Canon EOS R8 vs Panasonic LUMIX S5IIX
Better figure, where one is clearly better
| CanonEOS R8 | PanasonicLUMIX S5IIX | |
|---|---|---|
| Overview | ||
| Released | April 2023 | May 2023 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Full frame | Full frame |
| Sensor type | CMOS | CMOS |
| Sensor dimensions | 35.9 × 23.9 mm | 35.6 × 23.8 mm |
| Effective resolution | 24.2 MP | 24.2 MP |
| Largest image | 6000 × 4000 | 6000 × 4000 |
| RAW recording | Yes | Yes |
| Standard ISO range | 100–102400 | 100–51200 |
| Sensor detail | Approximately 24.2 million effective and 25.6 million total pixels; 35.9 × 23.9 mm CMOS with fixed low-pass filter and integrated sensor cleaning | Maker Japan specifies 24.2 million effective pixels, 35.6 × 23.8 mm CMOS; native 3:2 stills 6000×4000. High-resolution composites up to 12000×8000 are separate from native output; BSI or stacked construction is not inferred |
| Image formats | RAW and C-RAW with 14-bit conversion using electronic first curtain or 12-bit using electronic shutter; 8-bit JPEG and 10-bit HEIF, with simultaneous RAW and JPEG or HEIF | JPEG, RAW and RAW+JPEG; high-resolution composite RAW generated in-camera |
| ISO detail | Standard still-photo ISO 100–102400, expandable to ISO 50 or 204800; movie sensitivity depends on frame rate and Canon Log or HDR settings | Standard ISO 100–51200; expanded 50/102400/204800. Dual Native ISO 100/640 in standard stills, 640/4000 for V-Log and 400/2500 for HLG; profile-dependent ranges apply |
| Image processor | DIGIC X | – |
| Lens and shooting | ||
| Lens mount | Canon RF | L-Mount |
| Stabilisation | Optical lens stabilisation | Lens and sensor shift |
| Maximum continuous burst | 40 fps | 30 fps |
| Lens detail | RF and RF-S directly; EF and EF-S via EF-EOS R mount adapters; RF-S and EF-S use 1.6× cropping; EF-M incompatible | – |
| Autofocus | Dual Pixel CMOS AF II with 1053 automatic areas and 4897 selectable still-photo positions (4067 for movies); human, animal and vehicle recognition; AF area coverage depends on lens and mode | Phase Hybrid AF combines phase and contrast detection; 779 points (maker US). Current Japan recognition includes people, animals, cars, motorcycles, trains and aircraft; launch-era reviews described fewer subjects, so later firmware recognition is not treated as a launch feature. Continuous autofocus during zooming requires compatible updated lens firmware |
| Shutter | Electronic first curtain 30–1/4000 second plus Bulb; electronic 30–1/16000 second, with 1/16000 restricted to Tv or M and unavailable in H+; no mechanical first curtain | Mechanical 60–1/8000 second, Bulb approximately 30 minutes; electronic first curtain 60–1/2000 with the same Bulb maximum; electronic 60–1/8000 with Bulb approximately 60 seconds |
| Burst detail | Up to 40 fps electronic or 6 fps electronic first curtain; UK maker buffer claim 120 JPEG, 56 RAW or 100 C-RAW at 40 fps; 30 fps RAW Burst mode with up to 0.5 second pre-capture is separate; lens, exposure, lighting and subject conditions affect speed, and electronic rolling-shutter distortion is possible | Full-resolution electronic SH30 at 30 fps AFS/AFC/MF; SH30 PRE added in version 2.0. Current SH buffer 200 RAW/RAW+JPEG/JPEG frames. Mechanical/electronic-first-curtain 9 fps AFS/MF or 7 fps AFC; normal electronic 9/8 respectively. Normal RAW/RAW+JPEG buffer at least 200 and JPEG at least 300 frames under maker media/test conditions |
| Stabilisation detail | No sensor-shift IBIS; optical stabilisation depends on the attached lens; Movie Digital IS is available separately | Five-axis sensor-shift B.I.S. with compatible-lens Dual I.S.2; maker US Dual I.S.2 claim 6.5 stops under CIPA yaw/pitch conditions with S-E70200 at 200 mm and updated lens firmware. Active I.S. optimises video correction; electronic video modes have separate restrictions |
| Flash | External E-TTL II EX/EL Speedlite support through the multi-function shoe; electronic-first-curtain sync 1/200 second | No built-in flash; external flash sync up to 1/250 second, with reduced guide number and maker restrictions at the fastest sync setting |
| Exposure controls | Scene Intelligent Auto, Fv, P, Tv, Av, M, Bulb and two custom modes; 384-zone evaluative, partial, centre spot and centre-weighted metering; ±3 EV compensation | – |
| Video | ||
| Highest video resolution | 3840 × 2160 at 59.94 fps | 5952 × 3968 at 29.97 fps |
| Video detail | Full-width UHD 3840 × 2160 up to 59.94/50 fps oversampled from 6K; optional cropped mode uses 62% of the horizontal area; Full HD up to 179.82/150 fps slow motion without sound; internal 8-bit 4:2:0 or 10-bit 4:2:2, Canon Log 3 and HDR PQ; normal clip limit two hours, subject to temperature, with maker approximately 30 minutes 4K 59.94p starting at 23°C | Internal 5952×3968 3:2 open-gate 6K at 29.97p, 4:2:0 10-bit HEVC Long GOP 200 Mbps; C4K/4K 59.94p uses an APS-C crop. ALL-Intra and ProRes 422/HQ options include 5776×3056 up to 29.97p with supported USB SSD/media restrictions. RAW is separate HDMI output to compatible Atomos/Blackmagic recorders, including 5888×3312 12-bit up to 29.97p or APS-C 4128×2176 up to 59.94p; not internal RAW. Built-in fan; maker unlimited-recording claims require 0–40 °C, and Thermal Management STANDARD can stop high-resolution recording after 30 minutes. Battery/media can also limit duration |
| Audio | Built-in stereo microphone; 3.5 mm external microphone and headphone sockets | Built-in stereo microphone; 48 kHz/24-bit recording and compatible external/XLR high-resolution 96 kHz/24-bit options under maker mode restrictions |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3″ | 3″ |
| Screen dots | 1,620,000 | 1,840,000 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | Vari-angle 3-inch Clear View LCD II capacitive touchscreen with approximately 1.62 million dots and 100% coverage | Three-inch 3:2 capacitive touchscreen, approximately 1.84 million dots; free-angle articulation. Amateur Photographer and Tom's Guide report connected HDMI/USB cables can impede its movement, despite the maker launch claim of no interference |
| Viewfinder detail | 0.39-inch OLED, approximately 2.36 million dots, 100% coverage and 0.70× magnification; display refresh approximately 60 or 120 fps with mode- and shooting-dependent reductions | Current Japan table 0.5-inch 4:3 OLED, approximately 3.68 million dots, 100% coverage and 0.78× magnification with 50 mm lens/infinity/−1 dioptre/3:2 ratio. US launch release's 0.76× description differs and is not silently substituted |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 220 photographs | 370 photographs |
| Body weight | 414 g (better) | 657 g |
| Release detail | Canon Camera Museum records first marketing in April 2023; no exact first-sale day inferred | Maker US confirms May 2023 availability; UK launch announcement states Spring 2023. Tom's Guide's June 2023 date is not used as the global first-sale month; no exact UK retail day inferred. UK body launch price £2299 |
| Recording media | Single SD, SDHC or SDXC slot with UHS-II support; high-speed UHS-II recommended for 4K and fast bursts | Two SD/SDHC/SDXC slots, both UHS-II including V90; supported formats can record to USB SSD |
| Ports | USB-C 3.2 Gen 2 for transfer, power and charging; micro HDMI Type D, microphone and headphone sockets, E3 remote terminal and multi-function shoe | USB-C SuperSpeed USB 10 Gbps, full-size HDMI Type A, 2.5 mm remote and 3.5 mm microphone/headphone sockets; wired LAN streaming requires an optional USB-LAN adapter |
| Wireless connections | Wi-Fi 802.11b/g/n at 2.4 GHz and Bluetooth Low Energy 4.2; regional restrictions may apply | Wi-Fi 2.4 GHz 802.11b/g/n and 5 GHz 802.11a/n/ac; Bluetooth Low Energy 5.0. Wired/wireless IP streaming and USB tethering; regional 5 GHz restrictions apply |
| Battery life detail | LP-E17; maker CIPA power-saving claim at 23°C approximately 220 photographs with EVF or 370 with LCD | DMW-BLK22, 7.2 V 2200 mAh; current Japan table approximately 370 LCD/EVF shots with S-R2060 and Panasonic SDXC, or 1250 under specified one-second power-save EVF conditions. Tom's Guide's quoted 330 shots is not substituted for the current maker table |
| Charging | Supplied LC-E17E external charger; USB charging supported with authenticated batteries, using compatible power equipment | Japan table approximately 220 minutes in-camera with bundled AC adapter or 170 with DMW-BTC15 adapter; optional DMW-BTC15 charger approximately 175 minutes |
| Dimensions | Approximately 132.5 × 86.1 × 70.0 mm (width × height × depth) | Approximately 134.3 × 102.3 × 90.1 mm, excluding protrusions |
| Weight detail | Approximately 414 g body only or 461 g with battery and card under CIPA guidelines | Maker Australia and Germany specify 657 g body only; Japan 740 g with battery and one SD card. Lens excluded |
| Materials | Primarily magnesium alloy with aluminium alloy and glass-fibre polycarbonate components; maker describes dust- and water-resistant construction with covers closed, but not waterproof | Magnesium-alloy die-cast front and rear frames; dust/splash-resistant construction, not waterproof; matte black body and dark markings |
| In the box | – | Maker Japan lists body cap, hot-shoe cover, battery-grip connector cover, shoulder strap, battery, USB AC adapter and USB A–C cable; regional contents may vary |
More comparisons
- Canon EOS R8 vs Canon EOS R8 Mark II
- Canon EOS R6 V vs Canon EOS R8
- Canon EOS R6 Mark III vs Canon EOS R8
- Panasonic LUMIX S1II vs Panasonic LUMIX S5IIX
- Panasonic LUMIX S1IIE vs Panasonic LUMIX S5IIX
- Canon EOS R8 vs Nikon Z5II
- Canon EOS R50 V vs Canon EOS R8
- Panasonic LUMIX S1RII vs Panasonic LUMIX S5IIX
- Canon EOS R1 vs Canon EOS R8
- Canon EOS R8 vs Panasonic LUMIX S5D
- Panasonic LUMIX S5IIX vs Panasonic LUMIX S5D
- Canon EOS R5 Mark II vs Canon EOS R8
- Panasonic LUMIX S5IIX vs Panasonic LUMIX S9
- Canon EOS R8 vs Nikon Z f
- Nikon Z f vs Panasonic LUMIX S5IIX
- Canon EOS R8 vs Sony Alpha 7C II

