Sony Alpha 7R V vs Sony Alpha NEX-C3
Better figure, where one is clearly better
| SonyAlpha 7R V | SonyAlpha NEX-C3 | |
|---|---|---|
| Overview | ||
| Released | November 2022 | June 2011 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Full frame | APS-C |
| Sensor type | Back-illuminated Exmor R CMOS | Exmor APS HD CMOS |
| Sensor dimensions | 35.7 × 23.8 mm | 23.5 × 15.6 mm |
| Effective resolution | 61 MP | 16.2 MP |
| Largest image | 9504 × 6336 | 4912 × 3264 |
| RAW recording | Yes | Yes |
| Standard ISO range | 100–32000 | 200–12800 |
| Sensor detail | Approximately 62.5 million total pixels; 3:2 sensor. Pixel Shift Multi Shooting combines four or 16 exposures on a computer; 16-frame output is 19008 × 12672. Compatible Imaging Edge software can correct small movements, but camera or subject movement can still spoil compositing. | 16.5 million total pixels; charge-protection coating and electromagnetic vibration of the optical low-pass filter for dust reduction |
| Image formats | JPEG, HEIF, RAW, RAW+JPEG and RAW+HEIF; Sony ARW 4.0, compressed, lossless-compressed or uncompressed RAW. | JPEG, RAW and RAW+JPEG; ARW 2.2; MPO for 3D Sweep Panorama |
| ISO detail | Standard still-image ISO 100–32000; expanded ISO 50–102400. | Standard ISO 200–12800; Auto ISO 200–1600 |
| Image processor | BIONZ XR and dedicated AI processing unit. | BIONZ |
| Lens and shooting | ||
| Lens mount | Sony E-mount | Sony E-mount |
| Stabilisation | Sensor shift | Optical lens stabilisation |
| Maximum continuous burst | 10 fps | 5.5 fps |
| Lens detail | – | Japanese launch kits contain E 18–55mm F3.5–5.6 OSS, alone or with E 16mm F2.8. Updated LA-EA1 permits autofocus with SAM/SSM A-mount lenses under Sony's stated conditions. |
| Autofocus | Fast Hybrid AF with 693 full-frame phase-detection points and 25 contrast points; phase coverage approximately 79%. Recognises people, animals, birds, insects, cars/trains and aircraft. APS-C lenses change phase-point count; recognition depends on selected mode and subject. | Contrast detection; 25-point multipoint, centre or flexible-spot areas; single or continuous autofocus, direct manual focus and manual focus; focus peaking |
| Shutter | – | Electronically controlled vertical-traverse focal-plane shutter; 30 seconds to 1/4000 second plus Bulb; flash sync 1/160 second |
| Burst detail | Up to approximately 10 fps mechanical Hi+ with AF/AE tracking, or 8 fps with live view; electronic Hi+ up to 7 fps in Sony's launch footnote. Buffer claim is 583 compressed RAW, 135 uncompressed RAW or over 1000 JPEG frames using Sony CEA-G160T CFexpress Type A and Hi+ under maker conditions. | Approximately 5.5 fps in Speed Priority Continuous, with focus and exposure fixed at the first frame; approximately 2.5 fps normal continuous advance |
| Stabilisation detail | Five-axis sensor shift; Sony claims 8 stops under CIPA pitch/yaw conditions with FE 50mm F1.2 GM and long-exposure noise reduction off. Active video stabilisation narrows the field of view and is unavailable in 8K and 120p modes. | No sensor-shift stabilisation (PhotographyBlog and CameraLabs); optical correction requires a compatible OSS lens |
| Flash | – | Supplied detachable flash; guide number 7 at ISO 100 in metres; approximately four-second recycle time; optional HVL-F20S uses the proprietary accessory terminal |
| Exposure controls | – | Intelligent Auto, program, aperture priority, shutter priority and manual; Photo Creativity, Picture Effects, 2D/3D Sweep Panorama, DRO, Auto HDR and multi-exposure low-light modes |
| Video | ||
| Highest video resolution | 7680 × 4320 at 24 fps | 1280 × 720 at 30 fps |
| Video detail | Japanese/NTSC recording includes 7680 × 4320 XAVC HS 8K at 24p, 10-bit 4:2:0. 8K and 4K 60p use an approximately 1.2× narrower field of view. 4K supports 10-bit 4:2:2; Super 35mm 30p/24p oversamples without binning. Full HD 120p is a lower-resolution mode. S-Cinetone, S-Log3 and HLG supported; USB streaming resolution is separate from internal recording. | MP4 MPEG-4 Visual; 1280 × 720 at 30p in Fine or Standard quality, or 640 × 480 at 30p; no Full HD recording |
| Audio | Stereo microphone; 3.5 mm microphone and headphone sockets; compatible Multi Interface Shoe accessories enable 24-bit or four-channel digital audio. | Built-in stereo microphone; MPEG-4 AAC-LC two-channel audio |
| Screen and viewfinder | ||
| Viewfinder | Electronic | None |
| Screen size | 3.2″ | 3″ |
| Screen dots | 2,095,104 | 921,600 |
| Touchscreen | Yes | No |
| Tilting screen | Yes | Yes |
| Display detail | Four-axis TFT LCD combines tilt with side-opening rotation; approximately 98° up, 40° down, 180° sideways and 270° rotation in the open position. | TruBlack wide TFT; tilts approximately 80° up and 45° down; no touchscreen (CameraLabs) |
| Viewfinder detail | 0.64-inch Quad-XGA OLED with 9,437,184 dots, 100% coverage and approximately 0.90× magnification; selectable 60/120 fps display. | No built-in viewfinder (PhotographyBlog and CameraLabs) |
| Connections and design | ||
| Wi-Fi | Yes | – |
| Bluetooth | Yes | – |
| Battery life (maker's claim) | 530 photographs | 400 photographs |
| Body weight | 638 g | 225 g (better) |
| Release detail | Sony Japan specifies 25 November 2022 for ILCE-7RM5; this is the Japanese on-sale date, not a UK release claim. The Sony UK press-centre article reproduces a North American announcement with December shipping, so that is not treated as a UK date. | Sony Japan specifies 24 June 2011 for NEX-C3K and NEX-C3D kits. This is the NEX-C3, separate from the original NEX-3 and later F3 or 3N. |
| Recording media | Two multi-format slots, each accepting CFexpress Type A or UHS-I/UHS-II SD; simultaneous, separate-media and relay recording. Type B cards are not supported. | Memory Stick PRO Duo and PRO-HG Duo; SD, SDHC and SDXC |
| Ports | USB Type-C at 10 Gbps, Multi/Micro USB, full-size HDMI, microphone and headphone sockets, sync terminal and digital-audio Multi Interface Shoe. | – |
| Wireless connections | Wi-Fi IEEE 802.11a/b/g/n/ac at 2.4/5 GHz and Bluetooth 5.0; no NFC in exact maker specification. | – |
| Battery life detail | NP-FZ100; CIPA approximately 530 photographs with LCD or 440 with viewfinder. USB Type-C Power Delivery charging and power supported. | NP-FW50; approximately 400 photographs under CIPA conditions |
| Charging | – | Supplied BC-VW1 external charger |
| Dimensions | Approximately 131.3 × 96.9 × 82.4 mm (width × height × maximum depth); grip-to-monitor depth 72.3 mm. | Approximately 109.6 × 60.0 × 33.0 mm (width × height × depth), excluding protrusions; 25.9 mm thinnest section excludes grip and mount |
| Weight detail | Approximately 638 g body only; 723 g with battery and memory card; lens excluded. | Approximately 225 g camera only; 283 g including battery and Memory Stick PRO Duo; lens excluded. CameraLabs incorrectly labels 225 g as including battery and card; Sony's launch table is used here. |
| Materials | – | Aluminium top cover |
| Colours | – | Black, silver or pink |
| In the box | NP-FZ100 battery, BC-QZ1 charger, power cord, cable protector, shoulder strap, body cap, accessory shoe cap, eyepiece cup and USB-A to USB-C cable, according to Sony UK. | NP-FW50 battery, BC-VW1 charger, USB cable, detachable flash and case, lens cap, shoulder strap and software CD; lenses depend on kit |
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