Nikon Z5II vs Panasonic LUMIX S1II

Every spec side by side, from each maker's published figures.

Better figure, where one is clearly better

Z5II compared with LUMIX S1II
NikonZ5IIPanasonicLUMIX S1II
Overview
ReleasedApril 2025June 2025
Image and sensor
Camera typeMirrorlessMirrorless
Sensor formatFull frameFull frame
Sensor typeBack-illuminated CMOSPartially stacked CMOS
Sensor dimensions35.9 × 23.9 mm35.6 × 23.8 mm
Effective resolution24.5 MP24.1 MP
Largest image6048 × 40326000 × 4000
RAW recordingYesYes
Standard ISO range100–64000100–51200
Sensor detail25.28 million total pixels; sensor-cleaning function and image-dust-off reference data for NX Studio24.1 million effective and 26.8 million total pixels; 35.6 × 23.8 mm partially stacked CMOS; normal 3:2 stills 6000×4000, distinct from eight-frame high-resolution 12000×8000 composites
Image formats14-bit NEF RAW with lossless, high-efficiency star or high-efficiency compression; JPEG and HEIF; RAW plus JPEG or HEIFJPEG, RAW and HEIF; HEIF HDR uses HLG, with SDR also available; high-resolution composites exclude HEIF
ISO detailStandard still-image ISO 100–64000; expanded equivalent ISO 50–204800; HLG starts at ISO 400. Conventional movie ISO 100–51200.Standard stills ISO 100–51200; expanded ISO 50, 102400 and 204800; native stills sensitivities ISO 100/800, distinct from V-Log and other video profiles
Image processorEXPEED 7–
Lens and shooting
Lens mountNikon Z mountL-Mount
StabilisationSensor shiftLens and sensor shift
Maximum continuous burst30 fps70 fps
Lens detailNIKKOR Z lenses; NIKKOR F lenses require a mount adapter, with model-dependent functional restrictionsL-Mount full-frame lenses; APS-C lenses use a reduced image area, with 3984×2656 3:2 stills
AutofocusHybrid phase/contrast detection; 273 single-point or 299 auto-area positions in FX stills; 3D tracking, nine subject types and AF-A automatic AF-S/AF-C selection. Nikon's −10 EV sensitivity uses AF-S, ISO 100, an f/1.2 lens and 20°C.Phase Hybrid AF with up to 779 phase-detection and 315 contrast positions; humans/animals/cars/motorcycles and bicycles/trains/aircraft; −6 to 18 EV with f/1.4 lens, ISO 100, AFS. Subject selection is manual; current maker table includes Urban Sports recognition
ShutterMechanical, electronic front-curtain and electronic shutter; 1/8000 to 30 seconds plus Bulb/Time, extendable to 900 seconds in manual mode; flash sync at 1/200 second or slower and Auto FP supportMechanical 60–1/8000 second and Bulb to approximately 30 minutes; electronic first curtain 60–1/2000; electronic 60–1/16000 with Bulb to approximately 60 seconds
Burst detailOrdinary continuous high approximately 7.8 fps mechanical, 9.4 fps electronic front-curtain or 10 fps silent. Extended high approximately 14 fps, or 15 fps silent, with JPEG-only restrictions at the highest extended rate. C15/C30 high-speed frame capture supports pre-release capture; main 30 fps is electronic-shutter JPEG normal, not RAW.Full-resolution electronic 70 fps speed-priority or 60/30 fps image-priority with AFS/AFC/MF; SH buffer 180 JPEG/RAW or 170 HEIF frames under maker conditions. Mechanical speed-priority up to 10 fps, including H+ AFC; lower modes offer live view. No composite high-resolution output counted as sensor resolution
Stabilisation detailFive-axis sensor shift; maker claim up to 7.5 stops at the centre or 6 at the periphery under CIPA 2024 using NIKKOR Z 24–120mm f/4 S at the telephoto end in NORMAL mode. Focus Point VR has compatible-lens and focus-mode restrictions.Five-axis sensor-shift B.I.S., eight centre/seven corner stops with S-R2060 at 60 mm; compatible Dual I.S.2 gives seven centre/corner stops with S-R24105 at 105 mm under CIPA-2024. Electronic video IS separately available; current Japan table marks crop-less mode as firmware 3.0
FlashNo built-in flash; ISO 518 accessory shoe and compatible external i-TTL SpeedlightsExternal flash support, no built-in flash (Photography Blog); sync up to 1/250 second with maker flash-output restrictions
Exposure controlsAuto, P/S/A/M and three user settings; ±5 EV still-image compensationSeparate still/video/S&Q controls and custom settings; V-Log maker claim 14+ stops, or 15 with Dynamic Range Boost; no measured stills dynamic range inferred
Video
Highest video resolution4032 × 2268 at 30 fps5952 × 3968 at 29.97 fps
Video detailN-RAW 12-bit at 4032 × 2268 up to 30p in FX or 3984 × 2240 up to 30p in DX. Conventional UHD 3840 × 2160 reaches 60p with DX crop; uncropped UHD reaches 30p and Full HD reaches 120p. H.265 8/10-bit and H.264; N-Log, HLG, RED LUT support, waveform, timecode, proxy recording and Full HD Hi-Res Zoom. Recording-time limit 125 minutes, subject to conditions.Internal 5952×3968 3:2 open-gate HEVC 4:2:0 10-bit up to 29.97p; 5952×2512 up to 59.94p and 5088×3392 open gate up to 59.94p. Maker video table lists internal ProRes RAW HQ/RAW 5760×3040 up to 29.97p and C4K up to 59.94p; HDMI RAW 6000×4000 up to 29.97p needs an external recorder and is not the headline internal resolution. ARRI LogC3 requires separately purchased DMW-SFU3A key; recording formats, media and firmware impose restrictions
AudioBuilt-in stereo microphones; PCM 48 kHz/24-bit for NEV and MOV or AAC 48 kHz/16-bit for MP4; external microphone and headphone monitoringStereo built-in microphone; MOV LPCM up to 96 kHz/24-bit; optional DMW-XLR2 required for 32-bit float; channel/sample-rate restrictions depend on adapter and format
Screen and viewfinder
ViewfinderElectronicElectronic
Screen size3.2″3″
Screen dots2,100,0001,840,000
TouchscreenYesYes
Tilting screenYesYes
Display detailVari-angle TFT with approximately 100% frame coverage and 170° viewing angle; dots count subpixelsThree-inch 3:2 capacitive touchscreen, approximately 1.84 million dots and 100% coverage; tilt and free-angle articulation (Panasonic UK)
Viewfinder detail0.5-inch OLED, approximately 3.69 million dots, 100% coverage, 0.8× magnification and 21 mm eyepoint; Nikon UK claims 3000 cd/m² maximum brightness and 60 Hz refresh0.5-inch OLED, approximately 5.76 million dots, 100% coverage and 0.78× magnification with 50 mm lens at infinity, −1 dioptre and 3:2 aspect ratio
Connections and design
Wi-FiYesYes
BluetoothYesYes
Battery life (maker's claim)390 photographs320 photographs
Body weight620 g (better)718 g
Release detailAnnounced on 3 April 2025. Nikon's later Z5IIC announcement explicitly identifies the Z5II as released in April 2025; month precision is retained because an exact first UK retail day is unconfirmed.Panasonic UK confirms available June 2025; no exact retail day inferred from announcement or Japan promised timing
Recording mediaTwo SD/SDHC/SDXC slots supporting UHS-II; overflow, backup and separate file-format recordingOne CFexpress Type B slot and one SD/SDHC/SDXC UHS-II slot; dual-slot recording options; no XQD compatibility inferred from Photography Blog's conflicting table
PortsUSB-C SuperSpeed USB; Micro HDMI Type D; 3.5 mm microphone and headphone sockets; MC-DC3 remote-release connectionUSB-C 10 Gbps with USB Power Delivery, full-size HDMI Type A, 2.5 mm remote, 3.5 mm stereo microphone and headphone connections; no dedicated timecode or flash-sync terminal in Japan table
Wireless connectionsWi-Fi IEEE 802.11a/b/g/n/ac and Bluetooth 5.0; SnapBridge and Nikon Imaging CloudWi-Fi 2.4 GHz 802.11b/g/n and 5 GHz 802.11a/n/ac; Bluetooth Low Energy 5.0; Japan channel ranges not assumed identical in every region
Battery life detailEN-EL15c; CIPA approximately 390 shots with the monitor and power saving enabled, 350 without; EVF 380 with power saving or 330 without. Tested with NIKKOR Z 24–70mm f/4 S. Movie battery-life claim approximately 85 minutes. Photography Blog quotes a different monitor-shot figure; main follows Nikon's full specification.DMW-BLK22; SD-card CIPA approximately 320 EVF/360 LCD shots with S-R24105, or 1150 in specified power-save EVF mode; CFexpress gives approximately 310/350 or 1000 respectively
ChargingUSB charging and power delivery with compatible equipment; EN-EL15b/15a compatibility has restrictions. Nikon UK states no charger included.In-camera USB charging and power supply, including USB Power Delivery; optional DMW-AC11 AC adapter
DimensionsApproximately 134 × 100.5 × 72 mmApproximately 134.3 × 102.3 × 91.8 mm, excluding protrusions
Weight detailApproximately 620 g body only or 700 g including battery and memory card, excluding body capPanasonic UK specifies 718 g body only and 800 g with shoe cover, battery and SD card; photographed body excludes lens. Photography Blog's 712 g body figure is not used
MaterialsMagnesium-alloy top and rear covers; dust- and drip-resistant constructionDust, splash and freeze-resistant body; maker operating range −10 to 40°C with cold-temperature battery and lens restrictions; no waterproof rating inferred
In the boxEN-EL15c battery, AN-DC26 strap, DK-29 eyepiece, BS-1 shoe cover, BF-N1 body cap and USB cableJapan maker lists battery, battery charger, shoulder strap, body cap, hot-shoe cover and battery-grip contact cover; regional bundle contents may vary

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