Olympus OM-D E-M10 Mark IV vs Panasonic LUMIX G100
Better figure, where one is clearly better
| OlympusOM-D E-M10 Mark IV | PanasonicLUMIX G100 | |
|---|---|---|
| Overview | ||
| Released | August 2020 | July 2020 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Four Thirds | Four Thirds |
| Sensor type | Live MOS | Live MOS |
| Sensor dimensions | 17.3 × 13 mm | – |
| Effective resolution | 20.3 MP | 20.3 MP |
| Largest image | 5184 × 3888 | 5184 × 3888 |
| RAW recording | Yes | Yes |
| Standard ISO range | 200–25600 | 200–25600 |
| Sensor detail | Approximately 21.8 total megapixels; UK image area 17.3×13 mm, while Japan specifies 17.4×13 mm | 20.3 million effective and 21.77 million total pixels; 4:3 Live MOS primary-colour sensor without low-pass filter. Physical millimetre dimensions not published in the read maker table and omitted |
| Image formats | JPEG, 12-bit losslessly compressed ORF RAW and simultaneous RAW+JPEG; 5184×3888 maximum ordinary still size | JPEG and RAW; 4K Photo extracts lower-resolution JPEG frames from video bursts |
| ISO detail | Manual ISO 200–25600, with expanded LOW approximately ISO 100; Auto normally LOW–6400. Amateur Photographer describes a narrower standard range, unlike the maker's manual sensitivity table | Standard ISO 200–25600, expanded ISO 100 |
| Image processor | TruePic VIII | – |
| Lens and shooting | ||
| Lens mount | Micro Four Thirds | Micro Four Thirds |
| Stabilisation | Sensor shift | Optical lens stabilisation |
| Maximum continuous burst | 15 fps | 10 fps |
| Autofocus | 121-point contrast detection; single, nine-point group or all-area selection; face and near-eye detection, tracking, manual focus and focus peaking | Contrast AF, face/eye detection, tracking and 49-area selection; AFS/AFF/AFC/MF modes |
| Shutter | Mechanical 1/4000–60 seconds; electronic 1/16000–60 seconds; electronic first curtain 1/320–60 seconds, switching to mechanical first curtain at faster speeds; Bulb, Live Time and Live Composite | Electronic front curtain up to 1/500 second; electronic shutter up to 1/16000 second. Flash synchronisation 1/50 second or slower |
| Burst detail | Electronic high approximately 15 fps with focus fixed at the first frame; electronic low 6.3 fps with continuous autofocus, reported by Amateur Photographer. Mechanical high 8.7 fps and low 5 fps. Maker electronic-high buffer 42 RAW or 49 large-fine JPEG with specified Toshiba UHS-II card | Native electronic 10 fps; electronic first curtain 6 fps AFS/MF or 5 fps AFF/AFC. Maker RAW buffer at least 20 frames under its test conditions; video-derived 4K Photo is separate |
| Stabilisation detail | Five-axis sensor shift, rated up to 4.5 CIPA stops with M.Zuiko Digital ED 14–42mm F3.5–5.6 EZ at 42 mm, yaw/pitch; movie stabilisation can add electronic correction with a field-of-view crop | Optical stabilisation depends on the attached lens; no sensor-shift Body I.S. Video electronic stabilisation combines with compatible optical lenses, marketed as 5-axis Hybrid I.S. rather than lens-plus-sensor stabilisation; 4K correction and crop differ. High electronic setting narrows the view further |
| Flash | Built-in flash, guide number 7.2 at ISO 200; hot shoe; mechanical flash synchronisation up to 1/250 second | Built-in TTL pop-up flash; maker guide number 5.1 at ISO 200 or 3.6 at ISO 100 |
| Exposure controls | P/A/S/M, Auto, scene and Advanced Photo modes; live long-exposure previews, multiple exposure and eight-frame focus bracketing in AP mode | – |
| Video | ||
| Highest video resolution | 3840 × 2160 at 30 fps | 3840 × 2160 at 30 fps |
| Video detail | MOV H.264; 4K 30/25/24p approximately 102 Mbps, Full HD up to 60p and 720p high-speed recording at 120 fps; maximum clip approximately 29 minutes | Internal UHD 3840×2160 at maker-labelled 30p or 24p, 100 Mbps H.264 MP4; 4K single-session limit ten minutes. Full HD 60p limited to twenty minutes, other listed ordinary Full HD modes 29 minutes 59 seconds. V-Log L supported; HDMI output prevents simultaneous internal recording. Recording frequencies vary by region |
| Audio | Built-in stereo microphone, 16-bit 48 kHz linear PCM, recording-level and wind-noise controls; no microphone or headphone socket, confirmed by both reviews | Three integrated microphones with OZO Audio by Nokia, including front/back/surround/tracking/automatic modes; stereo recording, 3.5 mm external microphone input and monaural speaker. No headphone monitoring socket |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3″ | 3″ |
| Screen dots | 1,037,000 | 1,840,000 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | Tilts approximately 80° up and 180° down; forward-facing selfie mode beneath the body | Free-angle 3-inch 3:2 capacitive touchscreen, approximately 1.84 million dots and 100% coverage |
| Viewfinder detail | Approximately 2.36 million dots, 100% coverage and maximum 1.23× magnification with 50 mm lens at infinity, −1 dioptre | Colour LCD electronic viewfinder, approximately 3.68 million dots equivalent, 100% coverage and 0.73× 35 mm-equivalent magnification under maker conditions; not the later G100D OLED viewfinder |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 360 photographs | 270 photographs |
| Body weight | 335 g | 303 g (better) |
| Release detail | Maker European announcement states mid-August 2020 availability; Japan first sale 18 September and North American shipping 25 September. Month precision retained for the earlier European release | Maker North America announcement confirms end-of-July2020 sale, matching Photography Blog's UK availability wording; Japan maker specifies 20August2020, a later regional launch. Digital Camera World explicitly tested a pre-production sample and awaited production lab tests; its findings are attributed rather than treated as final production validation. Original G100 remains separate from G100D |
| Recording media | One SD slot; SDHC and SDXC with UHS-I/UHS-II support | One SD/SDHC/SDXC slot, UHS-I U3 compatible |
| Ports | USB 2.0 Micro-B, micro-HDMI Type D and hot shoe; no wired remote-release socket | USB 2.0 Micro-B, micro-HDMI Type D and 3.5 mm microphone input; tripod grip connects through USB |
| Wireless connections | Wi-Fi IEEE 802.11b/g/n and Bluetooth 4.2 Low Energy; smartphone transfer, remote shooting and smartphone GPS tagging through OI.Share | Wi-Fi 2.4 GHz IEEE802.11b/g/n and Bluetooth Low Energy 4.2 |
| Battery life detail | BLS-50 rechargeable battery; approximately 360 CIPA photographs with stabilisation on; video 80 minutes under standard JEITA conditions or 140 minutes with repeated maximum-length clips under maker conditions | CIPA approximately 270 LCD or 250 EVF photographs with supplied battery and H-FS12032 lens. One-second power-save EVF 900-shot figure conditional, not headline |
| Charging | In-camera USB charging with camera switched off; F-5AC USB adapter supplied in Japan; external BCS-5 charger optional | USB battery charging; optional AC adapter and appropriate DC coupler for external power |
| Dimensions | 121.7×84.6×49 mm, excluding protrusions | Approximately 115.6 × 82.5 × 54.2 mm excluding protrusions |
| Weight detail | Approximately 335 g body only; 383 g with supplied battery and memory card, without eyecup | Approximately 303 g body only, 345 g with battery/card or 412 g with 12–32mm kit lens/battery/card. Photo shows the maker's 12–32mm kit; lens is not included in body specifications |
| Materials | Engineering-plastic body; no weather sealing, reported by Photography Blog | – |
| Colours | Black or silver | – |
| In the box | Body, BLS-50 battery, USB cable, shoulder strap, USB adapter and documentation; regional plug variants apply | – |
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