Olympus PEN E-P7 vs OM SYSTEM OM-5
Better figure, where one is clearly better
| OlympusPEN E-P7 | OM SYSTEMOM-5 | |
|---|---|---|
| Overview | ||
| Released | June 2021 | November 2022 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Four Thirds | Four Thirds |
| Sensor type | Live MOS | Live MOS |
| Sensor dimensions | 17.3 × 13 mm | 17.4 × 13 mm |
| Effective resolution | 20.3 MP | 20.4 MP |
| Largest image | 5184 × 3888 | 5184 × 3888 |
| RAW recording | Yes | Yes |
| Standard ISO range | 200–25600 | 200–25600 |
| Sensor detail | Approximately 21.8 total megapixels; UK image area 17.3×13 mm, while Japan specifies 17.4×13 mm | Approximately 20.37 effective and 21.77 total megapixels in maker Japan table; UK rounds to 20.4 and 21.8. Japan image area 17.4×13 mm; UK gives 17.3×13 mm |
| Image formats | JPEG, 12-bit losslessly compressed ORF RAW and simultaneous RAW+JPEG; maximum ordinary still size 5184×3888 | JPEG and 12-bit losslessly compressed ORF RAW; ordinary output 5184×3888. Handheld composite 50 MP JPEG/RAW; tripod composite 50 MP JPEG or 80 MP RAW developed with OM Workspace, not a single-shot 80 MP sensor |
| ISO detail | Manual ISO 200–25600 with expanded LOW approximately ISO 100; Auto normally LOW–6400 | Manual ISO 200–25600, expanded LOW approximately 64 and 100; default Auto upper limit 6400 (maker Japan). Amateur Photographer calls values above 6400 extended, unlike the maker manual table |
| Image processor | TruePic VIII | TruePic IX |
| Lens and shooting | ||
| Lens mount | Micro Four Thirds | Micro Four Thirds |
| Stabilisation | Sensor shift | Lens and sensor shift |
| Maximum continuous burst | 15 fps | 30 fps |
| Autofocus | 121-point contrast detection with single, nine-point group or all-area selection; face and near-eye detection, continuous tracking and manual-focus peaking | Sensor phase/contrast detection, 121 cross-type phase positions; face/eye detection and Starry Sky AF. No animal/vehicle recognition (Amateur Photographer) |
| Shutter | Mechanical 1/4000–60 seconds; electronic 1/16000–60 seconds; electronic first curtain 1/320–60 seconds, switching to mechanical first curtain at faster speeds; Bulb, Live Time and Live Composite | Mechanical 1/8000–60 seconds; electronic 1/32000–60 seconds; Bulb up to 30 minutes and Live Composite modes |
| Burst detail | Electronic high approximately 15 fps with focus fixed at the first frame, reported by Amateur Photographer; electronic low 6.3 fps. Mechanical high 8.7 fps and low 5 fps; continuous autofocus requires the low-speed setting. Maker electronic-high buffer 42 RAW or 49 large-fine JPEG with specified KIOXIA UHS-II card | Electronic high approximately 30 fps and low 10 fps; mechanical high 10 fps and low 6 fps. Maker example buffers 18 RAW/20 JPEG at 30 fps, 149 RAW at mechanical 10 fps, with specified KIOXIA card and 12–40mm F2.8 PRO |
| Stabilisation detail | Five-axis sensor shift, rated up to 4.5 CIPA stops with M.Zuiko Digital ED 14–42mm F3.5–5.6 EZ at 42 mm; movie M-IS1 adds electronic correction with a field-of-view crop, M-IS2 uses sensor stabilisation alone | Five-axis sensor shift; CIPA up to 6.5 stops with 12–40mm F2.8 PRO at 40mm; Sync IS up to 7.5 with 12–100mm F4 IS PRO at 100mm and half-press stabilisation off |
| Flash | Built-in flash, guide number 7.6 at ISO 200; hot shoe; mechanical flash synchronisation up to 1/250 second | – |
| Exposure controls | P/A/S/M and Advanced Photo modes including Live Composite, Live Time, HDR, multiple exposure, digital keystone correction, exposure and focus bracketing; front colour/monochrome switch accesses customisable image profiles | PASM, Live ND, HDR, focus stacking and multiple exposure; Live ND2–16 (Amateur Photographer), with mode, shutter, ISO and lens restrictions |
| Video | ||
| Highest video resolution | 3840 × 2160 at 30 fps | 4096 × 2160 at 24 fps |
| Video detail | MOV H.264; 4K 30/25/24p approximately 102 Mbps, Full HD up to 60p and 720p high-speed recording at 120 fps; maximum clip approximately 29 minutes | Internal H.264 MOV C4K 4096×2160 at 24p approximately 237 Mbps; UHD 3840×2160 at 30/25/24p approximately 102 Mbps. Separate FHD high-speed 120 fps; Flat and OM-Log400 profiles. No fixed clip-duration limit, with card, battery and file-splitting restrictions |
| Audio | Built-in stereo microphone, 16-bit 48 kHz linear PCM, recording-level and wind-noise controls; no microphone or headphone socket, confirmed by Photography Blog | Built-in stereo microphones; 48 kHz/16-bit or 96 kHz/24-bit audio; external 3.5 mm microphone socket |
| Screen and viewfinder | ||
| Viewfinder | None | Electronic |
| Screen size | 3″ | 3″ |
| Screen dots | 1,037,000 | 1,037,000 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | Tilts approximately 80° up and 180° down for forward-facing selfie mode beneath the body | Fully articulated touchscreen; UK 1.037 million dots, Japan rounds to 1.04 million |
| Viewfinder detail | – | OLED approximately 2.36 million dots, approximately 100% coverage; 1.23–1.37× magnification with 50mm lens at infinity at −1 dioptre depends on finder style |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 360 photographs | 310 photographs |
| Body weight | 289 g (better) | 366 g |
| Release detail | Maker European press release, republished in full by Photography Blog, states mid-June 2021 availability; Japan body and 14–42mm EZ kit on sale 25 June. Month precision retained for the earlier European release | Japan body and 14–150mm II kit on sale 18 November 2022, 12–45mm PRO kit 10 December. Earlier worldwide day unconfirmed, so month precision retained |
| Recording media | One SD slot; SDHC and SDXC with UHS-I/UHS-II support | One SD/SDHC/SDXC slot, UHS-I and UHS-II |
| Ports | USB 2.0 Micro-B, micro-HDMI Type D and hot shoe; no wired remote-release socket | USB 2.0 Hi-Speed Micro-B; micro-HDMI Type D; 3.5 mm microphone and 2.5 mm remote sockets; hot shoe |
| Wireless connections | Wi-Fi IEEE 802.11b/g/n and Bluetooth 4.2 Low Energy; smartphone transfer, remote shooting and smartphone GPS tagging through OI.Share | Wi-Fi b/g/n and Bluetooth Low Energy 4.2; location tagging from connected smartphone rather than built-in GPS |
| Battery life detail | BLS-50 rechargeable battery; approximately 360 CIPA photographs with stabilisation on; video 80 minutes under standard JEITA conditions or 140 minutes without zoom operations, repeatedly recording maximum-length clips under maker conditions | BLS-50; standard 310 or low-power 660 CIPA shots with specified KIOXIA card, stabilisation on and no flash. Approximately 60 minutes JEITA video or 110 minutes with other operations disabled |
| Charging | In-camera USB charging with camera switched off; F-5AC USB adapter supplied; external battery charger optional | USB in-camera charging with camera off; behaviour depends on supply capability |
| Dimensions | 118.3×68.5×38.1 mm, excluding protrusions | Approximately 125.3×85.2×49.7 mm excluding protrusions |
| Weight detail | Approximately 289 g body only; 337 g with supplied battery and memory card. Amateur Photographer's introduction labels the loaded weight body-only, unlike the maker table | 366 g body only or 414 g with battery and card, excluding eyecup; photographed kit lens excluded |
| Materials | Predominantly plastic body with metal control dials, reported by Amateur Photographer; Photography Blog reports no weather sealing | IP53 when paired with an IP53 lens, IPX1 with an IPX1 lens; not an immersion rating. Operating temperature −10 to 40°C |
| Colours | Silver with black covering or silver with white covering | Black and silver |
| In the box | Body, BLS-50 battery, USB cable, shoulder strap, F-5AC USB adapter and documentation; regional plug variants apply | – |
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