OM SYSTEM OM-5 vs Panasonic LUMIX G100
Better figure, where one is clearly better
| OM SYSTEMOM-5 | PanasonicLUMIX G100 | |
|---|---|---|
| Overview | ||
| Released | November 2022 | July 2020 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Four Thirds | Four Thirds |
| Sensor type | Live MOS | Live MOS |
| Sensor dimensions | 17.4 × 13 mm | – |
| Effective resolution | 20.4 MP | 20.3 MP |
| Largest image | 5184 × 3888 | 5184 × 3888 |
| RAW recording | Yes | Yes |
| Standard ISO range | 200–25600 | 200–25600 |
| Sensor detail | Approximately 20.37 effective and 21.77 total megapixels in maker Japan table; UK rounds to 20.4 and 21.8. Japan image area 17.4×13 mm; UK gives 17.3×13 mm | 20.3 million effective and 21.77 million total pixels; 4:3 Live MOS primary-colour sensor without low-pass filter. Physical millimetre dimensions not published in the read maker table and omitted |
| Image formats | JPEG and 12-bit losslessly compressed ORF RAW; ordinary output 5184×3888. Handheld composite 50 MP JPEG/RAW; tripod composite 50 MP JPEG or 80 MP RAW developed with OM Workspace, not a single-shot 80 MP sensor | JPEG and RAW; 4K Photo extracts lower-resolution JPEG frames from video bursts |
| ISO detail | Manual ISO 200–25600, expanded LOW approximately 64 and 100; default Auto upper limit 6400 (maker Japan). Amateur Photographer calls values above 6400 extended, unlike the maker manual table | Standard ISO 200–25600, expanded ISO 100 |
| Image processor | TruePic IX | – |
| Lens and shooting | ||
| Lens mount | Micro Four Thirds | Micro Four Thirds |
| Stabilisation | Lens and sensor shift | Optical lens stabilisation |
| Maximum continuous burst | 30 fps | 10 fps |
| Autofocus | Sensor phase/contrast detection, 121 cross-type phase positions; face/eye detection and Starry Sky AF. No animal/vehicle recognition (Amateur Photographer) | Contrast AF, face/eye detection, tracking and 49-area selection; AFS/AFF/AFC/MF modes |
| Shutter | Mechanical 1/8000–60 seconds; electronic 1/32000–60 seconds; Bulb up to 30 minutes and Live Composite modes | Electronic front curtain up to 1/500 second; electronic shutter up to 1/16000 second. Flash synchronisation 1/50 second or slower |
| Burst detail | Electronic high approximately 30 fps and low 10 fps; mechanical high 10 fps and low 6 fps. Maker example buffers 18 RAW/20 JPEG at 30 fps, 149 RAW at mechanical 10 fps, with specified KIOXIA card and 12–40mm F2.8 PRO | Native electronic 10 fps; electronic first curtain 6 fps AFS/MF or 5 fps AFF/AFC. Maker RAW buffer at least 20 frames under its test conditions; video-derived 4K Photo is separate |
| Stabilisation detail | Five-axis sensor shift; CIPA up to 6.5 stops with 12–40mm F2.8 PRO at 40mm; Sync IS up to 7.5 with 12–100mm F4 IS PRO at 100mm and half-press stabilisation off | Optical stabilisation depends on the attached lens; no sensor-shift Body I.S. Video electronic stabilisation combines with compatible optical lenses, marketed as 5-axis Hybrid I.S. rather than lens-plus-sensor stabilisation; 4K correction and crop differ. High electronic setting narrows the view further |
| Flash | – | Built-in TTL pop-up flash; maker guide number 5.1 at ISO 200 or 3.6 at ISO 100 |
| Exposure controls | PASM, Live ND, HDR, focus stacking and multiple exposure; Live ND2–16 (Amateur Photographer), with mode, shutter, ISO and lens restrictions | – |
| Video | ||
| Highest video resolution | 4096 × 2160 at 24 fps | 3840 × 2160 at 30 fps |
| Video detail | Internal H.264 MOV C4K 4096×2160 at 24p approximately 237 Mbps; UHD 3840×2160 at 30/25/24p approximately 102 Mbps. Separate FHD high-speed 120 fps; Flat and OM-Log400 profiles. No fixed clip-duration limit, with card, battery and file-splitting restrictions | Internal UHD 3840×2160 at maker-labelled 30p or 24p, 100 Mbps H.264 MP4; 4K single-session limit ten minutes. Full HD 60p limited to twenty minutes, other listed ordinary Full HD modes 29 minutes 59 seconds. V-Log L supported; HDMI output prevents simultaneous internal recording. Recording frequencies vary by region |
| Audio | Built-in stereo microphones; 48 kHz/16-bit or 96 kHz/24-bit audio; external 3.5 mm microphone socket | Three integrated microphones with OZO Audio by Nokia, including front/back/surround/tracking/automatic modes; stereo recording, 3.5 mm external microphone input and monaural speaker. No headphone monitoring socket |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3″ | 3″ |
| Screen dots | 1,037,000 | 1,840,000 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | Fully articulated touchscreen; UK 1.037 million dots, Japan rounds to 1.04 million | Free-angle 3-inch 3:2 capacitive touchscreen, approximately 1.84 million dots and 100% coverage |
| Viewfinder detail | OLED approximately 2.36 million dots, approximately 100% coverage; 1.23–1.37× magnification with 50mm lens at infinity at −1 dioptre depends on finder style | Colour LCD electronic viewfinder, approximately 3.68 million dots equivalent, 100% coverage and 0.73× 35 mm-equivalent magnification under maker conditions; not the later G100D OLED viewfinder |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 310 photographs | 270 photographs |
| Body weight | 366 g | 303 g (better) |
| Release detail | Japan body and 14–150mm II kit on sale 18 November 2022, 12–45mm PRO kit 10 December. Earlier worldwide day unconfirmed, so month precision retained | Maker North America announcement confirms end-of-July2020 sale, matching Photography Blog's UK availability wording; Japan maker specifies 20August2020, a later regional launch. Digital Camera World explicitly tested a pre-production sample and awaited production lab tests; its findings are attributed rather than treated as final production validation. Original G100 remains separate from G100D |
| Recording media | One SD/SDHC/SDXC slot, UHS-I and UHS-II | One SD/SDHC/SDXC slot, UHS-I U3 compatible |
| Ports | USB 2.0 Hi-Speed Micro-B; micro-HDMI Type D; 3.5 mm microphone and 2.5 mm remote sockets; hot shoe | USB 2.0 Micro-B, micro-HDMI Type D and 3.5 mm microphone input; tripod grip connects through USB |
| Wireless connections | Wi-Fi b/g/n and Bluetooth Low Energy 4.2; location tagging from connected smartphone rather than built-in GPS | Wi-Fi 2.4 GHz IEEE802.11b/g/n and Bluetooth Low Energy 4.2 |
| Battery life detail | BLS-50; standard 310 or low-power 660 CIPA shots with specified KIOXIA card, stabilisation on and no flash. Approximately 60 minutes JEITA video or 110 minutes with other operations disabled | CIPA approximately 270 LCD or 250 EVF photographs with supplied battery and H-FS12032 lens. One-second power-save EVF 900-shot figure conditional, not headline |
| Charging | USB in-camera charging with camera off; behaviour depends on supply capability | USB battery charging; optional AC adapter and appropriate DC coupler for external power |
| Dimensions | Approximately 125.3×85.2×49.7 mm excluding protrusions | Approximately 115.6 × 82.5 × 54.2 mm excluding protrusions |
| Weight detail | 366 g body only or 414 g with battery and card, excluding eyecup; photographed kit lens excluded | Approximately 303 g body only, 345 g with battery/card or 412 g with 12–32mm kit lens/battery/card. Photo shows the maker's 12–32mm kit; lens is not included in body specifications |
| Materials | IP53 when paired with an IP53 lens, IPX1 with an IPX1 lens; not an immersion rating. Operating temperature −10 to 40°C | – |
| Colours | Black and silver | – |
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