Olympus PEN E-P7 vs OM SYSTEM PEN
Better figure, where one is clearly better
| OlympusPEN E-P7 | OM SYSTEMPEN | |
|---|---|---|
| Overview | ||
| Released | June 2021 | Coming late October 2026 (Japan and North America) |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Four Thirds | Four Thirds |
| Sensor type | Live MOS | Live MOS |
| Sensor dimensions | 17.3 × 13 mm | 17.4 × 13 mm |
| Effective resolution | 20.3 MP | 20.4 MP |
| Largest image | 5184 × 3888 | 5184 × 3888 |
| RAW recording | Yes | Yes |
| Standard ISO range | 200–25600 | 200–25600 |
| Sensor detail | Approximately 21.8 total megapixels; UK image area 17.3×13 mm, while Japan specifies 17.4×13 mm | Approximately 20.37 effective and 21.77 total megapixels; 17.4×13 mm in maker Japan table. Ordinary output 5184×3888; not a stacked sensor |
| Image formats | JPEG, 12-bit losslessly compressed ORF RAW and simultaneous RAW+JPEG; maximum ordinary still size 5184×3888 | JPEG and 12-bit losslessly compressed ORF RAW; handheld composite 50 MP, tripod composite up to 80 MP RAW developed with OM Workspace, not single-shot sensor resolution |
| ISO detail | Manual ISO 200–25600 with expanded LOW approximately ISO 100; Auto normally LOW–6400 | ISO 200–25600 with expanded LOW approximately 64 and 100; default Auto upper limit 6400 |
| Image processor | TruePic VIII | TruePic IX |
| Lens and shooting | ||
| Lens mount | Micro Four Thirds | Micro Four Thirds |
| Stabilisation | Sensor shift | Sensor shift |
| Maximum continuous burst | 15 fps | 30 fps |
| Autofocus | 121-point contrast detection with single, nine-point group or all-area selection; face and near-eye detection, continuous tracking and manual-focus peaking | Sensor phase/contrast detection with 121 cross-type phase positions; human, cat and dog recognition for stills, face/eye detection for video; Starry Sky AF |
| Shutter | Mechanical 1/4000–60 seconds; electronic 1/16000–60 seconds; electronic first curtain 1/320–60 seconds, switching to mechanical first curtain at faster speeds; Bulb, Live Time and Live Composite | Mechanical 1/4000–60 seconds; electronic 1/32000–60 seconds; Bulb, Live Time and Live Composite modes |
| Burst detail | Electronic high approximately 15 fps with focus fixed at the first frame, reported by Amateur Photographer; electronic low 6.3 fps. Mechanical high 8.7 fps and low 5 fps; continuous autofocus requires the low-speed setting. Maker electronic-high buffer 42 RAW or 49 large-fine JPEG with specified KIOXIA UHS-II card | Electronic high approximately 30 fps with fixed focus/exposure, low approximately 8 fps with tracking; mechanical approximately 5 fps. Maker examples at electronic 30 fps give 20 RAW/20 JPEG frames, tracking 8 fps 23 RAW/48 JPEG, with specified SanDisk card and 12–40mm F2.8 PRO II |
| Stabilisation detail | Five-axis sensor shift, rated up to 4.5 CIPA stops with M.Zuiko Digital ED 14–42mm F3.5–5.6 EZ at 42 mm; movie M-IS1 adds electronic correction with a field-of-view crop, M-IS2 uses sensor stabilisation alone | Five-axis sensor shift; CIPA 2024 up to 5.5 stops at centre and 4.5 at edges with 14–42mm F3.5–5.6 III at 42mm |
| Flash | Built-in flash, guide number 7.6 at ISO 200; hot shoe; mechanical flash synchronisation up to 1/250 second | – |
| Exposure controls | P/A/S/M and Advanced Photo modes including Live Composite, Live Time, HDR, multiple exposure, digital keystone correction, exposure and focus bracketing; front colour/monochrome switch accesses customisable image profiles | PASM, Live ND2–16, focus stacking, HDR and multiple exposure; restrictions depend on shooting mode and lens |
| Video | ||
| Highest video resolution | 3840 × 2160 at 30 fps | 4096 × 2160 at 24 fps |
| Video detail | MOV H.264; 4K 30/25/24p approximately 102 Mbps, Full HD up to 60p and 720p high-speed recording at 120 fps; maximum clip approximately 29 minutes | Internal H.264 MOV C4K 4096×2160 at 24p or UHD 3840×2160 at 30/25/24p; 8-bit recording (both reviews). OM-Log400 and OM-Cinema1/2 profiles; separate FHD S&Q up to 120 fps, with crop, no sound and no continuous AF (CameraLabs) |
| Audio | Built-in stereo microphone, 16-bit 48 kHz linear PCM, recording-level and wind-noise controls; no microphone or headphone socket, confirmed by Photography Blog | Built-in stereo microphones; external 3.5 mm microphone socket; 48 kHz/16-bit or 96 kHz/24-bit audio |
| Screen and viewfinder | ||
| Viewfinder | None | Electronic |
| Screen size | 3″ | 3″ |
| Screen dots | 1,037,000 | 1,040,000 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | Tilts approximately 80° up and 180° down for forward-facing selfie mode beneath the body | Fully articulated 3-inch approximately 1.04-million-dot touchscreen; touchscreen menu operation |
| Viewfinder detail | – | OLED approximately 2.36 million dots and 100% coverage; 1.10–1.23× magnification with 50mm lens at infinity, depending on finder style |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 360 photographs | 410 photographs |
| Body weight | 289 g (better) | 344 g |
| Release detail | Maker European press release, republished in full by Photography Blog, states mid-June 2021 availability; Japan body and 14–42mm EZ kit on sale 25 June. Month precision retained for the earlier European release | Maker announcement 9 September 2026; Japan and North America scheduled for late October 2026. UK product page has an active preorder state on 2 October; first UK sale date unconfirmed |
| Recording media | One SD slot; SDHC and SDXC with UHS-I/UHS-II support | One SD/SDHC/SDXC slot; UHS-I |
| Ports | USB 2.0 Micro-B, micro-HDMI Type D and hot shoe; no wired remote-release socket | USB 2.0 Hi-Speed Type-C, micro-HDMI Type D, 3.5 mm microphone socket and hot shoe; USB-C is not a USB 3 transfer-speed claim |
| Wireless connections | Wi-Fi IEEE 802.11b/g/n and Bluetooth 4.2 Low Energy; smartphone transfer, remote shooting and smartphone GPS tagging through OI.Share | Wi-Fi b/g/n and Bluetooth Low Energy 5.2; smartphone GPS tagging rather than built-in GPS |
| Battery life detail | BLS-50 rechargeable battery; approximately 360 CIPA photographs with stabilisation on; video 80 minutes under standard JEITA conditions or 140 minutes without zoom operations, repeatedly recording maximum-length clips under maker conditions | BLS-7; approximately 410 CIPA shots using EVF or LCD; approximately 80 minutes CIPA video or 130 minutes with zoom and other operations disabled |
| Charging | In-camera USB charging with camera switched off; F-5AC USB adapter supplied; external battery charger optional | In-camera USB charging with camera off; no USB Power Delivery (maker Japan) |
| Dimensions | 118.3×68.5×38.1 mm, excluding protrusions | Approximately 125.8×74.5×43.3 mm excluding protrusions (maker Japan) |
| Weight detail | Approximately 289 g body only; 337 g with supplied battery and memory card. Amateur Photographer's introduction labels the loaded weight body-only, unlike the maker table | 344 g body only or 393 g including battery and card (maker Japan); pictured kit lens excluded. CameraLabs pre-production dimensions and loaded weight differ |
| Materials | Predominantly plastic body with metal control dials, reported by Amateur Photographer; Photography Blog reports no weather sealing | Dust-resistant and IPX1 splash resistance with an OM SYSTEM splashproof lens; not an immersion rating. Operating temperature 0–40°C |
| Colours | Silver with black covering or silver with white covering | Black and silver |
| In the box | Body, BLS-50 battery, USB cable, shoulder strap, F-5AC USB adapter and documentation; regional plug variants apply | – |
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