Olympus PEN E-P7 vs Panasonic LUMIX GH5 II
Better figure, where one is clearly better
| OlympusPEN E-P7 | PanasonicLUMIX GH5 II | |
|---|---|---|
| Overview | ||
| Released | June 2021 | June 2021 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Four Thirds | Four Thirds |
| Sensor type | Live MOS | Live MOS |
| Sensor dimensions | 17.3 × 13 mm | 17.3 × 13 mm |
| Effective resolution | 20.3 MP | 20.33 MP |
| Largest image | 5184 × 3888 | 5184 × 3888 |
| RAW recording | Yes | Yes |
| Standard ISO range | 200–25600 | 200–25600 |
| Sensor detail | Approximately 21.8 total megapixels; UK image area 17.3×13 mm, while Japan specifies 17.4×13 mm | 20.33 million effective and 21.77 million total pixels; anti-reflection coating, 4:3 primary colour filter and sensor-shift dust reduction |
| Image formats | JPEG, 12-bit losslessly compressed ORF RAW and simultaneous RAW+JPEG; maximum ordinary still size 5184×3888 | JPEG and RAW; 6K/4K Photo modes extract JPEG frames from video-derived bursts |
| ISO detail | Manual ISO 200–25600 with expanded LOW approximately ISO 100; Auto normally LOW–6400 | Maker standard stills ISO 200–25600 with ISO 100 expanded; video ISO 200–12800 plus expanded 100. Photography Blog's ISO 100–25600 description includes expansion, not adopted as standard range |
| Image processor | TruePic VIII | – |
| Lens and shooting | ||
| Lens mount | Micro Four Thirds | Micro Four Thirds |
| Stabilisation | Sensor shift | Lens and sensor shift |
| Maximum continuous burst | 15 fps | 12 fps |
| Autofocus | 121-point contrast detection with single, nine-point group or all-area selection; face and near-eye detection, continuous tracking and manual-focus peaking | Contrast AF with DFD and human/animal detection; maker 225-area selection |
| Shutter | Mechanical 1/4000–60 seconds; electronic 1/16000–60 seconds; electronic first curtain 1/320–60 seconds, switching to mechanical first curtain at faster speeds; Bulb, Live Time and Live Composite | Mechanical up to 1/8000 second, electronic first curtain 1/2000 and electronic 1/16000; mechanical bulb up to 30 minutes |
| Burst detail | Electronic high approximately 15 fps with focus fixed at the first frame, reported by Amateur Photographer; electronic low 6.3 fps. Mechanical high 8.7 fps and low 5 fps; continuous autofocus requires the low-speed setting. Maker electronic-high buffer 42 RAW or 49 large-fine JPEG with specified KIOXIA UHS-II card | Full-resolution 12 fps AFS/MF or 9 fps AFC with mechanical, electronic first curtain or electronic shutter. More than 108 RAW/RAW+JPEG or 999 JPEG under maker card conditions. Reduced-resolution 6K Photo 30 fps and 4K Photo 60/30 fps are separate |
| Stabilisation detail | Five-axis sensor shift, rated up to 4.5 CIPA stops with M.Zuiko Digital ED 14–42mm F3.5–5.6 EZ at 42 mm; movie M-IS1 adds electronic correction with a field-of-view crop, M-IS2 uses sensor stabilisation alone | Five-axis Body I.S. rated 6.5 stops with H-ES12060 at 60 mm; compatible-lens Dual I.S. 2 also 6.5 stops with H-FS14140 at 140 mm, CIPA yaw/pitch |
| Flash | Built-in flash, guide number 7.6 at ISO 200; hot shoe; mechanical flash synchronisation up to 1/250 second | – |
| Exposure controls | P/A/S/M and Advanced Photo modes including Live Composite, Live Time, HDR, multiple exposure, digital keystone correction, exposure and focus bracketing; front colour/monochrome switch accesses customisable image profiles | – |
| Video | ||
| Highest video resolution | 3840 × 2160 at 30 fps | 4992 × 3744 at 29.97 fps |
| Video detail | MOV H.264; 4K 30/25/24p approximately 102 Mbps, Full HD up to 60p and 720p high-speed recording at 120 fps; maximum clip approximately 29 minutes | Highest internal resolution maker-labelled Anamorphic 6K 4992×3744 4:3 up to 29.97p, 4:2:0 10-bit. C4K 4096×2160 and UHD 3840×2160 up to 59.94p in 4:2:0 10-bit; 4:2:2 10-bit up to 29.97p, including ALL-Intra options. V-Log L preinstalled; recording duration subject to media, power and operating conditions |
| Audio | Built-in stereo microphone, 16-bit 48 kHz linear PCM, recording-level and wind-noise controls; no microphone or headphone socket, confirmed by Photography Blog | Stereo microphone and monaural speaker; 3.5 mm microphone/line input and headphones, optional DMW-XLR1 |
| Screen and viewfinder | ||
| Viewfinder | None | Electronic |
| Screen size | 3″ | 3″ |
| Screen dots | 1,037,000 | 1,840,000 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | Tilts approximately 80° up and 180° down for forward-facing selfie mode beneath the body | Free-angle 3-inch 3:2 touch LCD with approximately 1.84 million dots |
| Viewfinder detail | – | OLED approximately 3.68 million dots, 100% coverage and 0.76× 35 mm-equivalent magnification under maker conditions; 60/120 fps display |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 360 photographs | 410 photographs |
| Body weight | 289 g (better) | 647 g |
| Release detail | Maker European press release, republished in full by Photography Blog, states mid-June 2021 availability; Japan body and 14–42mm EZ kit on sale 25 June. Month precision retained for the earlier European release | Maker Japan confirms first sale 25 June 2021; headline month avoids assuming an exact UK day. Digital Camera World's review did not test fast-moving burst subjects or face/body video tracking; its favourable AF findings concern ordinary stills and selected-point transitions |
| Recording media | One SD slot; SDHC and SDXC with UHS-I/UHS-II support | Two SD/SDHC/SDXC UHS-I/UHS-II slots; recording modes require appropriate speed class |
| Ports | USB 2.0 Micro-B, micro-HDMI Type D and hot shoe; no wired remote-release socket | USB-C SuperSpeed USB 3.1 Gen 1, full-size HDMI Type A, 2.5 mm remote, flash-sync socket and 3.5 mm audio connections |
| Wireless connections | Wi-Fi IEEE 802.11b/g/n and Bluetooth 4.2 Low Energy; smartphone transfer, remote shooting and smartphone GPS tagging through OI.Share | Wi-Fi 2.4/5 GHz and Bluetooth Low Energy 4.2; wireless live streaming through LUMIX Sync or Wi-Fi router. 5 GHz unavailable in some regions |
| Battery life detail | BLS-50 rechargeable battery; approximately 360 CIPA photographs with stabilisation on; video 80 minutes under standard JEITA conditions or 140 minutes without zoom operations, repeatedly recording maximum-length clips under maker conditions | DMW-BLK22 7.2 V 2200 mAh 16 Wh; CIPA approximately 410 shots with H-FS12060 or 400 with H-ES12060. One-second power-save EVF 1200 shots conditional, not headline |
| Charging | In-camera USB charging with camera switched off; F-5AC USB adapter supplied; external battery charger optional | USB charging, power supply and Power Delivery; dedicated charger included |
| Dimensions | 118.3×68.5×38.1 mm, excluding protrusions | Approximately 138.5 × 98.1 × 87.4 mm excluding protrusions |
| Weight detail | Approximately 289 g body only; 337 g with supplied battery and memory card. Amateur Photographer's introduction labels the loaded weight body-only, unlike the maker table | Approximately 647 g body only or 727 g with battery and one SD card |
| Materials | Predominantly plastic body with metal control dials, reported by Amateur Photographer; Photography Blog reports no weather sealing | Dust/splash-resistant, not waterproof; maker operating range −10 to 40 °C |
| Colours | Silver with black covering or silver with white covering | – |
| In the box | Body, BLS-50 battery, USB cable, shoulder strap, F-5AC USB adapter and documentation; regional plug variants apply | Body cap, hot-shoe cover, eyecup, flash-sync cap, battery-grip connector cover, shoulder strap, battery, charger, AC adapter, USB A–C cable and cable holder; lens accessories vary by kit |
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