Sony Alpha 7R V vs Sony Alpha SLT-A65
Better figure, where one is clearly better
| SonyAlpha 7R V | SonyAlpha SLT-A65 | |
|---|---|---|
| Overview | ||
| Released | November 2022 | September 2011 |
| Image and sensor | ||
| Camera type | Mirrorless | Translucent mirror |
| Sensor format | Full frame | APS-C |
| Sensor type | Back-illuminated Exmor R CMOS | Exmor APS HD CMOS |
| Sensor dimensions | 35.7 × 23.8 mm | 23.5 × 15.6 mm |
| Effective resolution | 61 MP | 24.3 MP |
| Largest image | 9504 × 6336 | 6000 × 4000 |
| RAW recording | Yes | Yes |
| Standard ISO range | 100–32000 | 100–16000 |
| Sensor detail | Approximately 62.5 million total pixels; 3:2 sensor. Pixel Shift Multi Shooting combines four or 16 exposures on a computer; 16-frame output is 19008 × 12672. Compatible Imaging Edge software can correct small movements, but camera or subject movement can still spoil compositing. | 24.7 million total photosites; fixed translucent mirror feeds a dedicated phase-detection AF sensor while the main sensor supplies live view |
| Image formats | JPEG, HEIF, RAW, RAW+JPEG and RAW+HEIF; Sony ARW 4.0, compressed, lossless-compressed or uncompressed RAW. | JPEG, RAW (Sony ARW 2.3), RAW+JPEG and 3D MPO panoramas; 3:2 or 16:9 stills |
| ISO detail | Standard still-image ISO 100–32000; expanded ISO 50–102400. | Auto ISO 100–1600; multi-frame noise reduction ISO 100–25600 |
| Image processor | BIONZ XR and dedicated AI processing unit. | BIONZ |
| Lens and shooting | ||
| Lens mount | Sony E-mount | Sony A-mount |
| Stabilisation | Sensor shift | Sensor shift |
| Maximum continuous burst | 10 fps | 10 fps |
| Lens detail | – | Compatible Sony, Minolta and Konica Minolta A-mount AF lenses; kit lenses are separate from body specifications |
| Autofocus | Fast Hybrid AF with 693 full-frame phase-detection points and 25 contrast points; phase coverage approximately 79%. Recognises people, animals, birds, insects, cars/trains and aircraft. APS-C lenses change phase-point count; recognition depends on selected mode and subject. | 15-point phase-detection AF with three cross sensors; EV −1–18 at ISO 100 with an F2.8 lens; AF-S, AF-A, AF-C and manual focus; zone and local selection, tracking AF and Eye-Start |
| Shutter | – | 1/4000–30 seconds and Bulb; flash sync 1/160 second |
| Burst detail | Up to approximately 10 fps mechanical Hi+ with AF/AE tracking, or 8 fps with live view; electronic Hi+ up to 7 fps in Sony's launch footnote. Buffer claim is 583 compressed RAW, 135 uncompressed RAW or over 1000 JPEG frames using Sony CEA-G160T CFexpress Type A and Hi+ under maker conditions. | Up to 10 fps at full resolution in Continuous Advance Priority AE with continuous phase-detection AF; ordinary drive 8 fps Hi or 3 fps Lo. Maker buffer claim at 10 fps: 17 Fine JPEG, 18 Standard JPEG, 13 RAW or 11 RAW+JPEG frames. Continuous drive buffer: 18 Fine/Standard JPEG, 13 RAW or 11 RAW+JPEG frames. |
| Stabilisation detail | Five-axis sensor shift; Sony claims 8 stops under CIPA pitch/yaw conditions with FE 50mm F1.2 GM and long-exposure noise reduction off. Active video stabilisation narrows the field of view and is unavailable in 8K and 120p modes. | SteadyShot INSIDE sensor shift for stills, maker claim approximately 2.5–4.5 stops; electronic stabilisation for movies |
| Flash | – | Automatic pop-up flash, guide number 10 in metres at ISO 100; ADI and pre-flash TTL control; compatible external flash required for wireless flash and high-speed sync |
| Exposure controls | – | PASM, Auto, Auto+, scene and panorama modes; 1200-zone metering; ±3 EV compensation in 1/3 steps; three-frame Auto HDR, D-Range Optimizer and Picture Effects |
| Video | ||
| Highest video resolution | 7680 × 4320 at 24 fps | 1920 × 1080 at 60 fps |
| Video detail | Japanese/NTSC recording includes 7680 × 4320 XAVC HS 8K at 24p, 10-bit 4:2:0. 8K and 4K 60p use an approximately 1.2× narrower field of view. 4K supports 10-bit 4:2:2; Super 35mm 30p/24p oversamples without binning. Full HD 120p is a lower-resolution mode. S-Cinetone, S-Log3 and HLG supported; USB streaming resolution is separate from internal recording. | Japan/NTSC model: 1920 × 1080 AVCHD 2.0 at 60p/28 Mbps, 60i/24 or 17 Mbps, and 24p/24 or 17 Mbps; PAL models use 50p, 50i and 25p. MP4 supports 1440 × 1080 or VGA. P/A/S/M movie exposure modes require manual focus; continuous phase-detection AF is available with automatic movie exposure. |
| Audio | Stereo microphone; 3.5 mm microphone and headphone sockets; compatible Multi Interface Shoe accessories enable 24-bit or four-channel digital audio. | Built-in stereo microphone with wind-noise reduction, external stereo microphone input and mono playback speaker |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3.2″ | 3″ |
| Screen dots | 2,095,104 | 921,600 |
| Touchscreen | Yes | No |
| Tilting screen | Yes | Yes |
| Display detail | Four-axis TFT LCD combines tilt with side-opening rotation; approximately 98° up, 40° down, 180° sideways and 270° rotation in the open position. | Xtra Fine LCD with 180° tilt and 270° rotation on a bottom hinge; focus peaking and magnification; dots count colour subpixels |
| Viewfinder detail | 0.64-inch Quad-XGA OLED with 9,437,184 dots, 100% coverage and approximately 0.90× magnification; selectable 60/120 fps display. | 0.5-type XGA OLED Tru-Finder with 2,359,296 dots, 100% coverage and approximately 1.09× magnification with a 50 mm lens; focus magnification and electronic level |
| Connections and design | ||
| Wi-Fi | Yes | – |
| Bluetooth | Yes | – |
| Battery life (maker's claim) | 530 photographs | 510 photographs |
| Body weight | 638 g | 543 g (better) |
| Release detail | Sony Japan specifies 25 November 2022 for ILCE-7RM5; this is the Japanese on-sale date, not a UK release claim. The Sony UK press-centre article reproduces a North American announcement with December shipping, so that is not treated as a UK date. | Sony China announced staggered availability from mid-September 2011; UK announcement specifies October 2011, while Sony Japan’s revised release gives 27 January 2012. September is the earliest maker-stated retail precision read. |
| Recording media | Two multi-format slots, each accepting CFexpress Type A or UHS-I/UHS-II SD; simultaneous, separate-media and relay recording. Type B cards are not supported. | Single slot accepting SD, SDHC, SDXC, Memory Stick PRO Duo and PRO-HG Duo |
| Ports | USB Type-C at 10 Gbps, Multi/Micro USB, full-size HDMI, microphone and headphone sockets, sync terminal and digital-audio Multi Interface Shoe. | USB 2.0 Hi-Speed, mini HDMI Type C, 3.5 mm stereo microphone input, wired remote and DC input; optional infrared remote; Auto-lock accessory shoe |
| Wireless connections | Wi-Fi IEEE 802.11a/b/g/n/ac at 2.4/5 GHz and Bluetooth 5.0; no NFC in exact maker specification. | GPS geotagging is built into the SLT-A65V regional model represented by the Japanese specification and photograph. |
| Battery life detail | NP-FZ100; CIPA approximately 530 photographs with LCD or 440 with viewfinder. USB Type-C Power Delivery charging and power supported. | NP-FM500H; CIPA maker claim approximately 510 photographs using the viewfinder or 560 using the LCD |
| Charging | – | Supplied BC-VM10A external charger |
| Dimensions | Approximately 131.3 × 96.9 × 82.4 mm (width × height × maximum depth); grip-to-monitor depth 72.3 mm. | Approximately 132.1 × 97.5 × 80.7 mm (width × height × depth), excluding protrusions |
| Weight detail | Approximately 638 g body only; 723 g with battery and memory card; lens excluded. | Approximately 543 g body only; 622 g including battery and Memory Stick PRO Duo |
| Materials | – | Polycarbonate outer body (PhotographyBlog and PhotoReview) |
| Colours | – | Black |
| In the box | NP-FZ100 battery, BC-QZ1 charger, power cord, cable protector, shoulder strap, body cap, accessory shoe cap, eyepiece cup and USB-A to USB-C cable, according to Sony UK. | NP-FM500H battery, BC-VM10A charger, shoulder strap, eyepiece cup, USB cable and software CD; lenses depend on kit |
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