mechanical. Maker Japan example 30 fps buffer 19 RAW/21 JPEG with specified KIOXIA card and 12–40mm F2.8 PRO II; UK examples differ |
| Stabilisation detail | Five-axis sensor shift; UK CIPA claim up to 8.5 stops with 12–40mm F2.8 PRO II at 40mm. Compatible Sync IS up to 8.5 with 150–400mm F4.5 TC1.25x IS PRO at 150mm, half-press IS off and high frame rate | Five-axis sensor shift; maker CIPA 2024 up to 6.5 centre/5.5 corner stops with 12–45mm F4 PRO at 45mm. Sync IS up to 7.5/6.5 with 12–100mm F4 IS PRO at 100mm and half-press IS off |
| Exposure controls | Live ND2–128 and graduated ND2/4/8; Live Composite, focus stacking and pixel-shift modes. Live ND and GND cannot be combined (both reviews); mode, shutter and ISO restrictions apply | PASM and computational-photography CP button; Live ND2–16, focus stacking, HDR and multiple exposures; mode, ISO, shutter, flash and compatible-lens restrictions apply |
| Video | ||
| Highest video resolution | 4096 × 2160 at 60 fps | 4096 × 2160 at 24 fps |
| Video detail | Internal C4K 4096×2160 and UHD up to 60p; H.264 8-bit or HEVC 10-bit modes with OM-Log400 and HLG. FHD high-speed 240 fps is separate. External RAW HDMI needs a compatible recorder, rather than being internal RAW recording | Internal C4K 4096×2160 at 24p; UHD 3840×2160 at 30/25/24p; H.264 MOV, 8-bit recording (Amateur Photographer). FHD high-speed 120 fps is separate; OM-Log400 and OM-Cinema1/2 profiles |
| Audio | Internal stereo microphones, external 3.5 mm microphone and headphone connections | Internal stereo microphones, external 3.5 mm microphone input; 48 kHz/16-bit or 96 kHz/24-bit recording |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3″ | 3″ |
| Screen dots | 1,620,000 | 1,037,000 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | Fully articulated three-inch touchscreen; headphone and lower-port cables can restrict rotation (Amateur Photographer) | Fully articulated touchscreen; UK table 1.037 million dots, Japan rounds to 1.04 million |
| Viewfinder detail | OLED approximately 5.76 million dots, approximately 100% coverage; maximum 1.65× with 50mm lens at infinity at −1 dioptre, depending on finder style. Launch press 0.83× is full-frame-equivalent magnification | OLED approximately 2.36 million dots, approximately 100% coverage; maximum 1.37× with 50mm lens at infinity at −1 dioptre depends on finder style |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 500 photographs | 310 photographs |
| Body weight | 511 g | 370 g (better) |
| Release detail | Maker US launch release confirms late February 2024 sale; earliest worldwide day unconfirmed, so month precision retained. Its June 2025 PDF upload path is not the release date | Maker US release confirms early July 2025 retail; Japan 18 July local date. Earliest worldwide day unconfirmed, so month precision retained |
| Recording media | Two SD/SDHC/SDXC slots, UHS-I and UHS-II; no CFexpress support | One SD/SDHC/SDXC slot, UHS-I and UHS-II |
| Ports | USB 3.0 SuperSpeed Type-C, micro-HDMI Type D, 2.5 mm remote, 3.5 mm microphone/headphone, hot shoe and flash sync socket (maker Japan) | USB 2.0 Hi-Speed Type-C without USB PD, micro-HDMI Type D, 3.5 mm microphone and 2.5 mm remote socket (maker Japan). UK USB 3 heading does not establish USB 3 transfer speed |
| Wireless connections | Wi-Fi a/b/g/n/ac and Bluetooth Low Energy 4.2; smartphone location tagging, not built-in GPS | Wi-Fi b/g/n and Bluetooth Low Energy 5.2 (maker Japan); UK Bluetooth 4.2 table conflicts. Smartphone location tagging, rather than built-in GPS |
| Battery life detail | BLX-1; maker Japan approximately 500 standard or 1010 low-power CIPA shots with specified KIOXIA card, IS on and no flash. UK table gives 520/1100 and its overview 500, so Japanese explicit conditions are used. JEITA video approximately 90 minutes, or 150 without other operations | BLS-50; 310 standard or 640 low-power CIPA shots with specified KIOXIA card. Approximately 60 minutes CIPA video or 100 minutes with other operations disabled; recording limited by card, battery and conditions |
| Charging | In-camera USB charging with power off; USB Power Delivery bus power supported, revision 3.0 version 1.0a | In-camera USB charging with power off; USB power supply supported, but no USB Power Delivery. Charger not supplied |
| Dimensions | Approximately 134.8×91.6×72.7 mm excluding protrusions (maker Japan); UK table gives conflicting 138.8 mm width | Approximately 125.3×85.2×52 mm excluding protrusions (maker Japan and US launch); UK table gives conflicting 49.7 mm depth |
| Weight detail | Approximately 511 g body only or 599 g with battery/card and without eyecup (maker Japan); photographed kit lens excluded | Maker Japan 370 g body only or 418 g with battery/card and without eyecup; UK body-only table gives conflicting 366 g. Photographed kit lens excluded |
| Materials | Magnesium-alloy body, −10 to 40°C operation; IP53 with specified IP53 lens or IPX1 with IPX1 lens. Weather resistance is not an immersion rating | IP53 with specified IP53 lens, IPX1 with IPX1 lens; weather qualification excludes charging and HDMI. Operation −10 to 40°C; not an immersion rating |
| Colours | Black | Black, silver and sand beige; kit availability varies by region |
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