Canon EOS R5 C vs Sony Alpha 7S III
Better figure, where one is clearly better
| CanonEOS R5 C | SonyAlpha 7S III | |
|---|---|---|
| Overview | ||
| Released | March 2022 | September 2020 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Full frame | Full frame |
| Sensor type | CMOS | Back-illuminated Exmor R CMOS |
| Sensor dimensions | 36 × 24 mm | 35.6 × 23.8 mm |
| Effective resolution | 45 MP | 12.1 MP |
| Largest image | 8192 × 5464 | 4240 × 2832 |
| RAW recording | Yes | Yes |
| Standard ISO range | 100–51200 | 80–102400 |
| Sensor detail | Approximately 45 million effective and 47.1 million total pixels; 36 × 24 mm CMOS sensor; 8192×5464 full-resolution stills, distinct from video image areas | Approximately 12.9 million total pixels; 3:2 sensor; anti-static coating and ultrasonic dust reduction |
| Image formats | Photo mode records JPEG, HEIF, RAW/C-RAW and Dual Pixel RAW in CR3 format; video mode offers Cinema RAW Light, XF-AVC and MP4 | JPEG, 10-bit HEIF and compressed or uncompressed 14-bit RAW (Sony ARW 4.0); XAVC S, XAVC S-I and XAVC HS movies |
| ISO detail | Standard photo ISO 100–51200, expandable to ISO 50–102400; video guide specifies manual/automatic ISO 100–102400, with mode-dependent restrictions | Standard still-image and movie ISO 80–102400; still-image extension ISO 40–409600; movie extension reaches ISO 409600 |
| Image processor | DIGIC X | BIONZ XR |
| Lens and shooting | ||
| Lens mount | Canon RF | Sony E-mount |
| Stabilisation | Optical lens stabilisation | Sensor shift |
| Maximum continuous burst | 20 fps | 10 fps |
| Lens detail | Native RF and adapted EF/EF-S lenses, excluding EF-M; EF-S stills use approximately 1.6× crop; video also supports compatible adapted EF Cinema lenses and separate full-frame/Super35/Super16 sensor modes | Interchangeable E-mount; full-frame FE lenses use the whole sensor; APS-C still-image crop available. ILCE-7SM3 is supplied without a lens. |
| Autofocus | Photo-mode Dual Pixel CMOS AF with up to 1053 automatic zones or 5940 selectable positions; maker −6 EV stills claim with f/1.2 non-DS lens, centre point, One-Shot AF, ISO 100 at 23°C. Video guide lists continuous Dual Pixel AF, human face detection and tracking; photo/video subject-detection options differ | Fast Hybrid AF with 759 phase-detection and 425 contrast-detection points in full-frame stills; detection range EV -6 to 20 at ISO 100 with an f/2 lens; Real-time Tracking and human Eye AF in stills and video; animal Eye AF for stills |
| Shutter | Photo mechanical/first-curtain electronic modes, 30–1/8000 second plus Bulb; electronic shutter 0.5–1/8000 second; video shutter speed, angle, clear scan and slow settings | Mechanical or silent electronic focal-plane shutter; 30 seconds to 1/8000 second plus Bulb; flash sync 1/250 second with Sony flash; selectable electronic first curtain |
| Burst detail | Up to 20 fps electronic or 12 fps mechanical/first-curtain electronic, depending on lens and conditions; photo guide's 12 fps RAW buffer is 66 UHS-I/87 UHS-II/180 CFexpress frames under its test, not a 20 fps buffer claim | Up to 10 fps Hi+ with AF/AE tracking, 8 fps Hi with live view, 6 fps Mid or 3 fps Lo; Sony claims over 1,000 uncompressed RAW images at 10 fps with a CFexpress Type A card |
| Stabilisation detail | No in-body sensor-shift IS; compatible lens optical IS and cropped digital video stabilisation; Cameralabs documents standard/high digital modes and their additional crops | Five-axis sensor-shift correction; maker claim 5.5 stops under CIPA pitch/yaw testing with the FE 50 mm f/1.4 ZA lens and long-exposure noise reduction off; Active movie mode adds electronic correction and narrows the view |
| Flash | No built-in flash; multi-function accessory shoe and compatible external flash; photo sync 1/200 second mechanical or 1/250 second first-curtain electronic | No built-in flash; Multi Interface Shoe supports compatible external flash; flash unavailable with electronic shutter |
| Exposure controls | Photo mode has 384-zone metering; separate Photo/Video power positions load different EOS and Cinema EOS interfaces; video offers waveform, vectorscope and false-colour monitoring | 1200-zone evaluative metering; program, aperture priority, shutter priority and manual modes; exposure compensation ±5 EV, or ±3 EV using the dedicated dial |
| Video | ||
| Highest video resolution | 8192 × 4320 at 59.94 fps | 3840 × 2160 at 120 fps |
| Video detail | Internal full-frame Cinema RAW Light 12-bit 8192×4320 up to 59.94 fps; 8K60 requires compatible external power such as PD-E1 or DR-E6C, while 8K MP4 is up to 29.97 fps. RAW Super35 is 5952×3140, Super16 is 2976×1570; XF-AVC supports 4:2:2 10-bit up to 4K. Maker confirms oversampled 4K and up-to 120p slow/fast recording; separate WAV audio is available in high-frame-rate mode (Cameralabs). Active fan cooling, no built-in ND filter (Cameralabs) | Internal 3840 × 2160 up to 120p NTSC or 100p PAL with 10-bit 4:2:2 options; 120p crops the view by approximately 10%. XAVC S/HS reaches 280 Mbps at 120p; XAVC S-I All-Intra reaches 600 Mbps at 60p. S&Q supports Full HD 240 fps capture with 1420 × 804 sensor readout. HDMI can output 4264 × 2408 16-bit RAW at up to 60p to a compatible external recorder. S-Log2/S-Log3, HLG, timecode and gamma display assist; current Sony specifications include S-Cinetone. |
| Audio | Built-in monaural microphone; 3.5 mm stereo microphone input and headphone output; multi-function shoe supports compatible digital audio accessories; cinema RAW/XF-AVC can record 24-bit 48 kHz four-channel PCM | Built-in stereo microphone; 3.5 mm microphone and headphone sockets; digital-audio Multi Interface Shoe; compatible accessories support four-channel 24-bit LPCM |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3.2″ | 3″ |
| Screen dots | 2,100,000 | 1,440,000 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | 3.2-inch capacitive touchscreen, approximately 2.1 million dots and 100% coverage; vari-angle articulation documented by Digital Camera World; separate top status LCD | Side-opening vari-angle LCD; opens approximately 176° and rotates approximately 270°; touch menus and focus selection |
| Viewfinder detail | 0.5-inch OLED EVF, approximately 5.76 million dots, 100% coverage and 0.76× magnification with 50 mm lens at infinity, −1 dioptre | 0.64-type Quad-XGA OLED; 9,437,184 dots; 100% coverage; approximately 0.90× magnification with a 50 mm lens at infinity; 60 or 120 fps refresh |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 320 photographs | 600 photographs |
| Body weight | 680 g | 614 g (better) |
| Release detail | Canon Camera Museum records March 2022 marketing; no exact first-sale day inferred | Sony USA specifies September 2020 retail availability. This is ILCE-7SM3 with current maker-supported specification features. |
| Recording media | One CFexpress Type B slot and one SD/SDHC/SDXC UHS-II slot; video secondary/proxy recording support depends on format | Two combined CFexpress Type A/SD slots, each supporting UHS-I and UHS-II SDHC/SDXC; simultaneous, relay or separate-format recording |
| Ports | USB-C SuperSpeed USB 3.1 Gen 2, micro HDMI Type D, 3.5 mm microphone/headphone sockets, N3 remote-release socket and DIN 1.0/2.3 timecode input/output | Full-size HDMI Type A, USB-C (USB 3.2 at 5 Gbps), Multi/Micro USB, 3.5 mm microphone and headphone sockets, digital-audio Multi Interface Shoe and vertical-grip connector |
| Wireless connections | Wi-Fi 802.11a/b/g/n/ac at 2.4/5 GHz and Bluetooth Low Energy 5.0 in photo guide; regional 5 GHz restrictions; photo-mode wireless functions should not be assumed identical in cinema mode | Wi-Fi 802.11a/b/g/n/ac at 2.4 and 5 GHz; Bluetooth 5.0; NFC; FTP transfer and smartphone remote control; 5 GHz availability varies by region |
| Battery life detail | LP-E6NH; photo guide gives approximately 320 EVF/490 LCD shots at 23°C in power-saving mode or 220 EVF/320 LCD in smooth mode; LP-E6N/LP-E6 compatibility has restrictions. Video guide gives approximately 45 minutes 8KRAW 29.97 or 50 minutes 25p under its specified LCD/RF 50mm/CFexpress test | NP-FZ100; CIPA maker claim approximately 600 photographs using LCD or 510 using viewfinder; actual movie claim approximately 95 minutes with LCD or 80 with viewfinder |
| Charging | Compatible PD-E1 supports in-camera USB charging and camera power; optional CA-946 with DR-E6C for AC power; compatible external power required for 8K60 | USB-C in-camera charging and power supply with USB Power Delivery support |
| Dimensions | Approximately 142 × 101 × 111 mm (width × height × depth), excluding protrusions | Approximately 128.9 × 96.9 × 80.8 mm; depth from grip to monitor 69.7 mm |
| Weight detail | Approximately 680 g body only without body cap, or 770 g with LP-E6NH, CFexpress card and SD card; video guide includes tape-measure hook and grip belt; photographed RF 24-70mm F2.8L IS USM excluded | Approximately 614 g body only; 699 g with battery and memory card; both exclude lens |
| Materials | Magnesium-alloy body and weather sealing described by Digital Camera World; no water-resistance rating inferred | Magnesium-alloy body; maker describes dust and moisture resistance without guaranteeing complete protection |
| In the box | – | Sony Japan lists NP-FZ100 battery, BC-QZ1 charger and mains cable, cable protector, strap, body/shoe caps, eyepiece cup and USB-A to USB-C cable |
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