Panasonic LUMIX G9II vs Panasonic LUMIX GH5 II
Better figure, where one is clearly better
| PanasonicLUMIX G9II | PanasonicLUMIX GH5 II | |
|---|---|---|
| Overview | ||
| Released | November 2023 | June 2021 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Four Thirds | Four Thirds |
| Sensor type | Live MOS | Live MOS |
| Sensor dimensions | 17.3 × 13 mm | 17.3 × 13 mm |
| Effective resolution | 25.21 MP | 20.33 MP |
| Largest image | 5776 × 4336 | 5184 × 3888 |
| RAW recording | Yes | Yes |
| Standard ISO range | 100–25600 | 200–25600 |
| Sensor detail | Maker Japan specifies 25.21 million effective and 26.52 million total pixels, marketed as 25.2 MP; 17.3 × 13 mm Live MOS. Native 4:3 stills 5776×4336; high-resolution composites 11552×8672 are separate from native resolution | 20.33 million effective and 21.77 million total pixels; anti-reflection coating, 4:3 primary colour filter and sensor-shift dust reduction |
| Image formats | JPEG and RAW; Fine/Standard JPEG and RAW+JPEG options | JPEG and RAW; 6K/4K Photo modes extract JPEG frames from video-derived bursts |
| ISO detail | Standard stills ISO 100–25600; expanded ISO 50; video and V-Log have different ranges. Maker Japan states no Dual Native ISO | Maker standard stills ISO 200–25600 with ISO 100 expanded; video ISO 200–12800 plus expanded 100. Photography Blog's ISO 100–25600 description includes expansion, not adopted as standard range |
| Lens and shooting | ||
| Lens mount | Micro Four Thirds | Micro Four Thirds |
| Stabilisation | Lens and sensor shift | Lens and sensor shift |
| Maximum continuous burst | 75 fps | 12 fps |
| Autofocus | Phase Hybrid AF; current Japan table recognises humans, animals, cars, motorcycles, trains and aircraft. The last two extend the launch-era review descriptions and are not assumed launch features | Contrast AF with DFD and human/animal detection; maker 225-area selection |
| Shutter | Mechanical 60–1/8000 second and Bulb to approximately 30 minutes; electronic first curtain 60–1/2000; electronic 60–1/32000 with Bulb to approximately 60 seconds | Mechanical up to 1/8000 second, electronic first curtain 1/2000 and electronic 1/16000; mechanical bulb up to 30 minutes |
| Burst detail | Full-resolution electronic 75 fps AFS/MF with focus fixed; 60 or 20 fps AFS/AFC/MF. SH RAW/JPEG buffer 200 frames; mechanical 14 fps AFS/MF or 10 fps AFC, electronic first curtain 14/9 respectively. Normal RAW buffer at least 170 frames under maker conditions; pre-burst available, with heat-related restrictions | Full-resolution 12 fps AFS/MF or 9 fps AFC with mechanical, electronic first curtain or electronic shutter. More than 108 RAW/RAW+JPEG or 999 JPEG under maker card conditions. Reduced-resolution 6K Photo 30 fps and 4K Photo 60/30 fps are separate |
| Stabilisation detail | Maker UK eight-stop B.I.S. with H-ES12060 at 60 mm, and 7.5-stop Dual I.S.2 with H-FSA14140 at 140 mm, under CIPA yaw/pitch conditions; electronic video stabilisation is separate | Five-axis Body I.S. rated 6.5 stops with H-ES12060 at 60 mm; compatible-lens Dual I.S. 2 also 6.5 stops with H-FS14140 at 140 mm, CIPA yaw/pitch |
| Flash | No built-in flash; external flash support and sync up to 1/250 second | – |
| Video | ||
| Highest video resolution | 5760 × 4320 at 29.97 fps | 4992 × 3744 at 29.97 fps |
| Video detail | Internal 5760×4320 4:3 open-gate HEVC 4:2:0 10-bit up to 29.97p; 5728×3024 17:9 up to 59.94p; C4K up to 119.88p and Full HD up to 239.76p. ProRes 422/HQ supported through USB SSD with recording-mode/media restrictions; no ProRes RAW inferred from GH7. Maker V-Log claim 13+ stops, dropping to 12+ above 60 fps; Dynamic Range Boost excludes SH bursts and specified slow-shutter combinations. No built-in cooling fan (Amateur Photographer) | Highest internal resolution maker-labelled Anamorphic 6K 4992×3744 4:3 up to 29.97p, 4:2:0 10-bit. C4K 4096×2160 and UHD 3840×2160 up to 59.94p in 4:2:0 10-bit; 4:2:2 10-bit up to 29.97p, including ALL-Intra options. V-Log L preinstalled; recording duration subject to media, power and operating conditions |
| Audio | Stereo built-in microphone; high-resolution audio through compatible DMW-XLR1/DMW-XLR2; exact channel and format restrictions depend on recording mode | Stereo microphone and monaural speaker; 3.5 mm microphone/line input and headphones, optional DMW-XLR1 |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3″ | 3″ |
| Screen dots | 1,840,000 | 1,840,000 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | Three-inch 3:2 capacitive touchscreen, approximately 1.84 million dots; free-angle articulation (Panasonic UK), distinct from GH7's additional tilt frame | Free-angle 3-inch 3:2 touch LCD with approximately 1.84 million dots |
| Viewfinder detail | 0.5-inch OLED, approximately 3.68 million dots, 100% coverage; approximately 1.6× magnification, 0.8× in 35 mm terms under maker's 50 mm-equivalent/infinity/−1 dioptre/4:3 conditions | OLED approximately 3.68 million dots, 100% coverage and 0.76× 35 mm-equivalent magnification under maker conditions; 60/120 fps display |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 370 photographs | 410 photographs |
| Body weight | 575 g (better) | 647 g |
| Release detail | Maker UK confirms November 2023 availability; September 2023 is the announcement, not substituted for first sale | Maker Japan confirms first sale 25 June 2021; headline month avoids assuming an exact UK day. Digital Camera World's review did not test fast-moving burst subjects or face/body video tracking; its favourable AF findings concern ordinary stills and selected-point transitions |
| Recording media | Two SD/SDHC/SDXC UHS-II slots including V90; dual-slot recording options; supported video can record to USB SSD | Two SD/SDHC/SDXC UHS-I/UHS-II slots; recording modes require appropriate speed class |
| Ports | USB-C 10 Gbps; full-size HDMI, 3.5 mm microphone/headphone and 2.5 mm remote sockets (Amateur Photographer) | USB-C SuperSpeed USB 3.1 Gen 1, full-size HDMI Type A, 2.5 mm remote, flash-sync socket and 3.5 mm audio connections |
| Wireless connections | Wi-Fi 2.4 GHz 802.11b/g/n and 5 GHz 802.11a/n/ac; Bluetooth Low Energy 5.0; Japan channel ranges not assumed identical globally | Wi-Fi 2.4/5 GHz and Bluetooth Low Energy 4.2; wireless live streaming through LUMIX Sync or Wi-Fi router. 5 GHz unavailable in some regions |
| Battery life detail | DMW-BLK22; current Japan CIPA 370 LCD/EVF shots with H-ES12060 and SD, or approximately 1300 in specified one-second power-save EVF mode. USB SSD approximately 310 shots. Older review claims of 390 shots are not substituted for the current maker table | DMW-BLK22 7.2 V 2200 mAh 16 Wh; CIPA approximately 410 shots with H-FS12060 or 400 with H-ES12060. One-second power-save EVF 1200 shots conditional, not headline |
| Charging | USB in-camera charging; Japan table approximately 220 minutes with bundled USB AC adapter or 170 minutes with DMW-BTC15 adapter; optional DMW-BTC15 charger approximately 175 minutes | USB charging, power supply and Power Delivery; dedicated charger included |
| Dimensions | Approximately 134.3 × 102.3 × 90.1 mm, excluding protrusions | Approximately 138.5 × 98.1 × 87.4 mm excluding protrusions |
| Weight detail | Maker UK 575 g body only, 658 g with battery and SD card; lens excluded | Approximately 647 g body only or 727 g with battery and one SD card |
| Materials | Dust/splash-resistant body (Panasonic UK); no waterproof rating inferred | Dust/splash-resistant, not waterproof; maker operating range −10 to 40 °C |
| In the box | Japan maker lists body cap, hot-shoe cover, battery-grip connector cover, shoulder strap, battery, USB AC adapter and USB A–C cable; regional contents may vary | Body cap, hot-shoe cover, eyecup, flash-sync cap, battery-grip connector cover, shoulder strap, battery, charger, AC adapter, USB A–C cable and cable holder; lens accessories vary by kit |
More comparisons
- Panasonic LUMIX G9II vs Panasonic LUMIX G97
- OM SYSTEM OM-3 vs Panasonic LUMIX G9II
- Panasonic LUMIX G97 vs Panasonic LUMIX GH5 II
- Panasonic LUMIX GH5 II vs Panasonic LUMIX GH7
- Panasonic LUMIX G9II vs Panasonic LUMIX GH7
- OM SYSTEM OM-1 Mark II vs Panasonic LUMIX G9II
- Panasonic LUMIX G9II vs Panasonic LUMIX GH6
- Fujifilm X-T5 vs Panasonic LUMIX G9II
- Canon EOS R7 vs Panasonic LUMIX G9II
- Panasonic LUMIX G9II vs PENTAX K-3 Mark III Monochrome
- OM SYSTEM OM-5 vs Panasonic LUMIX G9II
- Olympus PEN E-P7 vs Panasonic LUMIX G9II
- Panasonic LUMIX G100 vs Panasonic LUMIX G9II
- OM SYSTEM OM-5 vs Panasonic LUMIX GH5 II
- Panasonic LUMIX GH5 II vs Panasonic LUMIX GH6
- Olympus PEN E-P7 vs Panasonic LUMIX GH5 II

