Canon EOS RP vs Sony Alpha 7R IV
Better figure, where one is clearly better
| CanonEOS RP | SonyAlpha 7R IV | |
|---|---|---|
| Overview | ||
| Released | March 2019 | September 2019 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Full frame | Full frame |
| Sensor type | CMOS | Back-illuminated Exmor R CMOS |
| Sensor dimensions | 35.9 × 24 mm | 35.7 × 23.8 mm |
| Effective resolution | 26.2 MP | 61 MP |
| Largest image | 6240 × 4160 | 9504 × 6336 |
| RAW recording | Yes | Yes |
| Standard ISO range | 100–40000 | 100–32000 |
| Sensor detail | Approximately 26.2 million effective and 27.1 million total pixels; 35.9 × 24 mm CMOS sensor with automatic dust removal and Dust Delete Data | Approximately 62.5 million total pixels; 3:2 sensor. Pixel Shift Multi Shooting combines 16 exposures into a 19008 × 12672 image using Imaging Edge on a computer; requires a stationary camera and subject. This is separate from the normal single-shot resolution. |
| Image formats | JPEG, 14-bit RAW and C-RAW in CR3 format; simultaneous RAW+JPEG and in-camera RAW processing | JPEG, RAW and RAW+JPEG; Sony ARW 2.3 compressed or uncompressed RAW. |
| ISO detail | Standard still-photo ISO 100–40000, expandable to ISO 50–102400; manual 4K movie ISO 100–12800 or Full HD/HD ISO 100–25600, with expansion | Standard still-image ISO 100–32000; expanded ISO 50–102400. |
| Image processor | DIGIC 8 | BIONZ X and front-end LSI. |
| Lens and shooting | ||
| Lens mount | Canon RF | Sony E-mount |
| Stabilisation | Optical lens stabilisation | Sensor shift |
| Maximum continuous burst | 5 fps | 10 fps |
| Lens detail | Native RF and adapted EF/EF-S lenses, excluding EF-M; EF-S lenses use approximately 1.6× crop and 10.2 MP output (Amateur Photographer) | – |
| Autofocus | Dual Pixel CMOS AF for stills and Full HD, contrast AF for 4K; up to 4779 selectable positions or 143 automatic areas; human face/eye detection with Servo AF; maker −5 EV claim at centre point, f/1.2 non-DS lens, ISO 100, One-Shot AF and room temperature | Fast Hybrid AF with 567 full-frame phase-detection points and 425 contrast points; phase points cover approximately 74% of the image. Real-time tracking and human/animal Eye AF for stills; human Eye AF in movies. APS-C point counts differ. |
| Shutter | Electronically controlled focal-plane shutter, 30–1/4000 second plus Bulb; electronic silent shooting restricted to an automatic scene mode | – |
| Burst detail | Up to 5 fps with fixed focus or 4 fps with Servo AF; maker ISO 100 full-frame high-speed test gives 50 RAW or 42 RAW+JPEG on a 32 GB UHS-I card, versus card-full RAW or 98 RAW+JPEG on its 32 GB UHS-II test card; speed depends on settings and conditions | Up to approximately 10 fps in Hi+ with AF/AE tracking; approximately 8 fps in Hi. Sony lists 68 compressed RAW or 30 uncompressed RAW frames under its test conditions. Speed and buffer depend on settings and lens; some lenses need firmware updates. |
| Stabilisation detail | No in-body sensor-shift stabilisation; compatible lens optical IS and Movie Digital IS supported | Five-axis sensor shift; Sony claims 5.5 stops under CIPA pitch/yaw conditions with Planar T* FE 50mm F1.4 ZA and long-exposure noise reduction off. |
| Flash | No built-in flash; compatible EL/EX Speedlites, E-TTL II metering and 1/180-second sync; no PC sync terminal | – |
| Exposure controls | P/Tv/Av/M/Fv, Bulb and C1/C2/C3 modes; 384-zone metering and ±3 EV exposure compensation | – |
| Video | ||
| Highest video resolution | 3840 × 2160 at 25 fps | 3840 × 2160 at 30 fps |
| Video detail | Internal UHD 3840×2160 at 25/23.98 fps with a central crop and contrast AF; Full HD up to 59.94 fps with Dual Pixel AF; H.264 MP4, 8-bit recording, no Canon Log (Photography Blog); Movie Digital IS adds cropping. Separate 4K/Full HD time-lapse modes | Japanese specification lists XAVC S 4K at 30p or 24p and up to 100 Mbps; headline maximum reflects Japanese/NTSC mode. Super 35mm uses full-pixel readout without binning with a narrower field of view; full-frame 4K is a separate mode. HLG, S-Log2 and S-Log3; 8-bit 4:2:2 HDMI output. Full HD 120p is a lower-resolution mode. |
| Audio | Built-in stereo microphones, 3.5 mm stereo microphone input and headphone output with adjustable volume | Stereo microphone; 3.5 mm microphone and headphone sockets. Multi Interface Shoe supports digital audio with compatible accessories. |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3″ | 3″ |
| Screen dots | 1,040,000 | 1,440,000 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | 3-inch vari-angle capacitive touchscreen, approximately 1.04 million dots and 100% coverage; opens 175°, rotates 90° forward or 180° backward | TFT LCD tilts approximately 107° up and 41° down; touch focus and touchpad operation. Original ILCE-7RM4 has 1,440,000 dots; the later ILCE-7RM4A has a different display. |
| Viewfinder detail | 0.39-inch OLED EVF with approximately 2.36 million dots, 100% coverage and 0.70× magnification with 50 mm lens at infinity, −1 dioptre | 0.5-inch electronic viewfinder with 5,760,000 dots, 100% coverage and approximately 0.78× magnification; selectable 60/120 fps display. |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 250 photographs | 670 photographs |
| Body weight | 440 g (better) | 580 g |
| Release detail | Canon Camera Museum records March 2019 marketing; no exact first-sale day inferred | Sony Japan specifies 6 September 2019 for ILCE-7RM4; this is the Japanese on-sale date, not a UK release claim. July reservations preceded sale. |
| Recording media | One SD/SDHC/SDXC UHS-II/UHS-I slot shared with the battery compartment | Two SD/SDHC/SDXC slots, both supporting UHS-II; simultaneous, relay and separate-media recording. |
| Ports | USB-C Hi-Speed USB 2.0, mini HDMI Type C, 3.5 mm microphone and headphone sockets, and RS-60E3 remote-release terminal | USB Type-C, Multi/Micro USB, Micro HDMI, microphone and headphone sockets, sync terminal and Multi Interface Shoe. |
| Wireless connections | Wi-Fi 802.11b/g/n at 2.4 GHz and Bluetooth Low Energy 4.1; BR-E1 wireless remote supported; current UK page says optional security firmware disables image.canon uploads and YouTube livestreaming via image.canon | Wi-Fi IEEE 802.11a/b/g/n/ac at 2.4/5 GHz, NFC and Bluetooth smartphone connection. |
| Battery life detail | One LP-E17; approximately 250 shots at 23°C or 240 at 0°C under maker/CIPA testing conditions | NP-FZ100; CIPA approximately 670 photographs with LCD or 530 with viewfinder; USB charging and power supported. |
| Charging | Supplied external LC-E17E charger; compatible PD-E1 enables in-camera USB charging; household AC power requires separate accessories | – |
| Dimensions | Approximately 132.5 × 85 × 70 mm (width × height × depth) | Approximately 128.9 × 96.4 × 77.5 mm (width × height × maximum depth); grip-to-monitor depth 67.3 mm. |
| Weight detail | Approximately 440 g body only or 485 g with battery/card; photographed kit lens and optional 86 g EG-E1 extension grip excluded | Approximately 580 g body only; 665 g with battery and memory card; lens excluded. |
| Materials | Magnesium-alloy chassis with plastic exterior and dust/splash protection described by Amateur Photographer; no water-resistance rating inferred | – |
| In the box | UK maker lists body, R-F-5 camera cover, neck strap, LC-E17E charger, LP-E17 battery, AC cable and user manual kit; lens/adapter depend on kit | Power cord, NP-FZ100 battery, cable protector, BC-QZ1 charger, shoulder strap, body cap, accessory shoe cap, eyepiece cup and USB Type-C cable, according to Sony Japan. |
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