Sony Alpha 7R III vs Sony Alpha 7R V
Better figure, where one is clearly better
| SonyAlpha 7R III | SonyAlpha 7R V | |
|---|---|---|
| Overview | ||
| Released | November 2017 | November 2022 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Full frame | Full frame |
| Sensor type | Back-illuminated Exmor R CMOS | Back-illuminated Exmor R CMOS |
| Sensor dimensions | 35.9 × 24 mm | 35.7 × 23.8 mm |
| Effective resolution | 42.4 MP | 61 MP |
| Largest image | 7952 × 5304 | 9504 × 6336 |
| RAW recording | Yes | Yes |
| Standard ISO range | 100–32000 | 100–32000 |
| Sensor detail | Approximately 43.6 million total pixels; 3:2 back-illuminated sensor without an optical low-pass filter. Pixel Shift Multi Shooting combines four exposures into a 7952 × 5304 output, not a higher pixel-count still image; requires a static camera/subject and computer processing. | Approximately 62.5 million total pixels; 3:2 sensor. Pixel Shift Multi Shooting combines four or 16 exposures on a computer; 16-frame output is 19008 × 12672. Compatible Imaging Edge software can correct small movements, but camera or subject movement can still spoil compositing. |
| Image formats | JPEG, RAW and RAW+JPEG; Sony ARW 2.3, compressed or uncompressed RAW. Maker launch footnote limits compressed RAW continuous shooting, Bulb and long-exposure noise reduction to 12-bit output; other supported modes allow 14-bit. | JPEG, HEIF, RAW, RAW+JPEG and RAW+HEIF; Sony ARW 4.0, compressed, lossless-compressed or uncompressed RAW. |
| ISO detail | Standard still-image ISO 100–32000; expanded ISO 50–102400. | Standard still-image ISO 100–32000; expanded ISO 50–102400. |
| Image processor | BIONZ X and front-end LSI. | BIONZ XR and dedicated AI processing unit. |
| Lens and shooting | ||
| Lens mount | Sony E-mount | Sony E-mount |
| Stabilisation | Sensor shift | Sensor shift |
| Maximum continuous burst | 10 fps | 10 fps |
| Autofocus | Fast Hybrid AF with 399 full-frame phase-detection points and 425 contrast points; Eye AF supported. Phase-point coverage differs with APS-C lenses and crop modes. | Fast Hybrid AF with 693 full-frame phase-detection points and 25 contrast points; phase coverage approximately 79%. Recognises people, animals, birds, insects, cars/trains and aircraft. APS-C lenses change phase-point count; recognition depends on selected mode and subject. |
| Shutter | Focal-plane shutter; 30 seconds to 1/8000 second plus Bulb; flash sync 1/250 second. Electronic first curtain and silent shooting supported. | – |
| Burst detail | Up to approximately 10 fps in Hi+ with AF/AE tracking using mechanical or silent shutter; up to approximately 8 fps with live view in Hi. Maker buffer claims 76 compressed RAW/JPEG or 28 uncompressed RAW frames under Sony test conditions with UHS-II SDXC; actual speed depends on settings and lens compatibility. | Up to approximately 10 fps mechanical Hi+ with AF/AE tracking, or 8 fps with live view; electronic Hi+ up to 7 fps in Sony's launch footnote. Buffer claim is 583 compressed RAW, 135 uncompressed RAW or over 1000 JPEG frames using Sony CEA-G160T CFexpress Type A and Hi+ under maker conditions. |
| Stabilisation detail | Five-axis sensor shift; Sony claims 5.5 stops under CIPA pitch/yaw conditions with Planar T* FE 50mm F1.4 ZA and long-exposure noise reduction off. Correction depends on lens compatibility. | Five-axis sensor shift; Sony claims 8 stops under CIPA pitch/yaw conditions with FE 50mm F1.2 GM and long-exposure noise reduction off. Active video stabilisation narrows the field of view and is unavailable in 8K and 120p modes. |
| Video | ||
| Highest video resolution | 3840 × 2160 at 30 fps | 7680 × 4320 at 24 fps |
| Video detail | Japanese specification lists XAVC S 4K at 30p or 24p and up to 100 Mbps; headline maximum reflects Japanese/NTSC mode. Super 35mm recording provides full-pixel readout without binning; full-frame 4K is a separate mode. HLG, S-Log2 and S-Log3; 8-bit 4:2:2 HDMI output. Full HD 120p is a lower-resolution mode. | Japanese/NTSC recording includes 7680 × 4320 XAVC HS 8K at 24p, 10-bit 4:2:0. 8K and 4K 60p use an approximately 1.2× narrower field of view. 4K supports 10-bit 4:2:2; Super 35mm 30p/24p oversamples without binning. Full HD 120p is a lower-resolution mode. S-Cinetone, S-Log3 and HLG supported; USB streaming resolution is separate from internal recording. |
| Audio | Stereo microphone; 3.5 mm microphone and headphone sockets. | Stereo microphone; 3.5 mm microphone and headphone sockets; compatible Multi Interface Shoe accessories enable 24-bit or four-channel digital audio. |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3″ | 3.2″ |
| Screen dots | 1,440,000 | 2,095,104 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | TFT LCD tilts approximately 107° up and 41° down; touch focus/touchpad operation supported. This is the original ILCE-7RM3's 1,440,000-dot panel, not the later ILCE-7RM3A display. | Four-axis TFT LCD combines tilt with side-opening rotation; approximately 98° up, 40° down, 180° sideways and 270° rotation in the open position. |
| Viewfinder detail | 0.5-inch electronic viewfinder with 3,686,400 dots, 100% coverage and approximately 0.78× magnification with a 50 mm lens at infinity; selectable 60/120 fps display. | 0.64-inch Quad-XGA OLED with 9,437,184 dots, 100% coverage and approximately 0.90× magnification; selectable 60/120 fps display. |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | – | Yes |
| Battery life (maker's claim) | 650 photographs | 530 photographs |
| Body weight | 572 g (better) | 638 g |
| Release detail | Sony Japan specifies 25 November 2017 for the ILCE-7RM3 body; this is the Japanese sale date, not a UK release claim. Reservations began earlier and are not the release date. | Sony Japan specifies 25 November 2022 for ILCE-7RM5; this is the Japanese on-sale date, not a UK release claim. The Sony UK press-centre article reproduces a North American announcement with December shipping, so that is not treated as a UK date. |
| Recording media | Two media slots; slot 1 supports UHS-II SD, while the other supports SD/Memory Stick. Simultaneous, relay and separate-media recording supported. | Two multi-format slots, each accepting CFexpress Type A or UHS-I/UHS-II SD; simultaneous, separate-media and relay recording. Type B cards are not supported. |
| Ports | USB Type-C with SuperSpeed USB 3.1 Gen 1, Multi/Micro USB, Micro HDMI, microphone and headphone sockets, sync terminal and Multi Interface Shoe. | USB Type-C at 10 Gbps, Multi/Micro USB, full-size HDMI, microphone and headphone sockets, sync terminal and digital-audio Multi Interface Shoe. |
| Wireless connections | Wi-Fi IEEE 802.11b/g/n at 2.4 GHz and NFC. | Wi-Fi IEEE 802.11a/b/g/n/ac at 2.4/5 GHz and Bluetooth 5.0; no NFC in exact maker specification. |
| Battery life detail | NP-FZ100; CIPA approximately 650 photographs using the LCD or 530 using the viewfinder. In-camera charging and power via USB Type-C or Multi/Micro USB. | NP-FZ100; CIPA approximately 530 photographs with LCD or 440 with viewfinder. USB Type-C Power Delivery charging and power supported. |
| Dimensions | Approximately 126.9 × 95.6 × 73.7 mm (width × height × maximum depth); grip-to-monitor depth 62.7 mm. | Approximately 131.3 × 96.9 × 82.4 mm (width × height × maximum depth); grip-to-monitor depth 72.3 mm. |
| Weight detail | Approximately 572 g body only; 657 g with battery and memory card; lens excluded. | Approximately 638 g body only; 723 g with battery and memory card; lens excluded. |
| Materials | Magnesium-alloy body; dust- and moisture-resistant design does not guarantee protection against ingress. | – |
| In the box | Power cord, NP-FZ100 battery, cable protector, BC-QZ1 charger, shoulder strap, body cap, accessory shoe cap, eyepiece cup and USB Type-C cable, according to Sony Japan. | NP-FZ100 battery, BC-QZ1 charger, power cord, cable protector, shoulder strap, body cap, accessory shoe cap, eyepiece cup and USB-A to USB-C cable, according to Sony UK. |
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