Sony Alpha 7R V vs Sony Alpha SLT-A35
Better figure, where one is clearly better
| SonyAlpha 7R V | SonyAlpha SLT-A35 | |
|---|---|---|
| Overview | ||
| Released | November 2022 | July 2011 |
| Image and sensor | ||
| Camera type | Mirrorless | Translucent mirror |
| Sensor format | Full frame | APS-C |
| Sensor type | Back-illuminated Exmor R CMOS | Exmor APS HD CMOS |
| Sensor dimensions | 35.7 × 23.8 mm | 23.5 × 15.6 mm |
| Effective resolution | 61 MP | 16.2 MP |
| Largest image | 9504 × 6336 | 4912 × 3264 |
| RAW recording | Yes | Yes |
| Standard ISO range | 100–32000 | 100–12800 |
| Sensor detail | Approximately 62.5 million total pixels; 3:2 sensor. Pixel Shift Multi Shooting combines four or 16 exposures on a computer; 16-frame output is 19008 × 12672. Compatible Imaging Edge software can correct small movements, but camera or subject movement can still spoil compositing. | Fixed translucent mirror feeds the dedicated phase-detection module while the main sensor supplies live view; maker support page lists 16.5 million total pixels |
| Image formats | JPEG, HEIF, RAW, RAW+JPEG and RAW+HEIF; Sony ARW 4.0, compressed, lossless-compressed or uncompressed RAW. | JPEG, RAW (Sony ARW 2.2), RAW+JPEG and 3D panorama MPO; 3:2 or 16:9 stills |
| ISO detail | Standard still-image ISO 100–32000; expanded ISO 50–102400. | Auto ISO 100–1600; standard ISO 100–12800; multi-frame noise reduction extends to ISO 25600 |
| Image processor | BIONZ XR and dedicated AI processing unit. | BIONZ |
| Lens and shooting | ||
| Lens mount | Sony E-mount | Sony A-mount |
| Stabilisation | Sensor shift | Sensor shift |
| Maximum continuous burst | 10 fps | 5.5 fps |
| Lens detail | – | Sony, Minolta and Konica Minolta A-mount AF lenses; official photograph shows the DT 18–55mm kit lens, separate from body specifications |
| Autofocus | Fast Hybrid AF with 693 full-frame phase-detection points and 25 contrast points; phase coverage approximately 79%. Recognises people, animals, birds, insects, cars/trains and aircraft. APS-C lenses change phase-point count; recognition depends on selected mode and subject. | 15 phase-detection points, including three cross sensors; AF-S, AF-A, AF-C and manual focus; EV −1–18 at ISO 100; predictive tracking and flash AF assist |
| Shutter | – | 1/4000–30 seconds and Bulb; flash sync 1/160 second |
| Burst detail | Up to approximately 10 fps mechanical Hi+ with AF/AE tracking, or 8 fps with live view; electronic Hi+ up to 7 fps in Sony's launch footnote. Buffer claim is 583 compressed RAW, 135 uncompressed RAW or over 1000 JPEG frames using Sony CEA-G160T CFexpress Type A and Hi+ under maker conditions. | Full-resolution continuous shooting up to 5.5 fps with tracking AF; Tele-zoom Continuous Advance Priority AE reaches 7 fps with approximately 1.4× central crop to 8.4 MP JPEG. Maker Hi buffer: 14 Fine or 18 Standard JPEGs, six RAW or six RAW+JPEG; cropped mode 21 Fine or 29 Standard JPEGs. Card and shooting conditions affect performance |
| Stabilisation detail | Five-axis sensor shift; Sony claims 8 stops under CIPA pitch/yaw conditions with FE 50mm F1.2 GM and long-exposure noise reduction off. Active video stabilisation narrows the field of view and is unavailable in 8K and 120p modes. | SteadyShot INSIDE sensor shift; maker claim approximately 2.5–4 stops, dependent on lens and conditions |
| Flash | – | Automatic pop-up flash, guide number 10 metres at ISO 100; ADI/pre-flash TTL; compatible external flash required for wireless and high-speed sync |
| Exposure controls | – | PASM, Auto, Auto+, scene and panorama modes; 1200-zone metering; ±2 EV compensation in 1/3 steps; D-Range Optimizer, Auto HDR and Picture Effects |
| Video | ||
| Highest video resolution | 7680 × 4320 at 24 fps | 1920 × 1080 at 25 fps |
| Video detail | Japanese/NTSC recording includes 7680 × 4320 XAVC HS 8K at 24p, 10-bit 4:2:0. 8K and 4K 60p use an approximately 1.2× narrower field of view. 4K supports 10-bit 4:2:2; Super 35mm 30p/24p oversamples without binning. Full HD 120p is a lower-resolution mode. S-Cinetone, S-Log3 and HLG supported; USB streaming resolution is separate from internal recording. | PAL configuration: Full HD AVCHD at 50 interlaced fields per second with 25 fps sensor output, approximately 17 Mbps; MP4 up to 1440 × 1080 at 25 fps. Main frame rate is sensor output, not interlaced field rate; NTSC/PAL depends on sales region. Maker maximum movie recording approximately 29 minutes; Sony overseas brochure separately qualifies about 11 minutes with SteadyShot at room temperature |
| Audio | Stereo microphone; 3.5 mm microphone and headphone sockets; compatible Multi Interface Shoe accessories enable 24-bit or four-channel digital audio. | Built-in stereo microphone and mono playback speaker |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3.2″ | 3″ |
| Screen dots | 2,095,104 | 921,600 |
| Touchscreen | Yes | – |
| Tilting screen | Yes | No |
| Display detail | Four-axis TFT LCD combines tilt with side-opening rotation; approximately 98° up, 40° down, 180° sideways and 270° rotation in the open position. | Fixed Xtra Fine LCD with TruBlack technology; dots count colour subpixels |
| Viewfinder detail | 0.64-inch Quad-XGA OLED with 9,437,184 dots, 100% coverage and approximately 0.90× magnification; selectable 60/120 fps display. | Tru-Finder with 1,152,000 effective dot equivalents and 1,440,000 total dot equivalents; 100% coverage and approximately 1.1× magnification with a 50 mm lens |
| Connections and design | ||
| Wi-Fi | Yes | – |
| Bluetooth | Yes | – |
| Battery life (maker's claim) | 530 photographs | 440 photographs |
| Body weight | 638 g | 415 g (better) |
| Release detail | Sony Japan specifies 25 November 2022 for ILCE-7RM5; this is the Japanese on-sale date, not a UK release claim. The Sony UK press-centre article reproduces a North American announcement with December shipping, so that is not treated as a UK date. | Sony Hong Kong states July 2011 availability; Sony UK and US state August 2011 |
| Recording media | Two multi-format slots, each accepting CFexpress Type A or UHS-I/UHS-II SD; simultaneous, separate-media and relay recording. Type B cards are not supported. | Single slot accepting SD/SDHC/SDXC, Memory Stick PRO Duo and PRO-HG Duo |
| Ports | USB Type-C at 10 Gbps, Multi/Micro USB, full-size HDMI, microphone and headphone sockets, sync terminal and digital-audio Multi Interface Shoe. | USB 2.0 Hi-Speed and mini HDMI Type C; microphone and wired remote inputs |
| Wireless connections | Wi-Fi IEEE 802.11a/b/g/n/ac at 2.4/5 GHz and Bluetooth 5.0; no NFC in exact maker specification. | – |
| Battery life detail | NP-FZ100; CIPA approximately 530 photographs with LCD or 440 with viewfinder. USB Type-C Power Delivery charging and power supported. | NP-FW50; overseas brochure and Hong Kong specification claim approximately 440 viewfinder or 420 LCD photographs under CIPA. Sony UK launch text/table reverses these to 420 viewfinder/440 LCD |
| Charging | – | Supplied BC-VW1 external charger |
| Dimensions | Approximately 131.3 × 96.9 × 82.4 mm (width × height × maximum depth); grip-to-monitor depth 72.3 mm. | Approximately 124.4 × 92 × 84.7 mm (width × height × depth), excluding protrusions |
| Weight detail | Approximately 638 g body only; 723 g with battery and memory card; lens excluded. | Sony overseas brochure and Hong Kong launch specification: approximately 415 g body only, 473 g with battery and Memory Stick PRO Duo. Malaysian support page instead lists 433 g body only |
| Materials | – | Polycarbonate outer body (PhotographyBlog and Photo Review) |
| Colours | – | Black |
| In the box | NP-FZ100 battery, BC-QZ1 charger, power cord, cable protector, shoulder strap, body cap, accessory shoe cap, eyepiece cup and USB-A to USB-C cable, according to Sony UK. | – |
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