Panasonic LUMIX S1II vs Sony Alpha 7 V
Better figure, where one is clearly better
| PanasonicLUMIX S1II | SonyAlpha 7 V | |
|---|---|---|
| Overview | ||
| Released | June 2025 | December 2025 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Full frame | Full frame |
| Sensor type | Partially stacked CMOS | Partially stacked Exmor RS CMOS |
| Sensor dimensions | 35.6 × 23.8 mm | 35.9 × 23.9 mm |
| Effective resolution | 24.1 MP | 33 MP |
| Largest image | 6000 × 4000 | 7008 × 4672 |
| RAW recording | Yes | Yes |
| Standard ISO range | 100–51200 | 100–51200 |
| Sensor detail | 24.1 million effective and 26.8 million total pixels; 35.6 × 23.8 mm partially stacked CMOS; normal 3:2 stills 6000×4000, distinct from eight-frame high-resolution 12000×8000 composites | Approximately 35.7 million total pixels; partially stacked full-frame sensor with optical low-pass filter. Sony's up-to-16-stop dynamic-range claim applies to stills with the mechanical shutter, not a review measurement. |
| Image formats | JPEG, RAW and HEIF; HEIF HDR uses HLG, with SDR also available; high-resolution composites exclude HEIF | JPEG, HEIF and RAW in Sony ARW 6.0 format; single-image effective resolution is 33 MP, distinct from software composite or enlarged output |
| ISO detail | Standard stills ISO 100–51200; expanded ISO 50, 102400 and 204800; native stills sensitivities ISO 100/800, distinct from V-Log and other video profiles | Standard still-image ISO 100–51200; expanded ISO 50–204800. Movie ISO 100–51200, expandable to 102400. |
| Image processor | – | BIONZ XR2 with integrated AI processing functions |
| Lens and shooting | ||
| Lens mount | L-Mount | Sony E-mount |
| Stabilisation | Lens and sensor shift | Sensor shift |
| Maximum continuous burst | 70 fps | 30 fps |
| Lens detail | L-Mount full-frame lenses; APS-C lenses use a reduced image area, with 3984×2656 3:2 stills | – |
| Autofocus | Phase Hybrid AF with up to 779 phase-detection and 315 contrast positions; humans/animals/cars/motorcycles and bicycles/trains/aircraft; −6 to 18 EV with f/1.4 lens, ISO 100, AFS. Subject selection is manual; current maker table includes Urban Sports recognition | Fast Hybrid AF with up to 759 phase-detection points; recognition for humans, animals, birds, insects, cars, trains and aeroplanes, plus automatic subject selection. Maker claims up to 94% frame coverage; AF-S detection down to EV −4 with an F2.0 lens at ISO 100. |
| Shutter | Mechanical 60–1/8000 second and Bulb to approximately 30 minutes; electronic first curtain 60–1/2000; electronic 60–1/16000 with Bulb to approximately 60 seconds | Electronic shutter 1/16000 second to 30 seconds; mechanical shutter 1/8000 second to 30 seconds plus Bulb; full-frame flash sync 1/250 second |
| Burst detail | Full-resolution electronic 70 fps speed-priority or 60/30 fps image-priority with AFS/AFC/MF; SH buffer 180 JPEG/RAW or 170 HEIF frames under maker conditions. Mechanical speed-priority up to 10 fps, including H+ AFC; lower modes offer live view. No composite high-resolution output counted as sensor resolution | Hi+ up to 30 fps electronically with AF/AE tracking and 14-bit RAW, or 10 fps mechanically. Electronic Hi+ is blackout-free; speed depends on lens, card, format and shooting conditions. Pre-capture can retain up to one second before full shutter press. Maker maximum-speed buffer figures include 185 Fine JPEG, 95 RAW or 35 lossless-compressed RAW photographs under its test conditions. |
| Stabilisation detail | Five-axis sensor-shift B.I.S., eight centre/seven corner stops with S-R2060 at 60 mm; compatible Dual I.S.2 gives seven centre/corner stops with S-R24105 at 105 mm under CIPA-2024. Electronic video IS separately available; current Japan table marks crop-less mode as firmware 3.0 | Five-axis sensor shift; maker claims 7.5 stops at the centre and 6.5 at the periphery under CIPA 2024 pitch/yaw/roll conditions with FE 50mm F1.2 GM and long-exposure noise reduction off. Dynamic Active movie mode adds more crop than Active mode. |
| Flash | External flash support, no built-in flash (Photography Blog); sync up to 1/250 second with maker flash-output restrictions | – |
| Exposure controls | Separate still/video/S&Q controls and custom settings; V-Log maker claim 14+ stops, or 15 with Dynamic Range Boost; no measured stills dynamic range inferred | – |
| Video | ||
| Highest video resolution | 5952 × 3968 at 29.97 fps | 3840 × 2160 at 120 fps |
| Video detail | Internal 5952×3968 3:2 open-gate HEVC 4:2:0 10-bit up to 29.97p; 5952×2512 up to 59.94p and 5088×3392 open gate up to 59.94p. Maker video table lists internal ProRes RAW HQ/RAW 5760×3040 up to 29.97p and C4K up to 59.94p; HDMI RAW 6000×4000 up to 29.97p needs an external recorder and is not the headline internal resolution. ARRI LogC3 requires separately purchased DMW-SFU3A key; recording formats, media and firmware impose restrictions | Internal 4K up to 120p NTSC or 100p PAL in APS-C/Super 35 mode; full-frame 4K 60p/50p uses 7K oversampling with 4K Angle of View Priority on. XAVC S and XAVC HS support 10-bit 4:2:2; XAVC S-I 4K reaches 60p/50p. No RAW movie output. USB streaming is separate, up to 4K 30p/25p or Full HD 60p/50p. |
| Audio | Stereo built-in microphone; MOV LPCM up to 96 kHz/24-bit; optional DMW-XLR2 required for 32-bit float; channel/sample-rate restrictions depend on adapter and format | – |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3″ | 3.2″ |
| Screen dots | 1,840,000 | 2,095,104 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | Three-inch 3:2 capacitive touchscreen, approximately 1.84 million dots and 100% coverage; tilt and free-angle articulation (Panasonic UK) | Four-axis multi-angle TFT; approximately 98° upwards, 40° downwards, 180° sideways and 270° rotation; dots count colour subpixels |
| Viewfinder detail | 0.5-inch OLED, approximately 5.76 million dots, 100% coverage and 0.78× magnification with 50 mm lens at infinity, −1 dioptre and 3:2 aspect ratio | 0.5-type OLED; 3,686,400 dots; approximately 0.78× magnification; 60 or 120 fps display |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 320 photographs | 750 photographs |
| Body weight | 718 g | 610 g (better) |
| Release detail | Panasonic UK confirms available June 2025; no exact retail day inferred from announcement or Japan promised timing | Sony Europe's announcement states body availability to purchase from 2 December 2025; Sony Japan specifies 19 December 2025. The Japanese ILCE-7M5M lens kit followed on 10 April 2026 rather than the body's date. |
| Recording media | One CFexpress Type B slot and one SD/SDHC/SDXC UHS-II slot; dual-slot recording options; no XQD compatibility inferred from Photography Blog's conflicting table | Slot 1 accepts CFexpress 2 Type A or UHS-I/II SD; slot 2 accepts UHS-I/II SD |
| Ports | USB-C 10 Gbps with USB Power Delivery, full-size HDMI Type A, 2.5 mm remote, 3.5 mm stereo microphone and headphone connections; no dedicated timecode or flash-sync terminal in Japan table | Full-size HDMI Type A; two USB-C ports, port 1 at 10Gbps USB 3.2 and port 2 at 480Mbps USB 2.0; 3.5 mm microphone and headphone sockets; Multi Interface Shoe with digital audio |
| Wireless connections | Wi-Fi 2.4 GHz 802.11b/g/n and 5 GHz 802.11a/n/ac; Bluetooth Low Energy 5.0; Japan channel ranges not assumed identical in every region | Wi-Fi 802.11a/b/g/n/ac/ax, including Wi-Fi 6E at 2.4/5/6 GHz where regional rules permit; Bluetooth 5.3; no NFC |
| Battery life detail | DMW-BLK22; SD-card CIPA approximately 320 EVF/360 LCD shots with S-R24105, or 1150 in specified power-save EVF mode; CFexpress gives approximately 310/350 or 1000 respectively | NP-FZ100; maker CIPA claim approximately 750 photographs using the monitor or 630 using the viewfinder |
| Charging | In-camera USB charging and power supply, including USB Power Delivery; optional DMW-AC11 AC adapter | In-camera USB-C charging and power supply; USB Power Delivery supported |
| Dimensions | Approximately 134.3 × 102.3 × 91.8 mm, excluding protrusions | Approximately 130.3 × 96.4 × 82.4 mm maximum; 72.3 mm depth from grip to monitor |
| Weight detail | Panasonic UK specifies 718 g body only and 800 g with shoe cover, battery and SD card; photographed body excludes lens. Photography Blog's 712 g body figure is not used | Approximately 610 g body only or 695 g with battery and memory card. Photography Blog's narrative mislabels 695 g as excluding battery/card; TechRadar lists 659 g. Main weight follows Sony's exact body-only specification. |
| Materials | Dust, splash and freeze-resistant body; maker operating range −10 to 40°C with cold-temperature battery and lens restrictions; no waterproof rating inferred | – |
| In the box | Japan maker lists battery, battery charger, shoulder strap, body cap, hot-shoe cover and battery-grip contact cover; regional bundle contents may vary | NP-FZ100 battery, shoulder strap, body cap, accessory shoe cap and eyepiece cup, according to Sony UK |
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