OM SYSTEM OM-5 vs Panasonic LUMIX G9II
Better figure, where one is clearly better
| OM SYSTEMOM-5 | PanasonicLUMIX G9II | |
|---|---|---|
| Overview | ||
| Released | November 2022 | November 2023 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Four Thirds | Four Thirds |
| Sensor type | Live MOS | Live MOS |
| Sensor dimensions | 17.4 × 13 mm | 17.3 × 13 mm |
| Effective resolution | 20.4 MP | 25.21 MP |
| Largest image | 5184 × 3888 | 5776 × 4336 |
| RAW recording | Yes | Yes |
| Standard ISO range | 200–25600 | 100–25600 |
| Sensor detail | Approximately 20.37 effective and 21.77 total megapixels in maker Japan table; UK rounds to 20.4 and 21.8. Japan image area 17.4×13 mm; UK gives 17.3×13 mm | Maker Japan specifies 25.21 million effective and 26.52 million total pixels, marketed as 25.2 MP; 17.3 × 13 mm Live MOS. Native 4:3 stills 5776×4336; high-resolution composites 11552×8672 are separate from native resolution |
| Image formats | JPEG and 12-bit losslessly compressed ORF RAW; ordinary output 5184×3888. Handheld composite 50 MP JPEG/RAW; tripod composite 50 MP JPEG or 80 MP RAW developed with OM Workspace, not a single-shot 80 MP sensor | JPEG and RAW; Fine/Standard JPEG and RAW+JPEG options |
| ISO detail | Manual ISO 200–25600, expanded LOW approximately 64 and 100; default Auto upper limit 6400 (maker Japan). Amateur Photographer calls values above 6400 extended, unlike the maker manual table | Standard stills ISO 100–25600; expanded ISO 50; video and V-Log have different ranges. Maker Japan states no Dual Native ISO |
| Image processor | TruePic IX | – |
| Lens and shooting | ||
| Lens mount | Micro Four Thirds | Micro Four Thirds |
| Stabilisation | Lens and sensor shift | Lens and sensor shift |
| Maximum continuous burst | 30 fps | 75 fps |
| Autofocus | Sensor phase/contrast detection, 121 cross-type phase positions; face/eye detection and Starry Sky AF. No animal/vehicle recognition (Amateur Photographer) | Phase Hybrid AF; current Japan table recognises humans, animals, cars, motorcycles, trains and aircraft. The last two extend the launch-era review descriptions and are not assumed launch features |
| Shutter | Mechanical 1/8000–60 seconds; electronic 1/32000–60 seconds; Bulb up to 30 minutes and Live Composite modes | Mechanical 60–1/8000 second and Bulb to approximately 30 minutes; electronic first curtain 60–1/2000; electronic 60–1/32000 with Bulb to approximately 60 seconds |
| Burst detail | Electronic high approximately 30 fps and low 10 fps; mechanical high 10 fps and low 6 fps. Maker example buffers 18 RAW/20 JPEG at 30 fps, 149 RAW at mechanical 10 fps, with specified KIOXIA card and 12–40mm F2.8 PRO | Full-resolution electronic 75 fps AFS/MF with focus fixed; 60 or 20 fps AFS/AFC/MF. SH RAW/JPEG buffer 200 frames; mechanical 14 fps AFS/MF or 10 fps AFC, electronic first curtain 14/9 respectively. Normal RAW buffer at least 170 frames under maker conditions; pre-burst available, with heat-related restrictions |
| Stabilisation detail | Five-axis sensor shift; CIPA up to 6.5 stops with 12–40mm F2.8 PRO at 40mm; Sync IS up to 7.5 with 12–100mm F4 IS PRO at 100mm and half-press stabilisation off | Maker UK eight-stop B.I.S. with H-ES12060 at 60 mm, and 7.5-stop Dual I.S.2 with H-FSA14140 at 140 mm, under CIPA yaw/pitch conditions; electronic video stabilisation is separate |
| Flash | – | No built-in flash; external flash support and sync up to 1/250 second |
| Exposure controls | PASM, Live ND, HDR, focus stacking and multiple exposure; Live ND2–16 (Amateur Photographer), with mode, shutter, ISO and lens restrictions | – |
| Video | ||
| Highest video resolution | 4096 × 2160 at 24 fps | 5760 × 4320 at 29.97 fps |
| Video detail | Internal H.264 MOV C4K 4096×2160 at 24p approximately 237 Mbps; UHD 3840×2160 at 30/25/24p approximately 102 Mbps. Separate FHD high-speed 120 fps; Flat and OM-Log400 profiles. No fixed clip-duration limit, with card, battery and file-splitting restrictions | Internal 5760×4320 4:3 open-gate HEVC 4:2:0 10-bit up to 29.97p; 5728×3024 17:9 up to 59.94p; C4K up to 119.88p and Full HD up to 239.76p. ProRes 422/HQ supported through USB SSD with recording-mode/media restrictions; no ProRes RAW inferred from GH7. Maker V-Log claim 13+ stops, dropping to 12+ above 60 fps; Dynamic Range Boost excludes SH bursts and specified slow-shutter combinations. No built-in cooling fan (Amateur Photographer) |
| Audio | Built-in stereo microphones; 48 kHz/16-bit or 96 kHz/24-bit audio; external 3.5 mm microphone socket | Stereo built-in microphone; high-resolution audio through compatible DMW-XLR1/DMW-XLR2; exact channel and format restrictions depend on recording mode |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3″ | 3″ |
| Screen dots | 1,037,000 | 1,840,000 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | Fully articulated touchscreen; UK 1.037 million dots, Japan rounds to 1.04 million | Three-inch 3:2 capacitive touchscreen, approximately 1.84 million dots; free-angle articulation (Panasonic UK), distinct from GH7's additional tilt frame |
| Viewfinder detail | OLED approximately 2.36 million dots, approximately 100% coverage; 1.23–1.37× magnification with 50mm lens at infinity at −1 dioptre depends on finder style | 0.5-inch OLED, approximately 3.68 million dots, 100% coverage; approximately 1.6× magnification, 0.8× in 35 mm terms under maker's 50 mm-equivalent/infinity/−1 dioptre/4:3 conditions |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 310 photographs | 370 photographs |
| Body weight | 366 g (better) | 575 g |
| Release detail | Japan body and 14–150mm II kit on sale 18 November 2022, 12–45mm PRO kit 10 December. Earlier worldwide day unconfirmed, so month precision retained | Maker UK confirms November 2023 availability; September 2023 is the announcement, not substituted for first sale |
| Recording media | One SD/SDHC/SDXC slot, UHS-I and UHS-II | Two SD/SDHC/SDXC UHS-II slots including V90; dual-slot recording options; supported video can record to USB SSD |
| Ports | USB 2.0 Hi-Speed Micro-B; micro-HDMI Type D; 3.5 mm microphone and 2.5 mm remote sockets; hot shoe | USB-C 10 Gbps; full-size HDMI, 3.5 mm microphone/headphone and 2.5 mm remote sockets (Amateur Photographer) |
| Wireless connections | Wi-Fi b/g/n and Bluetooth Low Energy 4.2; location tagging from connected smartphone rather than built-in GPS | Wi-Fi 2.4 GHz 802.11b/g/n and 5 GHz 802.11a/n/ac; Bluetooth Low Energy 5.0; Japan channel ranges not assumed identical globally |
| Battery life detail | BLS-50; standard 310 or low-power 660 CIPA shots with specified KIOXIA card, stabilisation on and no flash. Approximately 60 minutes JEITA video or 110 minutes with other operations disabled | DMW-BLK22; current Japan CIPA 370 LCD/EVF shots with H-ES12060 and SD, or approximately 1300 in specified one-second power-save EVF mode. USB SSD approximately 310 shots. Older review claims of 390 shots are not substituted for the current maker table |
| Charging | USB in-camera charging with camera off; behaviour depends on supply capability | USB in-camera charging; Japan table approximately 220 minutes with bundled USB AC adapter or 170 minutes with DMW-BTC15 adapter; optional DMW-BTC15 charger approximately 175 minutes |
| Dimensions | Approximately 125.3×85.2×49.7 mm excluding protrusions | Approximately 134.3 × 102.3 × 90.1 mm, excluding protrusions |
| Weight detail | 366 g body only or 414 g with battery and card, excluding eyecup; photographed kit lens excluded | Maker UK 575 g body only, 658 g with battery and SD card; lens excluded |
| Materials | IP53 when paired with an IP53 lens, IPX1 with an IPX1 lens; not an immersion rating. Operating temperature −10 to 40°C | Dust/splash-resistant body (Panasonic UK); no waterproof rating inferred |
| In the box | – | Japan maker lists body cap, hot-shoe cover, battery-grip connector cover, shoulder strap, battery, USB AC adapter and USB A–C cable; regional contents may vary |
| Colours | Black and silver | – |
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