Sony Alpha 7CR vs Sony Alpha DSLR-A700
Better figure, where one is clearly better
| SonyAlpha 7CR | SonyAlpha DSLR-A700 | |
|---|---|---|
| Overview | ||
| Released | September 2023 | September 2007 |
| Image and sensor | ||
| Camera type | Mirrorless | DSLR |
| Sensor format | Full frame | APS-C |
| Sensor type | Back-illuminated Exmor R CMOS | CMOS |
| Sensor dimensions | 35.7 × 23.8 mm | 23.5 × 15.6 mm |
| Effective resolution | 61 MP | 12.24 MP |
| Largest image | 9504 × 6336 | 4272 × 2848 |
| RAW recording | Yes | Yes |
| Standard ISO range | 100–32000 | 100–3200 |
| Sensor detail | Approximately 62.5 million total pixels; maker maximum movie effective resolution 50.8 MP; four- or sixteen-image pixel-shift capture requires assembly in dedicated computer software | Exmor CMOS; 13.05 million total pixels; RGB primary-colour filter; anti-static coating and sensor-shift dust removal |
| Image formats | JPEG, HEIF and RAW (Sony ARW 5.0); 14-bit RAW output; compressed, lossless-compressed and uncompressed RAW options; XAVC S, XAVC S-I and XAVC HS movies | JPEG, RAW (Sony ARW 2.0), compressed cRAW and RAW/cRAW+JPEG; 3:2 or cropped 16:9 JPEGs; Sony’s launch table specifies RAW 4288 × 2856 separately from JPEG 4272 × 2848 |
| ISO detail | Standard still-image and movie ISO 100–32000; still-image extension ISO 50–102400 | ISO 100–3200 in 1/3-stop steps, expandable to ISO 6400; Auto range configurable. Sony’s exact table differs from Photo Review’s ISO comparison table. |
| Image processor | BIONZ XR and dedicated AI processing unit | BIONZ with noise reduction in the RAW processing stage |
| Lens and shooting | ||
| Lens mount | Sony E-mount | Sony A-mount |
| Stabilisation | Sensor shift | Sensor shift |
| Maximum continuous burst | 8 fps | 5 fps |
| Lens detail | Interchangeable E-mount; ILCE-7CR is supplied without a lens. The photo shows both body colours. | Interchangeable Sony A-mount; compatible Sony, Minolta and Konica Minolta AF lenses; kit optics are separate from body specifications |
| Autofocus | Fast Hybrid AF; up to 693 phase-detection points for stills or movies; EV -4 to 20 at ISO 100 with an f/2 lens; current maker subjects include automatic selection, humans, animals, birds, insects, cars, trains and aircraft | TTL phase detection with 11 points, centre dual-cross sensor and additional F2.8 precision sensor; single-shot, automatic and continuous AF, direct manual focus and manual focus; selectable Eye-Start AF; EV 0–18 detection at ISO 100; dedicated AF-assist lamp |
| Shutter | Electronic first-curtain mechanical shutter up to 1/4000 second; silent electronic shutter up to 1/8000 second; 30-second exposures and Bulb; flash sync 1/160 second full-frame or 1/200 second APS-C with Sony flash | Electronically controlled vertical-traverse focal-plane shutter; 30 seconds to 1/8000 second plus Bulb; flash sync 1/250 second with stabilisation off or 1/200 second with it on; Sony rates durability at approximately 100,000 cycles |
| Burst detail | Up to 8 fps Hi+; maker buffer approximately 36 compressed RAW, 16 lossless-compressed RAW or 14 uncompressed RAW images; up to 320 Fine JPEGs. Amateur Photographer found 8 fps requires compressed RAW without live view, and 6 fps with live view or lossless-compressed RAW. | Up to 5 fps Hi or 3 fps Lo; Sony’s Japanese table claims 16 Extra Fine JPEGs, 18 RAW, 25 cRAW or 12 RAW/cRAW+JPEG frames; Standard/Fine JPEGs can continue to card capacity. Shooting conditions and card speed affect results; PhotographyBlog lists lower RAW/cRAW buffer counts. |
| Stabilisation detail | Five-axis sensor shift; maker claim 7 stops under CIPA pitch/yaw testing with the FE 50 mm f/1.2 GM lens and long-exposure noise reduction off; current maker movie modes include Dynamic Active and Active electronic correction | Super SteadyShot sensor shift; Sony claims approximately 2.5–4 stops depending on lens and shooting conditions; excludes Minolta AF Macro Zoom 3X–1X F1.7–2.8 |
| Flash | No built-in flash; Multi Interface Shoe supports compatible external flash | Built-in pop-up flash with guide number 12 in metres at ISO 100; ADI and pre-flash TTL control; PC sync terminal; compatible external flashes support wireless and high-speed sync |
| Exposure controls | 1200-zone evaluative metering; exposure compensation ±5 EV | Program, aperture priority, shutter priority and manual exposure; scene modes; 40-segment honeycomb, centre-weighted or spot metering; ±3 EV compensation in 1/2- or 1/3-stop steps; D-Range Optimizer, 14 Creative Styles, Quick Navi and three saved shooting setups |
| Video | ||
| Highest video resolution | 3840 × 2160 at 60 fps | – |
| Video detail | Internal 3840 × 2160 up to 60p NTSC or 50p PAL, with 10-bit 4:2:2 options; 60p/50p narrows the angle of view by approximately 1.2×. Photography Blog identifies oversampled 4K 30p from approximately 6.2K in Super 35 mode. XAVC S-I 4K reaches 600 Mbps at 60p; Full HD up to 120p NTSC or 100p PAL. HDMI can output 3848 × 2168 16-bit RAW at up to 60p to a compatible external recorder. S-Log3, S-Cinetone, user LUT display and AI Auto Framing. | Still-image DSLR without video recording or rear-screen live view (PhotographyBlog and Photo Review) |
| Audio | Built-in stereo microphone; 3.5 mm microphone and headphone sockets; digital-audio Multi Interface Shoe; compatible accessories support four-channel 24-bit LPCM | – |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Optical |
| Screen size | 3″ | 3″ |
| Screen dots | 1,036,800 | 921,600 |
| Touchscreen | Yes | – |
| Tilting screen | Yes | – |
| Display detail | Side-opening vari-angle touchscreen; opens approximately 176° and rotates approximately 270°; touch menu operation | Fixed 3.0-inch Xtra Fine TFT LCD with anti-reflection coating; 921,600 dots count colour subpixels; shooting settings appear on the rear screen rather than a top status LCD |
| Viewfinder detail | 0.39-type XGA OLED; 2,359,296 dots; approximately 0.70× magnification with a 50 mm lens at infinity; 60 or 120 fps refresh | Fixed eye-level pentaprism; approximately 95% coverage and 0.9× magnification with a 50 mm lens at infinity; Spherical Acute Matte focusing screen; optical depth-of-field preview |
| Connections and design | ||
| Wi-Fi | Yes | – |
| Bluetooth | Yes | – |
| Battery life (maker's claim) | 530 photographs | 650 photographs |
| Body weight | 430 g (better) | 690 g |
| Release detail | Sony Australia specifies retail availability from September 2023. Alpha 7CR is a higher-resolution compact model alongside Alpha 7C II. Current maker specifications include later-supported subject recognition and movie-stabilisation features. | Sony China announced retail for the end of September 2007; month precision retained. Sony Japan’s revised press release gives 9 November 2007, moved forward from 16 November. |
| Recording media | One SD slot supporting UHS-I and UHS-II; no CFexpress support | Separate CompactFlash Type I/II (UDMA Mode 5) and Memory Stick Duo/PRO Duo/PRO-HG Duo slots; Microdrive support; recording medium selected by the user |
| Ports | USB-C (USB 3.2 at 5 Gbps), Micro HDMI Type D, 3.5 mm microphone and headphone sockets and digital-audio Multi Interface Shoe | USB 2.0 Hi-Speed; HDMI Type C mini for still-image playback; NTSC/PAL video output; wired remote-release connector, flash sync and DC input; supplied software supports computer remote control |
| Wireless connections | Wi-Fi 802.11a/b/g/n/ac at 2.4 and 5 GHz; Bluetooth 4.2; no NFC; Creators’ App remote operation and image transfer | – |
| Battery life detail | NP-FZ100; current Sony CIPA claim approximately 530 photographs with LCD or 490 with viewfinder; actual movie claim approximately 100 minutes with LCD or 95 with viewfinder. Both launch-period reviews give lower 520/470-shot figures. | NP-FM500H; Sony CIPA claim approximately 650 photographs with built-in flash used for half the shots; optional VG-C70AM grip holds two batteries. PhotographyBlog’s NP-FM55H reference is contradicted by Sony’s explicit incompatibility note. |
| Charging | USB-C in-camera charging and power supply with USB Power Delivery; maker specifies an 18 W or higher USB PD source and 3 A cable | Supplied BC-VM10 external charger; optional AC-VQ900AM adaptor/charger |
| Dimensions | Approximately 124.0 × 71.1 × 63.4 mm; depth from grip to monitor 58.6 mm | Approximately 141.7 × 104.8 × 79.7 mm (width × height × depth), excluding protrusions |
| Weight detail | Approximately 430 g body only; 515 g with battery and memory card; both exclude lens. Photography Blog gives 525 g labelled body only and Amateur Photographer gives 524 g; maker’s explicit figures are used. | Approximately 690 g without battery, memory card, lens or accessories; loaded weight not published in Sony’s table |
| Materials | Maker specifies recycled materials including SORPLAS in the body, depending on production timing | Magnesium-alloy front and upper covers with aluminium internal chassis; seals around controls and card door reduce dust and moisture ingress, without guaranteeing waterproofing |
| Colours | Silver/black or black | Black |
| In the box | Sony Australia confirms the GP-X2 extension grip is included; no lens | NP-FM500H battery, BC-VM10 charger and power cord, RMT-DSLR1 wireless remote, USB and video cables, shoulder strap, eyepiece cover and cup, body and shoe caps, software CD |
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