OM SYSTEM OM-3 vs Panasonic LUMIX GH7
Better figure, where one is clearly better
| OM SYSTEMOM-3 | PanasonicLUMIX GH7 | |
|---|---|---|
| Overview | ||
| Released | February 2025 | July 2024 |
| Image and sensor | ||
| Camera type | Mirrorless | Mirrorless |
| Sensor format | Four Thirds | Four Thirds |
| Sensor type | Stacked BSI Live MOS | BSI CMOS |
| Sensor dimensions | 17.3 × 13 mm | – |
| Effective resolution | 20.4 MP | 25.2 MP |
| Largest image | 5184 × 3888 | 5776 × 4336 |
| RAW recording | Yes | Yes |
| Standard ISO range | 80–102400 | 100–25600 |
| Sensor detail | UK specification rounds effective resolution to 20.4 MP and total to 22.9 MP; maker US press release specifies 20.37 effective and 22.93 total. 5184×3888 single-shot output, separate from 80 MP tripod or 50 MP handheld pixel-shift composites | Four Thirds-type backside-illuminated CMOS, 25.2 million effective and 26.5 million total pixels; native 4:3 stills 5776×4336. High-resolution composites 11552×8672 remain separate from native resolution |
| Image formats | ORF RAW and JPEG; high-resolution modes combine eight exposures and can save composite RAW; moving subjects and capture conditions affect results | JPEG and RAW; Fine/Standard JPEG and RAW+JPEG choices |
| ISO detail | Maker UK published sensitivity range includes LOW, approximately ISO 80, through ISO 102400; default Auto upper limit ISO 25600. This headline range includes expanded settings, rather than implying ISO 80 is the native base sensitivity | Standard stills ISO 100–25600; expanded ISO 50; V-Log and other video profiles use different ranges. Maker V-Log claim 13+ stops at sensor output up to 60 fps and 12+ stops above 60 fps; no measured stills range inferred |
| Image processor | TruePic X | – |
| Lens and shooting | ||
| Lens mount | Micro Four Thirds | Micro Four Thirds |
| Stabilisation | Lens and sensor shift | Lens and sensor shift |
| Maximum continuous burst | 120 fps | 75 fps |
| Lens detail | Native Micro Four Thirds mount; Sync IS and fastest continuous tracking depend on compatible lenses; kit lens is excluded from body specifications | – |
| Autofocus | 1053 cross-type sensor phase-detection and contrast positions; AI recognition for humans, birds, cats/dogs, motorsports, aircraft and trains; EV −8 to 19 at approximately ISO 100 with an f/1.2 lens. Subject type is selected manually (Amateur Photographer) | Phase Hybrid AF using phase and contrast detection; human, animal, car, motorcycle, train and aircraft recognition; −4 to 18 EV at ISO 100, f/2 and AFS under maker conditions; no automatic subject-type selection (Amateur Photographer) |
| Shutter | Mechanical focal-plane 1/8000–60 seconds and Bulb up to 30 minutes; electronic high-speed modes have additional restrictions | Mechanical 60–1/8000 second and Bulb to approximately 30 minutes; electronic first curtain 60–1/2000; electronic 60–1/32000 with Bulb to approximately 60 seconds |
| Burst detail | Electronic SH1 up to 120 fps with focus/exposure fixed; SH2 up to 50 fps tracking with specified compatible lenses, no slow shutter or flash. Maker example buffer at 120 fps is 88 RAW/90 large fine JPEG, versus 102/125 at 50 fps and 151/375 at 20 fps, with specified KIOXIA card and 12–40mm F2.8 PRO II. Mechanical approximately 6 fps | Full-resolution electronic 75 fps AFS/MF with focus fixed, 60 or 20 fps AFS/AFC/MF; pre-burst options at these speeds. Mechanical 14 fps AFS/MF or 10 fps AFC; electronic first curtain 14/9 respectively. SH buffer 190 RAW/JPEG frames; normal bursts 215 RAW with CFexpress or 200 with SD under maker conditions. Dynamic Range Boost does not operate during SH bursts |
| Stabilisation detail | Five-axis sensor shift, CIPA 2024 up to 6.5 centre/5.5 corner stops with 12–45mm F4 PRO at 45mm; compatible Sync IS up to 7.5/6.5 with 12–100mm F4 IS PRO at 100mm and half-press stabilisation off | Five-axis sensor-shift B.I.S. and compatible Dual I.S.2, each maker rated 7.5 stops under CIPA yaw/pitch conditions; B.I.S. uses H-ES12060 at 60 mm, Dual I.S.2 H-FSA14140 at 140 mm. Electronic video IS is separate. Maker 7.5-stop figure retained over Digital Camera World's conflicting 6.5-stop specification |
| Flash | External hot-shoe flash support. Maker interface table lists a sync socket, while the read review's port discussion does not; no assumed connector shape | – |
| Exposure controls | PASM, five saved custom modes, front colour/monochrome profile dial and CP button. Live ND to ND64; Live GND to GND8. Restrictions on mode, flash, ISO and shutter apply | – |
| Video | ||
| Highest video resolution | 4096 × 2160 at 60 fps | 5760 × 4320 at 29.97 fps |
| Video detail | Internal C4K 4096×2160 or UHD 3840×2160 up to 60p; H.264 and HEVC MOV formats, OM-Log400, HLG and OM-Cinema profiles. FHD high-speed 240 fps is separate from 4K. External 12-bit RAW HDMI needs a recorder and disables internal recording. Maker thermal claim of 30 minutes at 40°C or no thermal time limit at 25°C applies specifically to 4K30 10-bit testing, not every mode | Internal 5760×4320 4:3 open-gate HEVC 4:2:0 10-bit up to 29.97p; 5728×3024 17:9 up to 59.94p; C4K up to 119.88p. Internal ProRes RAW HQ/RAW and ProRes 422 options have format/media restrictions. High-resolution/ProRes/HFR modes retain temperature limits; maker's unlimited-recording claim is C4K/60p or lower and remains battery/media dependent. HDMI 8K is still-image playback only, not recorded video. ARRI LogC3 requires separately purchased DMW-SFU3A activation |
| Audio | Maker MOV settings include 48 kHz/16-bit and 96 kHz/24-bit; external 3.5 mm microphone and headphone connections | Stereo microphone; MOV LPCM up to 96 kHz/24-bit, built-in microphone limited to 48 kHz; optional DMW-XLR2 enables 32-bit float, with channel/sample-rate restrictions. Digital Camera World did not test the XLR2 adapter |
| Screen and viewfinder | ||
| Viewfinder | Electronic | Electronic |
| Screen size | 3″ | 3″ |
| Screen dots | 1,620,000 | 1,840,000 |
| Touchscreen | Yes | Yes |
| Tilting screen | Yes | Yes |
| Display detail | Fully articulated three-inch touchscreen, approximately 1.62 million dots; connected port cables can restrict rotation (Amateur Photographer) | Three-inch 3:2 capacitive touchscreen, approximately 1.84 million dots and 100% coverage; tilt/free-angle articulation. Maker three-inch figure retained over Digital Camera World's conflicting 3.2-inch description |
| Viewfinder detail | OLED approximately 2.36 million dots, 100% coverage, maximum 1.37× with 50mm lens at infinity and −1 dioptre depending on finder style; review figures near 0.68× are full-frame-equivalent magnification | 0.5-inch OLED, approximately 3.68 million dots, 100% coverage; 1.6× optical magnification, equivalent to 0.8× in 35 mm terms, at maker's 50 mm/infinity/−1 dioptre/4:3 conditions |
| Connections and design | ||
| Wi-Fi | Yes | Yes |
| Bluetooth | Yes | Yes |
| Battery life (maker's claim) | 590 photographs | 360 photographs |
| Body weight | 413 g (better) | 721 g |
| Release detail | Maker US press release confirms late February 2025 availability; earliest UK/worldwide retail day unconfirmed, so month precision retained. Press PDF's June upload path is not the release date | Maker UK specifies end of July 2024 availability, retained at month precision; Japan maker specifies 26 July 2024, qualified as that region's date |
| Recording media | One SD/SDHC/SDXC slot with UHS-I and UHS-II support | One CFexpress Type B slot and one SD/SDHC/SDXC UHS-II slot, including V90; external USB SSD recording available for supported modes |
| Ports | USB 3 Type-C, Type D micro-HDMI, 3.5 mm microphone and headphone connections; maker launch release explicitly says wired remote operation is unsupported | USB-C 10 Gbps with charging/power supply, full-size HDMI Type A, 2.5 mm remote and 3.5 mm microphone/headphone sockets; flash-sync terminal doubles as TC IN/OUT through included BNC converter |
| Wireless connections | Wi-Fi and Bluetooth Low Energy 5.2; optional RM-WR2 remote support; GPS tagging uses smartphone location, not an inferred built-in receiver | Wi-Fi 2.4 GHz 802.11b/g/n and 5 GHz 802.11a/n/ac; Bluetooth Low Energy 5.0; Japan channel ranges not assumed identical globally |
| Battery life detail | BLX-1; approximately 590 standard-mode shots or 1040 Quick Sleep shots with specified KIOXIA UHS-II card. Maker video figures 120 minutes CIPA or 190 with zoom and other operations disabled | DMW-BLK22; CIPA 360 LCD/EVF shots with SD or 330 with CFexpress, using H-ES12060. Specified one-second power-save EVF mode approximately 850 with SD or 750 with CFexpress |
| Charging | In-camera USB charging and USB Power Delivery bus power; charger not included, optional BCX-1 dual charger and F-5AC/F-7AC adapters | In-camera USB charging and power supply; supplied DC-type battery charger in Japan package |
| Dimensions | Approximately 139.3 × 88.9 × 45.8 mm, excluding protrusions | Approximately 138.4 × 100.3 × 99.6 mm, excluding protrusions |
| Weight detail | Approximately 413 g body only or 496 g including battery and memory card; photographed 12–45mm kit lens excluded | Maker 721 g body only, 805 g with battery and one SD card; lens excluded |
| Materials | Magnesium alloy, −10 to 40°C operation; IP53 or IPX1 performance depends on attached lens. Maker weather qualification excludes charging and HDMI connection, and is not an immersion rating | Dust/splash-resistant body; maker operating range −10 to 40°C with cold-temperature battery and compatible-lens restrictions; no waterproof rating inferred |
| In the box | – | Japan maker lists eyecup, hot-shoe cover, sync-terminal cover, battery, DC-type battery charger, TC IN/OUT BNC converter cable, shoulder strap and body cap; regional contents may vary |
| Colours | Silver-and-black body | – |
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