Panasonic LUMIX G97 vs Panasonic LUMIX GH5 II
Better figure, where one is clearly better
| PanasonicLUMIX G97 | PanasonicLUMIX GH5 II | |
|---|---|---|
| Overview | ||
| Released | February 2025 | June 2021 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Four Thirds | Four Thirds |
| Sensor type | CMOS | Live MOS |
| Sensor dimensions | – | 17.3 × 13 mm |
| Effective resolution | 20.3 MP | 20.33 MP |
| Largest image | 5184 × 3888 | 5184 × 3888 |
| RAW recording | Yes | Yes |
| Standard ISO range | 200–25600 | 200–25600 |
| Sensor detail | Maker specifies four-thirds CMOS, approximately 20.3 million effective and 21.8 million total pixels; native 4:3 stills 5184×3888. Sensor dimensions and BSI construction are not inferred from other Lumix bodies | 20.33 million effective and 21.77 million total pixels; anti-reflection coating, 4:3 primary colour filter and sensor-shift dust reduction |
| Image formats | JPEG, RAW and RAW+JPEG; 4K Photo frames are separate cropped JPEG captures | JPEG and RAW; 6K/4K Photo modes extract JPEG frames from video-derived bursts |
| ISO detail | Standard stills ISO 200–25600; expanded ISO 100. Creative Video ISO 200–6400 with expanded 100, under the manual's mode restrictions | Maker standard stills ISO 200–25600 with ISO 100 expanded; video ISO 200–12800 plus expanded 100. Photography Blog's ISO 100–25600 description includes expansion, not adopted as standard range |
| Image processor | Venus Engine (maker announcement) | – |
| Lens and shooting | ||
| Lens mount | Micro Four Thirds | Micro Four Thirds |
| Stabilisation | Lens and sensor shift | Lens and sensor shift |
| Maximum continuous burst | 9 fps | 12 fps |
| Autofocus | Contrast-detection TTL AF; AFS/AFF/AFC/MF, face/eye detection, tracking, 49-area, Custom Multi, single-area and pinpoint modes | Contrast AF with DFD and human/animal detection; maker 225-area selection |
| Shutter | Mechanical 60–1/4000 second; electronic first curtain 60–1/2000; electronic 1–1/16000. Mechanical/first-curtain Bulb approximately 30 minutes maximum | Mechanical up to 1/8000 second, electronic first curtain 1/2000 and electronic 1/16000; mechanical bulb up to 30 minutes |
| Burst detail | Full-resolution 9 fps AFS/MF or 6 fps AFF/AFC with mechanical, electronic first-curtain or electronic shutter; 27 or more RAW frames, 600 or more without RAW under specified Panasonic tests and media conditions. 30 fps 4K Photo is approximately 8 MP cropped output and is excluded from native-resolution burst speed | Full-resolution 12 fps AFS/MF or 9 fps AFC with mechanical, electronic first curtain or electronic shutter. More than 108 RAW/RAW+JPEG or 999 JPEG under maker card conditions. Reduced-resolution 6K Photo 30 fps and 4K Photo 60/30 fps are separate |
| Stabilisation detail | Five-axis sensor-shift IBIS and compatible-lens Dual I.S.2, both rated five stops under CIPA yaw/pitch conditions; IBIS tested with H-FS12060 at 60 mm, Dual I.S.2 with H-FSA14140 at 140 mm | Five-axis Body I.S. rated 6.5 stops with H-ES12060 at 60 mm; compatible-lens Dual I.S. 2 also 6.5 stops with H-FS14140 at 140 mm, CIPA yaw/pitch |
| Flash | Built-in pop-up TTL flash, GN 9 at ISO 200 or GN 6.4 at ISO 100; sync up to 1/200 second | – |
| Video | ||
| Highest video resolution | 3840 × 2160 at 30 fps | 4992 × 3744 at 29.97 fps |
| Video detail | Internal MP4 H.264 3840×2160 at 30/25/24p for European DC-G97E, 100 Mbps; Full HD up to 60p. 4K narrows the angle of view and uses reduced autofocus speed. Maker states no fixed recording time limit but warns that high ambient temperature can stop recording; media/battery also limit duration. V-Log L with maker claim of 12 stops; Internal 4:2:0 8-bit capture (maker advanced manual). No external 10-bit claim adopted from the review without maker confirmation | Highest internal resolution maker-labelled Anamorphic 6K 4992×3744 4:3 up to 29.97p, 4:2:0 10-bit. C4K 4096×2160 and UHD 3840×2160 up to 59.94p in 4:2:0 10-bit; 4:2:2 10-bit up to 29.97p, including ALL-Intra options. V-Log L preinstalled; recording duration subject to media, power and operating conditions |
| Audio | Stereo audio with AAC compression; 3.5 mm stereo microphone input and headphone output | Stereo microphone and monaural speaker; 3.5 mm microphone/line input and headphones, optional DMW-XLR1 |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3″ | 3″ |
| Screen dots | 1,840,000 | 1,840,000 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | Three-inch 3:2 capacitive touchscreen, approximately 1.84 million dots; free-angle articulation (Amateur Photographer) | Free-angle 3-inch 3:2 touch LCD with approximately 1.84 million dots |
| Viewfinder detail | 0.39-inch 4:3 OLED, approximately 2.36 million dots, approximately 100% coverage; 1.48× magnification, 0.74× in 35 mm terms under maker's 50 mm/infinity/−1 dioptre/4:3 conditions | OLED approximately 3.68 million dots, 100% coverage and 0.76× 35 mm-equivalent magnification under maker conditions; 60/120 fps display |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 300 photographs | 410 photographs |
| Body weight | 478 g (better) | 647 g |
| Release detail | Maker German announcement confirms February 2025 availability. The UK article, dated December 2024, prints February 2024 for both new cameras; that conflicting year is not used as the release date. No precise first retail day confirmed | Maker Japan confirms first sale 25 June 2021; headline month avoids assuming an exact UK day. Digital Camera World's review did not test fast-moving burst subjects or face/body video tracking; its favourable AF findings concern ordinary stills and selected-point transitions |
| Recording media | One SD/SDHC/SDXC slot; UHS-I/UHS-II U3 supported under maker's format and recording restrictions | Two SD/SDHC/SDXC UHS-I/UHS-II slots; recording modes require appropriate speed class |
| Ports | USB-C USB 2.0 High Speed; micro HDMI Type D, 2.5 mm remote and 3.5 mm microphone/headphone sockets | USB-C SuperSpeed USB 3.1 Gen 1, full-size HDMI Type A, 2.5 mm remote, flash-sync socket and 3.5 mm audio connections |
| Wireless connections | Wi-Fi 802.11b/g/n at 2.4 GHz and Bluetooth Low Energy 5.0; North American channels 1–11 are not assumed identical in every region | Wi-Fi 2.4/5 GHz and Bluetooth Low Energy 4.2; wireless live streaming through LUMIX Sync or Wi-Fi router. 5 GHz unavailable in some regions |
| Battery life detail | DMW-BLC12 lithium-ion, 7.2 V 1200 mAh in the North American specification. CIPA approximately 280 monitor shots or 300 viewfinder shots with H-FS12060 and Nextorage SDXC; approximately 1050 only in Panasonic's specified one-second power-save EVF test | DMW-BLK22 7.2 V 2200 mAh 16 Wh; CIPA approximately 410 shots with H-FS12060 or 400 with H-ES12060. One-second power-save EVF 1200 shots conditional, not headline |
| Charging | USB-C in-camera charging; USB cable and AC adapter are commercially available rather than assumed supplied | USB charging, power supply and Power Delivery; dedicated charger included |
| Dimensions | Approximately 130.4 × 93.5 × 77.4 mm, excluding protrusions | Approximately 138.5 × 98.1 × 87.4 mm excluding protrusions |
| Weight detail | Maker 478 g body only, 530 g with battery and card; lens excluded | Approximately 647 g body only or 727 g with battery and one SD card |
| Materials | Dust/splash-resistant construction; not waterproof. Maker operating range 0–40 °C | Dust/splash-resistant, not waterproof; maker operating range −10 to 40 °C |
| In the box | Body, battery pack, shoulder strap, body cap, hot-shoe cover and battery-grip connector cover; kit includes its lens and lens accessories. Regional contents may vary | Body cap, hot-shoe cover, eyecup, flash-sync cap, battery-grip connector cover, shoulder strap, battery, charger, AC adapter, USB A–C cable and cable holder; lens accessories vary by kit |
More comparisons
- OM SYSTEM PEN vs Panasonic LUMIX G97
- OM SYSTEM OM-3 ASTRO vs Panasonic LUMIX G97
- OM SYSTEM OM-5 Mark II vs Panasonic LUMIX G97
- Panasonic LUMIX G100 vs Panasonic LUMIX G97
- Panasonic LUMIX G9II vs Panasonic LUMIX G97
- Panasonic LUMIX G97 vs Panasonic LUMIX GH7
- OM SYSTEM OM-3 vs Panasonic LUMIX G97
- OM SYSTEM OM-1 Mark II vs Panasonic LUMIX G97
- Panasonic LUMIX G97 vs Panasonic LUMIX GH6
- Panasonic LUMIX GH5 II vs Panasonic LUMIX GH7
- Panasonic LUMIX G9II vs Panasonic LUMIX GH5 II
- OM SYSTEM OM-5 vs Panasonic LUMIX GH5 II
- Panasonic LUMIX GH5 II vs Panasonic LUMIX GH6
- Olympus PEN E-P7 vs Panasonic LUMIX GH5 II
- Olympus OM-D E-M10 Mark IV vs Panasonic LUMIX GH5 II
- Panasonic LUMIX G100 vs Panasonic LUMIX GH5 II

