Sony Alpha 7R V vs Sony Alpha SLT-A33
Better figure, where one is clearly better
| SonyAlpha 7R V | SonyAlpha SLT-A33 | |
|---|---|---|
| Overview | ||
| Released | November 2022 | September 2010 |
| Image and sensor | ||
| Camera type | Mirrorless | Translucent mirror |
| Sensor format | Full frame | APS-C |
| Sensor type | Back-illuminated Exmor R CMOS | Exmor APS HD CMOS |
| Sensor dimensions | 35.7 × 23.8 mm | 23.4 × 15.6 mm |
| Effective resolution | 61 MP | 14.2 MP |
| Largest image | 9504 × 6336 | 4592 × 3056 |
| RAW recording | Yes | Yes |
| Standard ISO range | 100–32000 | 100–12800 |
| Sensor detail | Approximately 62.5 million total pixels; 3:2 sensor. Pixel Shift Multi Shooting combines four or 16 exposures on a computer; 16-frame output is 19008 × 12672. Compatible Imaging Edge software can correct small movements, but camera or subject movement can still spoil compositing. | 14.6 million total photosites; fixed translucent mirror directs light to a separate phase-detection AF sensor while the main sensor supplies live view |
| Image formats | JPEG, HEIF, RAW, RAW+JPEG and RAW+HEIF; Sony ARW 4.0, compressed, lossless-compressed or uncompressed RAW. | JPEG, RAW (Sony ARW 2.2) and RAW+JPEG; 3:2 or 16:9 stills; Sweep Panorama and 3D MPO panorama recording |
| ISO detail | Standard still-image ISO 100–32000; expanded ISO 50–102400. | Auto ISO 100–1600; multi-frame noise reduction extends sensitivity to ISO 25600; movie Auto ISO 100–1600 |
| Image processor | BIONZ XR and dedicated AI processing unit. | BIONZ |
| Lens and shooting | ||
| Lens mount | Sony E-mount | Sony A-mount |
| Stabilisation | Sensor shift | Sensor shift |
| Maximum continuous burst | 10 fps | 7 fps |
| Lens detail | – | Compatible Sony, Minolta and Konica Minolta A-mount AF lenses; kit lenses are separate from body specifications |
| Autofocus | Fast Hybrid AF with 693 full-frame phase-detection points and 25 contrast points; phase coverage approximately 79%. Recognises people, animals, birds, insects, cars/trains and aircraft. APS-C lenses change phase-point count; recognition depends on selected mode and subject. | 15-point phase-detection AF with three cross sensors; EV −1–18 at ISO 100; single-shot, automatic and continuous AF, manual focus and Eye-Start AF |
| Shutter | – | 1/4000–30 seconds and Bulb; flash sync 1/160 second |
| Burst detail | Up to approximately 10 fps mechanical Hi+ with AF/AE tracking, or 8 fps with live view; electronic Hi+ up to 7 fps in Sony's launch footnote. Buffer claim is 583 compressed RAW, 135 uncompressed RAW or over 1000 JPEG frames using Sony CEA-G160T CFexpress Type A and Hi+ under maker conditions. | Up to 7 fps in Continuous Advance Priority AE, with focus and exposure adjusted during AF-C according to the maker manual; AF-S fixes focus to the first frame. Ordinary continuous drive reaches 6 fps; its maker buffer figures are 16 Fine JPEG, 20 Standard JPEG, seven RAW or seven RAW+JPEG frames. PhotographyBlog's exposure-lock description conflicts with the manual. |
| Stabilisation detail | Five-axis sensor shift; Sony claims 8 stops under CIPA pitch/yaw conditions with FE 50mm F1.2 GM and long-exposure noise reduction off. Active video stabilisation narrows the field of view and is unavailable in 8K and 120p modes. | SteadyShot INSIDE sensor-shift system; maker claim approximately 2.5–4 stops depending on lens and conditions |
| Flash | – | Automatic pop-up flash, guide number 10 in metres at ISO 100; ADI and pre-flash TTL control; compatible external flash required for wireless flash and high-speed sync |
| Exposure controls | – | PASM, Auto, Auto+, scene, panorama and Continuous Advance Priority AE modes; 1200-zone main-sensor metering; ±2 EV compensation in 1/3 steps; D-Range Optimizer and three-frame Auto HDR |
| Video | ||
| Highest video resolution | 7680 × 4320 at 24 fps | 1920 × 1080 at 29.97 fps |
| Video detail | Japanese/NTSC recording includes 7680 × 4320 XAVC HS 8K at 24p, 10-bit 4:2:0. 8K and 4K 60p use an approximately 1.2× narrower field of view. 4K supports 10-bit 4:2:2; Super 35mm 30p/24p oversamples without binning. Full HD 120p is a lower-resolution mode. S-Cinetone, S-Log3 and HLG supported; USB streaming resolution is separate from internal recording. | Japan/NTSC specification is 1920 × 1080 AVCHD at 59.94 interlaced fields/s from 29.97 sensor frames/s, approximately 17 Mbps; PAL bodies use 50i from 25 frames/s. MP4 supports 1440 × 1080 and VGA. At 20°C Sony claims approximately 11 minutes of continuous recording with SteadyShot enabled or 29 minutes disabled; higher temperatures shorten this further. |
| Audio | Stereo microphone; 3.5 mm microphone and headphone sockets; compatible Multi Interface Shoe accessories enable 24-bit or four-channel digital audio. | Built-in stereo microphone, mono playback speaker and external microphone input |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3.2″ | 3″ |
| Screen dots | 2,095,104 | 921,600 |
| Touchscreen | Yes | – |
| Tilting screen | Yes | Yes |
| Display detail | Four-axis TFT LCD combines tilt with side-opening rotation; approximately 98° up, 40° down, 180° sideways and 270° rotation in the open position. | Xtra Fine TruBlack LCD; 180° tilt and 270° rotation on a bottom hinge; dots count colour subpixels |
| Viewfinder detail | 0.64-inch Quad-XGA OLED with 9,437,184 dots, 100% coverage and approximately 0.90× magnification; selectable 60/120 fps display. | Electronic finder with approximately 100% coverage, 1.10× magnification with a 50 mm lens, and 1,152,000 effective equivalent dots out of 1,440,000 total; electronic level and grid display |
| Connections and design | ||
| Wi-Fi | Yes | – |
| Bluetooth | Yes | – |
| Battery life (maker's claim) | 530 photographs | 270 photographs |
| Body weight | 638 g | 433 g (better) |
| Release detail | Sony Japan specifies 25 November 2022 for ILCE-7RM5; this is the Japanese on-sale date, not a UK release claim. The Sony UK press-centre article reproduces a North American announcement with December shipping, so that is not treated as a UK date. | Sony's US announcement specifies September 2010 retail availability; Sony Japan specifies 10 September 2010. The month is the earliest maker-stated precision found across regions. |
| Recording media | Two multi-format slots, each accepting CFexpress Type A or UHS-I/UHS-II SD; simultaneous, separate-media and relay recording. Type B cards are not supported. | Single slot accepting SD, SDHC, SDXC, Memory Stick PRO Duo and PRO-HG Duo |
| Ports | USB Type-C at 10 Gbps, Multi/Micro USB, full-size HDMI, microphone and headphone sockets, sync terminal and digital-audio Multi Interface Shoe. | USB 2.0 Hi-Speed, mini HDMI Type C, external microphone input and wired remote terminal; optional infrared remote and AC adaptor |
| Wireless connections | Wi-Fi IEEE 802.11a/b/g/n/ac at 2.4/5 GHz and Bluetooth 5.0; no NFC in exact maker specification. | – |
| Battery life detail | NP-FZ100; CIPA approximately 530 photographs with LCD or 440 with viewfinder. USB Type-C Power Delivery charging and power supported. | NP-FW50; CIPA maker claim approximately 270 photographs using the viewfinder or 340 using the LCD |
| Charging | – | Supplied BC-VW1 external battery charger |
| Dimensions | Approximately 131.3 × 96.9 × 82.4 mm (width × height × maximum depth); grip-to-monitor depth 72.3 mm. | Approximately 124.4 × 92 × 84.7 mm (width × height × depth) |
| Weight detail | Approximately 638 g body only; 723 g with battery and memory card; lens excluded. | Approximately 433 g body only; 492 g including battery and Memory Stick PRO Duo |
| Colours | – | Black |
| In the box | NP-FZ100 battery, BC-QZ1 charger, power cord, cable protector, shoulder strap, body cap, accessory shoe cap, eyepiece cup and USB-A to USB-C cable, according to Sony UK. | NP-FW50 battery, BC-VW1 charger, USB cable, shoulder strap, caps and software CD; kit lenses depend on configuration |
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