Canon EOS R5 C vs Canon EOS R8 Mark II
Better figure, where one is clearly better
| CanonEOS R5 C | CanonEOS R8 Mark II | |
|---|---|---|
| Overview | ||
| Released | March 2022 | Coming late October 2026 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Full frame | Full frame |
| Sensor type | CMOS | CMOS |
| Sensor dimensions | 36 × 24 mm | 36 × 24 mm |
| Effective resolution | 45 MP | 24.2 MP |
| Largest image | 8192 × 5464 | 6000 × 4000 |
| RAW recording | Yes | Yes |
| Standard ISO range | 100–51200 | 100–102400 |
| Sensor detail | Approximately 45 million effective and 47.1 million total pixels; 36 × 24 mm CMOS sensor; 8192×5464 full-resolution stills, distinct from video image areas | Full-frame 36.0 × 24.0 mm CMOS with approximately 24.2 million effective and 25.6 million total pixels; fixed low-pass filter and integrated sensor cleaning |
| Image formats | Photo mode records JPEG, HEIF, RAW/C-RAW and Dual Pixel RAW in CR3 format; video mode offers Cinema RAW Light, XF-AVC and MP4 | 14-bit RAW, C-RAW and Dual Pixel RAW; 8-bit JPEG and 10-bit HEIF; simultaneous RAW and JPEG or HEIF |
| ISO detail | Standard photo ISO 100–51200, expandable to ISO 50–102400; video guide specifies manual/automatic ISO 100–102400, with mode-dependent restrictions | Standard still-photo ISO 100–102400, expandable to ISO 50 or 204800; normal movie ISO 100–25600, with expansion dependent on recording mode |
| Image processor | DIGIC X | DIGIC X |
| Lens and shooting | ||
| Lens mount | Canon RF | Canon RF |
| Stabilisation | Optical lens stabilisation | Sensor shift |
| Maximum continuous burst | 20 fps | 40 fps |
| Lens detail | Native RF and adapted EF/EF-S lenses, excluding EF-M; EF-S stills use approximately 1.6× crop; video also supports compatible adapted EF Cinema lenses and separate full-frame/Super35/Super16 sensor modes | Canon RF and RF-S lenses directly; EF and EF-S via an EF-EOS R adapter; EF-M incompatible; RF-S and EF-S use 1.6× cropping |
| Autofocus | Photo-mode Dual Pixel CMOS AF with up to 1053 automatic zones or 5940 selectable positions; maker −6 EV stills claim with f/1.2 non-DS lens, centre point, One-Shot AF, ISO 100 at 23°C. Video guide lists continuous Dual Pixel AF, human face detection and tracking; photo/video subject-detection options differ | Dual Pixel CMOS AF II with up to 4368 selectable still-photo positions and 1053 zones; people, dogs, cats, birds, horses and vehicle detection, plus registered-person priority; coverage and available areas depend on lens and AF mode |
| Shutter | Photo mechanical/first-curtain electronic modes, 30–1/8000 second plus Bulb; electronic shutter 0.5–1/8000 second; video shutter speed, angle, clear scan and slow settings | Electronic first curtain 30–1/4000 second plus Bulb; electronic 30–1/16000 second, with 1/16000 restricted to Fv, Tv or M; no mechanical first curtain |
| Burst detail | Up to 20 fps electronic or 12 fps mechanical/first-curtain electronic, depending on lens and conditions; photo guide's 12 fps RAW buffer is 66 UHS-I/87 UHS-II/180 CFexpress frames under its test, not a 20 fps buffer claim | Electronic H+ up to 40 fps, H 20 fps or L 5 fps; electronic first curtain up to 6 fps; maker electronic buffer 190 JPEG or 73 RAW under One-Shot AF, ISO 100 and 23°C with a 128 GB UHS-II card; lens, battery, shutter, aperture, lighting and settings affect speed; pre-continuous capture retains up to 20 earlier frames |
| Stabilisation detail | No in-body sensor-shift IS; compatible lens optical IS and cropped digital video stabilisation; Cameralabs documents standard/high digital modes and their additional crops | Five-axis sensor-shift IBIS with coordinated optical lens stabilisation; maker up to 7.5 stops at the centre and 7.0 at the periphery under CIPA 2024 yaw, pitch and roll testing with RF 24-105mm F2.8L IS USM Z at 105 mm; Movie Digital IS is separate |
| Flash | No built-in flash; multi-function accessory shoe and compatible external flash; photo sync 1/200 second mechanical or 1/250 second first-curtain electronic | External E-TTL II Speedlite support through the multi-function shoe; full-frame electronic-first-curtain sync 1/200 second, or 1/250 with supported Sync speed priority |
| Exposure controls | Photo mode has 384-zone metering; separate Photo/Video power positions load different EOS and Cinema EOS interfaces; video offers waveform, vectorscope and false-colour monitoring | Auto, scenes, Fv, P, Tv, Av, M and Bulb; ±3 EV exposure compensation in 1/3 or 1/2 steps; 384-zone metering |
| Video | ||
| Highest video resolution | 8192 × 4320 at 59.94 fps | 3840 × 2160 at 59.94 fps |
| Video detail | Internal full-frame Cinema RAW Light 12-bit 8192×4320 up to 59.94 fps; 8K60 requires compatible external power such as PD-E1 or DR-E6C, while 8K MP4 is up to 29.97 fps. RAW Super35 is 5952×3140, Super16 is 2976×1570; XF-AVC supports 4:2:2 10-bit up to 4K. Maker confirms oversampled 4K and up-to 120p slow/fast recording; separate WAV audio is available in high-frame-rate mode (Cameralabs). Active fan cooling, no built-in ND filter (Cameralabs) | UHD 3840 × 2160 up to 59.94/50 fps oversampled from 6K except cropped and smooth-skin modes; full-width recording with optional crop; Full HD up to 179.82/150 fps; internal H.265 or H.264 with 10-bit 4:2:2 options, Canon Log 3, PQ and HLG; normal clip limit up to six hours below 100 fps, subject to temperature, power and other limits |
| Audio | Built-in monaural microphone; 3.5 mm stereo microphone input and headphone output; multi-function shoe supports compatible digital audio accessories; cinema RAW/XF-AVC can record 24-bit 48 kHz four-channel PCM | Built-in stereo microphone, 3.5 mm external microphone input and headphone output; compatible multi-function-shoe accessories support four-channel audio |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3.2″ | 3″ |
| Screen dots | 2,100,000 | 1,620,000 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | 3.2-inch capacitive touchscreen, approximately 2.1 million dots and 100% coverage; vari-angle articulation documented by Digital Camera World; separate top status LCD | 3-inch vari-angle Clear View LCD II touchscreen with approximately 1.62 million dots and 100% coverage |
| Viewfinder detail | 0.5-inch OLED EVF, approximately 5.76 million dots, 100% coverage and 0.76× magnification with 50 mm lens at infinity, −1 dioptre | 0.39-inch OLED with approximately 2.36 million dots, 100% coverage, 0.70× magnification and refresh up to 120 fps; refresh may fall during focusing or shooting |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 320 photographs | 220 photographs |
| Body weight | 680 g | 499 g (better) |
| Release detail | Canon Camera Museum records March 2022 marketing; no exact first-sale day inferred | Canon USA announced on 15 September 2026 and expects body and RF 24-50mm kit availability in late October; Canon UK currently lists pre-order; no precise first-sale day inferred |
| Recording media | One CFexpress Type B slot and one SD/SDHC/SDXC UHS-II slot; video secondary/proxy recording support depends on format | One SD, SDHC or SDXC slot with UHS-II and UHS-I support; maker recommends high-speed UHS-II SDXC for 4K video and fast bursts |
| Ports | USB-C SuperSpeed USB 3.1 Gen 2, micro HDMI Type D, 3.5 mm microphone/headphone sockets, N3 remote-release socket and DIN 1.0/2.3 timecode input/output | USB-C 3.2 Gen 2 for transfer, power and charging; micro HDMI Type D, 3.5 mm microphone and headphone sockets, E3 remote terminal and multi-function shoe |
| Wireless connections | Wi-Fi 802.11a/b/g/n/ac at 2.4/5 GHz and Bluetooth Low Energy 5.0 in photo guide; regional 5 GHz restrictions; photo-mode wireless functions should not be assumed identical in cinema mode | Wi-Fi 802.11ac at 2.4 or 5 GHz and Bluetooth 5.3; regional restrictions may apply |
| Battery life detail | LP-E6NH; photo guide gives approximately 320 EVF/490 LCD shots at 23°C in power-saving mode or 220 EVF/320 LCD in smooth mode; LP-E6N/LP-E6 compatibility has restrictions. Video guide gives approximately 45 minutes 8KRAW 29.97 or 50 minutes 25p under its specified LCD/RF 50mm/CFexpress test | LP-E17 rechargeable lithium-ion battery; maker CIPA power-saving claim at 23°C approximately 220 photographs with EVF or 340 with LCD; accessories powered by the shoe can reduce endurance |
| Charging | Compatible PD-E1 supports in-camera USB charging and camera power; optional CA-946 with DR-E6C for AC power; compatible external power required for 8K60 | USB charging supported with authenticated compatible batteries; optional LC-E17E external charger or PD-E1/PD-E2 USB power adapter; UK box list does not include a charger |
| Dimensions | Approximately 142 × 101 × 111 mm (width × height × depth), excluding protrusions | Approximately 131.4 × 90.0 × 79.7 mm (width × height × depth) |
| Weight detail | Approximately 680 g body only without body cap, or 770 g with LP-E6NH, CFexpress card and SD card; video guide includes tape-measure hook and grip belt; photographed RF 24-70mm F2.8L IS USM excluded | Approximately 499 g body only; 546 g including card and battery under CIPA guidelines |
| Materials | Magnesium-alloy body and weather sealing described by Digital Camera World; no water-resistance rating inferred | Primarily magnesium alloy with aluminium alloy and glass-fibre polycarbonate components; dust- and water-resistant construction is not waterproof, and shoe cover is required for sealing unless a sealed accessory is fitted |
| In the box | – | Camera body, ER-SC2 shoe cover, R-F-S camera cover, ER-100G neck strap, LP-E17 battery and cover, and user manual (UK maker list) |
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