Canon EOS R5 C vs Nikon Z f
Better figure, where one is clearly better
| CanonEOS R5 C | NikonZ f | |
|---|---|---|
| Overview | ||
| Released | March 2022 | October 2023 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Full frame | Full frame |
| Sensor type | CMOS | Back-illuminated CMOS |
| Sensor dimensions | 36 × 24 mm | 35.9 × 23.9 mm |
| Effective resolution | 45 MP | 24.5 MP |
| Largest image | 8192 × 5464 | 6048 × 4032 |
| RAW recording | Yes | Yes |
| Standard ISO range | 100–51200 | 100–64000 |
| Sensor detail | Approximately 45 million effective and 47.1 million total pixels; 36 × 24 mm CMOS sensor; 8192×5464 full-resolution stills, distinct from video image areas | 25.28 million total pixels; sensor cleaning and image-dust-off data for NX Studio. Pixel-shift frames require software combination and a static camera/subject; no composite resolution is substituted for the single-frame main figure. |
| Image formats | Photo mode records JPEG, HEIF, RAW/C-RAW and Dual Pixel RAW in CR3 format; video mode offers Cinema RAW Light, XF-AVC and MP4 | 14-bit NEF RAW with lossless or high-efficiency compression; JPEG and HEIF; RAW plus JPEG or HEIF. Firmware 3.00 adds adjustable Film Grain for stills/video with movie restrictions. |
| ISO detail | Standard photo ISO 100–51200, expandable to ISO 50–102400; video guide specifies manual/automatic ISO 100–102400, with mode-dependent restrictions | Standard still-image ISO 100–64000, expandable to equivalent ISO 50–204800; HLG starts at ISO 400. Movie ISO 100–51200 with format-dependent expansion; physical dial and command-dial ranges differ. |
| Image processor | DIGIC X | EXPEED 7 |
| Lens and shooting | ||
| Lens mount | Canon RF | Nikon Z mount |
| Stabilisation | Optical lens stabilisation | Sensor shift |
| Maximum continuous burst | 20 fps | 30 fps |
| Lens detail | Native RF and adapted EF/EF-S lenses, excluding EF-M; EF-S stills use approximately 1.6× crop; video also supports compatible adapted EF Cinema lenses and separate full-frame/Super35/Super16 sensor modes | NIKKOR Z lenses; NIKKOR F lenses require an adapter and retain model-dependent restrictions. Manual-focus subject detection and focus confirmation available with compatible setups. |
| Autofocus | Photo-mode Dual Pixel CMOS AF with up to 1053 automatic zones or 5940 selectable positions; maker −6 EV stills claim with f/1.2 non-DS lens, centre point, One-Shot AF, ISO 100 at 23°C. Video guide lists continuous Dual Pixel AF, human face detection and tracking; photo/video subject-detection options differ | Hybrid phase/contrast detection; 273 single-point or 299 auto-area positions in FX stills; subject detection and 3D tracking. Nikon's −10 EV sensitivity uses AF-S, ISO 100, f/1.2 and 20°C. |
| Shutter | Photo mechanical/first-curtain electronic modes, 30–1/8000 second plus Bulb; electronic shutter 0.5–1/8000 second; video shutter speed, angle, clear scan and slow settings | Mechanical, electronic front-curtain and electronic; 1/8000 to 30 seconds using command dial, with Bulb/Time and manual extension to 900 seconds. Physical dial covers 1/8000 to 4 seconds plus special settings. Flash sync 1/200 and Auto FP support; threaded shutter button accepts a cable release. |
| Burst detail | Up to 20 fps electronic or 12 fps mechanical/first-curtain electronic, depending on lens and conditions; photo guide's 12 fps RAW buffer is 66 UHS-I/87 UHS-II/180 CFexpress frames under its test, not a 20 fps buffer claim | Ordinary high approximately 7.8 fps and extended high up to 14 fps, subject to format restrictions. C15/C30 high-speed capture reaches 30 fps with pre-release capture for JPEG normal; it is not a 30 fps RAW mode. |
| Stabilisation detail | No in-body sensor-shift IS; compatible lens optical IS and cropped digital video stabilisation; Cameralabs documents standard/high digital modes and their additional crops | Five-axis sensor shift; Nikon claims 8 stops under CIPA with NIKKOR Z 24–120mm f/4 S at the telephoto end in NORMAL mode. Focus Point VR has compatible-lens and AF-area restrictions; electronic video VR available. |
| Flash | No built-in flash; multi-function accessory shoe and compatible external flash; photo sync 1/200 second mechanical or 1/250 second first-curtain electronic | No built-in flash; ISO 518 accessory shoe and compatible external i-TTL Speedlights |
| Exposure controls | Photo mode has 384-zone metering; separate Photo/Video power positions load different EOS and Cinema EOS interfaces; video offers waveform, vectorscope and false-colour monitoring | Auto and P/S/A/M; physical compensation dial ±3 EV, command control ±5 EV in C setting; dedicated black-and-white switch |
| Video | ||
| Highest video resolution | 8192 × 4320 at 59.94 fps | 3840 × 2160 at 60 fps |
| Video detail | Internal full-frame Cinema RAW Light 12-bit 8192×4320 up to 59.94 fps; 8K60 requires compatible external power such as PD-E1 or DR-E6C, while 8K MP4 is up to 29.97 fps. RAW Super35 is 5952×3140, Super16 is 2976×1570; XF-AVC supports 4:2:2 10-bit up to 4K. Maker confirms oversampled 4K and up-to 120p slow/fast recording; separate WAV audio is available in high-frame-rate mode (Cameralabs). Active fan cooling, no built-in ND filter (Cameralabs) | UHD 3840 × 2160 up to 60p in cropped DX mode; full-frame UHD up to 30p oversampled from 6K. Full HD up to 120p. H.265 8/10-bit and H.264, N-Log, HLG, waveform and timecode; current maker table lists Hi-Res Zoom. Maximum recording time 125 minutes, subject to temperature, power and media conditions; no internal RAW video listed. |
| Audio | Built-in monaural microphone; 3.5 mm stereo microphone input and headphone output; multi-function shoe supports compatible digital audio accessories; cinema RAW/XF-AVC can record 24-bit 48 kHz four-channel PCM | Built-in stereo microphones; PCM 48 kHz/24-bit for MOV or AAC 48 kHz/16-bit for MP4; external microphone input and headphone monitoring |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3.2″ | 3.2″ |
| Screen dots | 2,100,000 | 2,100,000 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | 3.2-inch capacitive touchscreen, approximately 2.1 million dots and 100% coverage; vari-angle articulation documented by Digital Camera World; separate top status LCD | Vari-angle TFT with approximately 100% coverage and 170° viewing angle; Touch Fn supports settings and focus-point adjustment while using the viewfinder; dots count subpixels |
| Viewfinder detail | 0.5-inch OLED EVF, approximately 5.76 million dots, 100% coverage and 0.76× magnification with 50 mm lens at infinity, −1 dioptre | 0.5-inch Quad-VGA OLED, approximately 3.69 million dots, 100% coverage, 0.8× magnification and 21 mm eyepoint |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 320 photographs | 430 photographs |
| Body weight | 680 g | 630 g (better) |
| Release detail | Canon Camera Museum records March 2022 marketing; no exact first-sale day inferred | Nikon US states first availability in mid-October 2023; main retains month precision. The later silver exterior is the same camera hardware, and Nikon explicitly states firmware 3.00 supports both original and silver editions. |
| Recording media | One CFexpress Type B slot and one SD/SDHC/SDXC UHS-II slot; video secondary/proxy recording support depends on format | Primary UHS-II SD/SDHC/SDXC slot and secondary UHS-I microSD/microSDHC/microSDXC slot; overflow, backup and separate format recording |
| Ports | USB-C SuperSpeed USB 3.1 Gen 2, micro HDMI Type D, 3.5 mm microphone/headphone sockets, N3 remote-release socket and DIN 1.0/2.3 timecode input/output | USB-C SuperSpeed USB, Micro HDMI Type D, 3.5 mm microphone and headphone sockets |
| Wireless connections | Wi-Fi 802.11a/b/g/n/ac at 2.4/5 GHz and Bluetooth Low Energy 5.0 in photo guide; regional 5 GHz restrictions; photo-mode wireless functions should not be assumed identical in cinema mode | Wi-Fi IEEE 802.11a/b/g/n/ac and Bluetooth 5.0; SnapBridge. Nikon Imaging Cloud and automatic firmware updates supported by current firmware. |
| Battery life detail | LP-E6NH; photo guide gives approximately 320 EVF/490 LCD shots at 23°C in power-saving mode or 220 EVF/320 LCD in smooth mode; LP-E6N/LP-E6 compatibility has restrictions. Video guide gives approximately 45 minutes 8KRAW 29.97 or 50 minutes 25p under its specified LCD/RF 50mm/CFexpress test | EN-EL15c; CIPA approximately 430 monitor shots with power saving enabled or 380 without; EVF 410 with power saving or 360 without. Tested with NIKKOR Z 40mm f/2. Movie battery-life claim approximately 90 minutes; EN-EL15b/15a compatibility gives shorter endurance. |
| Charging | Compatible PD-E1 supports in-camera USB charging and camera power; optional CA-946 with DR-E6C for AC power; compatible external power required for 8K60 | USB charging and power delivery with compatible equipment; optional EH-8P/EH-7P; EN-EL15c/15b rechargeable in camera. Nikon UK states no charger included. |
| Dimensions | Approximately 142 × 101 × 111 mm (width × height × depth), excluding protrusions | Approximately 144 × 103 × 49 mm |
| Weight detail | Approximately 680 g body only without body cap, or 770 g with LP-E6NH, CFexpress card and SD card; video guide includes tape-measure hook and grip belt; photographed RF 24-70mm F2.8L IS USM excluded | Approximately 630 g body only or 710 g with battery/card, excluding body cap and shoe cover; TechRadar's body-only narrative uses the battery/card figure, so main follows Nikon. |
| Materials | Magnesium-alloy body and weather sealing described by Digital Camera World; no water-resistance rating inferred | Magnesium-alloy front and top covers, brass control dials and embossed artificial leather; dust- and drip-resistant construction |
| Colours | – | Original black and later silver finishes with maker-specific exterior colour options; cosmetic variants remain one hardware product. Photograph shows the current silver/black finish. |
| In the box | – | EN-EL15c battery, UC-E25 USB cable, BF-N1 body cap, AN-DC27 strap, BS-1 shoe cover and DK-33 eyepiece |
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