Sony Alpha 7 V vs Sony Alpha SLT-A65
Better figure, where one is clearly better
| SonyAlpha 7 V | SonyAlpha SLT-A65 | |
|---|---|---|
| Overview | ||
| Released | December 2025 | September 2011 |
| Image and sensor | ||
| Camera type | Mirrorless | Translucent mirror |
| Sensor format | Full frame | APS-C |
| Sensor type | Partially stacked Exmor RS CMOS | Exmor APS HD CMOS |
| Sensor dimensions | 35.9 × 23.9 mm | 23.5 × 15.6 mm |
| Effective resolution | 33 MP | 24.3 MP |
| Largest image | 7008 × 4672 | 6000 × 4000 |
| RAW recording | Yes | Yes |
| Standard ISO range | 100–51200 | 100–16000 |
| Sensor detail | Approximately 35.7 million total pixels; partially stacked full-frame sensor with optical low-pass filter. Sony's up-to-16-stop dynamic-range claim applies to stills with the mechanical shutter, not a review measurement. | 24.7 million total photosites; fixed translucent mirror feeds a dedicated phase-detection AF sensor while the main sensor supplies live view |
| Image formats | JPEG, HEIF and RAW in Sony ARW 6.0 format; single-image effective resolution is 33 MP, distinct from software composite or enlarged output | JPEG, RAW (Sony ARW 2.3), RAW+JPEG and 3D MPO panoramas; 3:2 or 16:9 stills |
| ISO detail | Standard still-image ISO 100–51200; expanded ISO 50–204800. Movie ISO 100–51200, expandable to 102400. | Auto ISO 100–1600; multi-frame noise reduction ISO 100–25600 |
| Image processor | BIONZ XR2 with integrated AI processing functions | BIONZ |
| Lens and shooting | ||
| Lens mount | Sony E-mount | Sony A-mount |
| Stabilisation | Sensor shift | Sensor shift |
| Maximum continuous burst | 30 fps | 10 fps |
| Lens detail | – | Compatible Sony, Minolta and Konica Minolta A-mount AF lenses; kit lenses are separate from body specifications |
| Autofocus | Fast Hybrid AF with up to 759 phase-detection points; recognition for humans, animals, birds, insects, cars, trains and aeroplanes, plus automatic subject selection. Maker claims up to 94% frame coverage; AF-S detection down to EV −4 with an F2.0 lens at ISO 100. | 15-point phase-detection AF with three cross sensors; EV −1–18 at ISO 100 with an F2.8 lens; AF-S, AF-A, AF-C and manual focus; zone and local selection, tracking AF and Eye-Start |
| Shutter | Electronic shutter 1/16000 second to 30 seconds; mechanical shutter 1/8000 second to 30 seconds plus Bulb; full-frame flash sync 1/250 second | 1/4000–30 seconds and Bulb; flash sync 1/160 second |
| Burst detail | Hi+ up to 30 fps electronically with AF/AE tracking and 14-bit RAW, or 10 fps mechanically. Electronic Hi+ is blackout-free; speed depends on lens, card, format and shooting conditions. Pre-capture can retain up to one second before full shutter press. Maker maximum-speed buffer figures include 185 Fine JPEG, 95 RAW or 35 lossless-compressed RAW photographs under its test conditions. | Up to 10 fps at full resolution in Continuous Advance Priority AE with continuous phase-detection AF; ordinary drive 8 fps Hi or 3 fps Lo. Maker buffer claim at 10 fps: 17 Fine JPEG, 18 Standard JPEG, 13 RAW or 11 RAW+JPEG frames. Continuous drive buffer: 18 Fine/Standard JPEG, 13 RAW or 11 RAW+JPEG frames. |
| Stabilisation detail | Five-axis sensor shift; maker claims 7.5 stops at the centre and 6.5 at the periphery under CIPA 2024 pitch/yaw/roll conditions with FE 50mm F1.2 GM and long-exposure noise reduction off. Dynamic Active movie mode adds more crop than Active mode. | SteadyShot INSIDE sensor shift for stills, maker claim approximately 2.5–4.5 stops; electronic stabilisation for movies |
| Flash | – | Automatic pop-up flash, guide number 10 in metres at ISO 100; ADI and pre-flash TTL control; compatible external flash required for wireless flash and high-speed sync |
| Exposure controls | – | PASM, Auto, Auto+, scene and panorama modes; 1200-zone metering; ±3 EV compensation in 1/3 steps; three-frame Auto HDR, D-Range Optimizer and Picture Effects |
| Video | ||
| Highest video resolution | 3840 × 2160 at 120 fps | 1920 × 1080 at 60 fps |
| Video detail | Internal 4K up to 120p NTSC or 100p PAL in APS-C/Super 35 mode; full-frame 4K 60p/50p uses 7K oversampling with 4K Angle of View Priority on. XAVC S and XAVC HS support 10-bit 4:2:2; XAVC S-I 4K reaches 60p/50p. No RAW movie output. USB streaming is separate, up to 4K 30p/25p or Full HD 60p/50p. | Japan/NTSC model: 1920 × 1080 AVCHD 2.0 at 60p/28 Mbps, 60i/24 or 17 Mbps, and 24p/24 or 17 Mbps; PAL models use 50p, 50i and 25p. MP4 supports 1440 × 1080 or VGA. P/A/S/M movie exposure modes require manual focus; continuous phase-detection AF is available with automatic movie exposure. |
| Audio | – | Built-in stereo microphone with wind-noise reduction, external stereo microphone input and mono playback speaker |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3.2″ | 3″ |
| Screen dots | 2,095,104 | 921,600 |
| Touchscreen | Yes | No |
| Tilting screen | Yes | Yes |
| Display detail | Four-axis multi-angle TFT; approximately 98° upwards, 40° downwards, 180° sideways and 270° rotation; dots count colour subpixels | Xtra Fine LCD with 180° tilt and 270° rotation on a bottom hinge; focus peaking and magnification; dots count colour subpixels |
| Viewfinder detail | 0.5-type OLED; 3,686,400 dots; approximately 0.78× magnification; 60 or 120 fps display | 0.5-type XGA OLED Tru-Finder with 2,359,296 dots, 100% coverage and approximately 1.09× magnification with a 50 mm lens; focus magnification and electronic level |
| Connections and design | ||
| Wi-Fi | Yes | – |
| Bluetooth | Yes | – |
| Battery life (maker's claim) | 750 photographs | 510 photographs |
| Body weight | 610 g | 543 g (better) |
| Release detail | Sony Europe's announcement states body availability to purchase from 2 December 2025; Sony Japan specifies 19 December 2025. The Japanese ILCE-7M5M lens kit followed on 10 April 2026 rather than the body's date. | Sony China announced staggered availability from mid-September 2011; UK announcement specifies October 2011, while Sony Japan’s revised release gives 27 January 2012. September is the earliest maker-stated retail precision read. |
| Recording media | Slot 1 accepts CFexpress 2 Type A or UHS-I/II SD; slot 2 accepts UHS-I/II SD | Single slot accepting SD, SDHC, SDXC, Memory Stick PRO Duo and PRO-HG Duo |
| Ports | Full-size HDMI Type A; two USB-C ports, port 1 at 10Gbps USB 3.2 and port 2 at 480Mbps USB 2.0; 3.5 mm microphone and headphone sockets; Multi Interface Shoe with digital audio | USB 2.0 Hi-Speed, mini HDMI Type C, 3.5 mm stereo microphone input, wired remote and DC input; optional infrared remote; Auto-lock accessory shoe |
| Wireless connections | Wi-Fi 802.11a/b/g/n/ac/ax, including Wi-Fi 6E at 2.4/5/6 GHz where regional rules permit; Bluetooth 5.3; no NFC | GPS geotagging is built into the SLT-A65V regional model represented by the Japanese specification and photograph. |
| Battery life detail | NP-FZ100; maker CIPA claim approximately 750 photographs using the monitor or 630 using the viewfinder | NP-FM500H; CIPA maker claim approximately 510 photographs using the viewfinder or 560 using the LCD |
| Charging | In-camera USB-C charging and power supply; USB Power Delivery supported | Supplied BC-VM10A external charger |
| Dimensions | Approximately 130.3 × 96.4 × 82.4 mm maximum; 72.3 mm depth from grip to monitor | Approximately 132.1 × 97.5 × 80.7 mm (width × height × depth), excluding protrusions |
| Weight detail | Approximately 610 g body only or 695 g with battery and memory card. Photography Blog's narrative mislabels 695 g as excluding battery/card; TechRadar lists 659 g. Main weight follows Sony's exact body-only specification. | Approximately 543 g body only; 622 g including battery and Memory Stick PRO Duo |
| Materials | – | Polycarbonate outer body (PhotographyBlog and PhotoReview) |
| Colours | – | Black |
| In the box | NP-FZ100 battery, shoulder strap, body cap, accessory shoe cap and eyepiece cup, according to Sony UK | NP-FM500H battery, BC-VM10A charger, shoulder strap, eyepiece cup, USB cable and software CD; lenses depend on kit |
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